While in recent years it’s 2019’s Parasite that most commonly gets referred to as Korean cinema’s international breakout hit, over the course of the 21st century there have of course been other examples along the way. In the early 2000’s it was 1999’s Shiri that made waves overseas and for many, including myself, acted as the first introduction to what Korean cinema had to offer. In 2003 I still remember … Continue reading →