Director: Jeong Chang Hwa
Cast: Shin Il-ryong, Chan Sing, Chao Hsiung, Chan Wai-Man, Sammo Hung, Tutie Kirana
Running Time: 90 min.
By Paul Bramhall
When is a Korean movie not a Korean movie? The answer is when it’s a Hong Kong movie, and with the influx of Korean talent that was active in Hong Kong during the 1970’s, it’s hardly surprising that some of the territories output would come to bear an overtly Korean influence. Cheng Chang-ho was one such director who’d made the jump from Korean shores to Hong Kong in the late 1960’s to work for the Shaw Brothers, having impressed Run Run Shaw with his Korean output. Already a veteran of over 40 productions by the time he helmed his first Shaw Brothers production with 1969’s Temptress of a Thousand Faces, Chang-ho would stay with the studio for the next 3 years, during which time he’d crank out a further 6 titles. His swansong for Shaw Brothers would be 1972’s King Boxer, the movie which would go on to popularise the kung-fu genre in the west under the re-title of Five Fingers of Death.
After his stint at Shaw Brothers Chang-ho moved across to Golden Harvest, a studio that was still trying to find its place in the Hong Kong film industry after the death of its biggest star Bruce Lee in 1973. Chang-ho’s time at Golden Harvest was distinctly different from his output in Hong Kong so far, with his filmography becoming more focused on grounded Continue reading
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