Author Archives: Paul Bramhall

Greenhouse (2023) Review

Whether it’s a stereotype or not, there can be a tendency to lump Korean indie features from debut directors together as being rather depressive affairs. Usually gritty character driven dramas centred around those on the bottom rungs of society and their daily struggles, the genre is an understandable go-to, able to be executed on a small to mid-budget while still being able to pack a powerful emotional punch. Director Lee … Continue reading

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The Bodyguard (2024) Review

In 2024 director Qin Pengfei seemed to be channelling the work ethic of Chang Cheh at his most productive, cranking out an impressive 6 productions spanning everything from period kung-fu flick, to wuxia styled swordplay, to contemporary actioner. It’s hardly a surprise that in the following year he’d take a break, before returning in 2026 with Wings of Dread, offering up the enticing prospect of Ashton Chen versus Iko Uwais. … Continue reading

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Second Life | aka Son of a Punch (2024) Review

What do you get when you combine an actress who was around when Bruce Lee was still active, and the actor who played Bruce Lee in 2016’s Birth of the Dragon? The answer is 2024’s Second Life, which offers up a rare starring role for Yuen Qiu, and arguably an equally rare starring role for HK action thespian Philip Ng, here reuniting for the first time since appearing together in … Continue reading

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The Sin (2024) Review

There are two extremes when it comes to directorial debuts in Korea – on the one end you’ve got the gritty social dramas, tending to focus on those dwelling on the bottom rungs of societies ladder and the struggles of their every day lives. On the other, you’ve got an almost avant garde approach that could best be described as go hard or go home, in which first time filmmakers … Continue reading

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A Good Man (2014) Review

Was director Keoni Waxman trying to tell us something through the production titles he helmed with Steven Seagal? A kind of DTV version of “blink twice if you need help”? When they first worked together in 2009 it seemed Waxman thought Seagal was A Dangerous Man, however 5 years in he’d changed his mind, indicating in 2014 that Seagal was in fact A Good Man, only for things to turn … Continue reading

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Curbing Violence (2024) Review

Was 2024 the year the Chinese web movie discovered irony? For a production titled Curbing Violence there are more bottles smashed over heads than is possible to count, bodies are frequently thrown into inanimate objects, and faces regularly subjected to a barrage of punches. Not that I’m complaining. With a scene stealing villainous turn in Black Storm from the same year, here Bao Beier (Journey to the West: Demon Chapter) … Continue reading

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Black Storm (2024) Review

When China’s now ubiquitous web-movie scene first appeared in the mid-2010’s, it would be a hard sell to believe that such productions would eventually lead to a resurgence of the contemporary setting martial arts movie. Back then they mostly consisted of cheap looking wuxia movies and even cheaper monster flicks, however it was arguably 2021’s Fight Against Evil that made fans of HK style action sit up and take notice. … Continue reading

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Exit 8 (2025) Review

The concept of liminal space horror has been all the rage in the 2020’s, one that can be traced back to a single photo posted on 4chan in 2019 that kick started The Backrooms phenomenon. Essentially about the feeling of dread and unease created through experiencing transitional spaces when stripped of their usual activity – think empty airports, hotel corridors, or stairwells – for many the COVID 19 pandemic made … Continue reading

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Omniscient Reader: The Prophecy (2025) Review

When it comes to summer blockbusters, sometimes it’s worth leaving some space between the noise generated around the time of release, and actually watching the movie itself. That’s what happened with me and Omniscient Reader: The Prophecy, when I found myself willingly skipping a trip to the cinema when it was released in the summer of 2025. As a Korean cinema fan I confess I now feel slightly guilty, especially … Continue reading

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From the World of John Wick: Ballerina (2025) Review

Considering the elegance and beauty of ballet, in the world of cinema being a ballerina can often be a sign of danger. From Jeong Hye-gyeong’s taekwondo infused ballerina routine in 1977’s Secret Agents II, to Jennifer Lawrence’s seductive moves in 2018’s Red Sparrow, tutu’s have never seemed so lethal as when they appear on the big screen. In 2025 Ana De Armas would join their ranks in Ballerina, who after … Continue reading

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Ip Man: Kung Fu Legend (2026) Review

If the phrase beating a dead horse refers to still trying to milk a concept long after its expiry or relevance has diminished, then 2026’s Ip Man: Kung Fu Legend must be the web movie equivalent of nuking a dead horse. Ip Man was all the rage back in the late 2000’s and early 2010’s, and amongst the craze for wing chun chain punches and rain-soaked fight scenes, a new … Continue reading

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Wings of Dread (2026) Review

Back when I was first getting into HK action cinema I watched the 1986 classic Royal Warriors (and still own the Universe DVD to this day!), a highlight of which sees Michelle Yeoh and Hiroyuki Sanada take on Chan Wai-Man and a bunch of hijackers on a plane. A masterpiece of close quarters choreography, I’d always thought what a cool idea it would be to set a whole kung-fu movie … Continue reading

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Colony (2026) Review

While in recent years it’s 2019’s Parasite that most commonly gets referred to as Korean cinema’s international breakout hit, over the course of the 21st century there have of course been other examples along the way. In the early 2000’s it was 1999’s Shiri that made waves overseas and for many, including myself, acted as the first introduction to what Korean cinema had to offer. In 2003 I still remember … Continue reading

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COF Presents: The Top 10 Fight Scenes on a Bus

When it comes to public transport in action movies, I’ve always felt like the humble bus tends to get shortchanged in favour of the train. I mean even a movie like Speed, that has its whole premise set around a bus, decides to end things with an action finale set on a train. I get it, trains offer plenty of scope for action scenes to play out in, but if … Continue reading

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Boss X File (2002) Review

Director: Kim Sung-duk Cast: Jeong Woon-Taek, Kim Bo-Sung, Lee Ji-Hyun, Ahn Moon-Sook, Sung Hyun-Ah, Ki Joo-Bong, Jo Sang-Geon, Lee Yoon-Sung, Park Geun-Hyung, Kim Kuk-Jin Running Time: 108 min. By Paul Bramhall I confess that Boss X File would have been one of the many comedies that Korea churned out during the early to mid-2000’s that would never have landed on my radar, had it not been for an interview that … Continue reading

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