Director: Lee Sa-Rang
Cast: Kim Soo-Hyun, Sung Dong-Il, Sung-Min, Sulli, Jo Woo-Jin, Lee Kyoung-Young, Han Ji-Eun, Kim Hong-Fa, Jung In-Gyeom, Choi Kwon, IU, Ahn So-Hee
Running Time: 137 min.
By Paul Bramhall
Once in a while a production comes along whose reputation for being a complete train wreck precedes it. Who can forget Andy Lau apologising for appearing in the 007-inspired spy caper Switch, or Jackie Chan battling an Australian Borg rip-off on a spaceship in Bleeding Steel? In 2017 Korea unleashed Real onto the world, a movie that piled up so many negative reviews (only equalled by the number of memes it generated) even before it was officially released, that in some publications it was dubbed as the worst Korean movie ever made. Topped off by lead Kim Soo-hyun crying at one of the promotional events while he was introducing a screening (ok, so the incident was later explained that he was overwhelmed by remembering how hard it was to film, but the jury’s still out on that one), and it’s easy to see why Real rarely gets mentioned when discussing Korean cinema.
Looking back with the benefit of 5 years hindsight, Real remains just as mind boggling today as it did when it was initially released. A starring vehicle for Kim Soo-hyun (Secretly, Greatly, The Thieves), who at the time was still hot off the success of My Love from the Star – a 21-episode Korean drama that aired across 2013 and 2014 (notably its popularity in China resulted in Alibaba coming onboard to co-produce Real) – the production itself was just as rocky as its critical reception. Scripted by Lee Jung-sub (The Best Romance, Lost in Love), Real was also set to be his directorial debut, however for reasons which remain unknown to this day, he stepped down at some point after filming had started. He was replaced by Lee Sa-rang (which in English, literally translates to Love Lee), Soo-hyun’s cousin, and owner of the company in charge of the production. Real remains Sa-rang’s one and only film credit.
It’s difficult to describe Real with only the limits of language to play with – is it an Avant Garde psychological neo-noir, an overly stylish gangster flick, or a misguided character study into addiction and identity? I’d daresay it’s all of these things, and in the hands of a director with zero experience armed with a sizable budget, the end result is such a singularly unique experience that it’s highly unlikely something like Real will ever grace Korean cinema screens again. Dig out any of those reviews from the time of its release, and the one thing that’s immediately noticeable is that the plot description is inconsistent across all of them. It’s understandable, as attempting to fathom exactly what’s happening at any given time in Real’s epic 137-minute runtime is a daunting Continue reading
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