Apostle (2018) Review

"Apostle" Teaser Poster

“Apostle” Teaser Poster

Director: Gareth Evans
Writer: Gareth Evans
Cast: Dan Stevens, Lucy Boynton, Mark Lewis Jones, Bill Milner, Kristine Froseth, Michael Sheen, Blake Ridder, Owain Gwynn, Juke Hardy, Pino Maiello
Running Time: 129 min.

By Kelly Warner

After The Raid 2, many of us assumed that the next Gareth Evans film we’d be watching would be The Raid 3. But Evans made it clear that he needed a break from The Raid and wanted to get out of Indonesia for his next film (though everything from Merantau through The Raid 2 was filmed in Indonesia, Evans is a Welsh born filmmaker). Personally, I was not surprised that the next Evans film would be a horror movie. In addition to his amazing V/H/S/2 segment Safe Haven (the best piece in the entire VHS horror anthology series), I believe you could get a sense of a horror filmmaker underneath the surface of the Raid films. The Raid movies mix action with horror movie violence like they were made for each other. Hammer Girl would fit into a horror movie screenplay just as easily as the script of a crime saga. So, when news came down that a Dan Stevens led horror film titled Apostle would be the next Evans effort, I got excited because I knew the director was familiar with what the genre asked of him.

It’s 1905 and the daughter of a rich man is being held captive by a religious cult. They demand a ransom in exchange for her safe return, but the rich man is too old and weak to journey across the water to save his daughter. So the task falls to the girl’s brother, Thomas (Dan Stevens), a drifter long thought dead and/or useless to the world. Thomas assumes the identity of a different worshiper and slips onto the boat ferrying new arrivals to the far off island that the cult has turned into their paradise.

Thomas infiltrates the cult while the community is at their weakest. The crops have gone bad, the livestock won’t breed properly, faith is fading, and everyone is paranoid about who or what is to blame. The cult is led by the Prophet Malcolm (Michael Sheen), who says he is the chosen voice for a nameless ‘She’ that rules the island and its surrounding waters. On this island, there are no worldly possessions like money, no texts from the outside world, no calls for conflict or war. It is meant to be beautiful. But it is ugly and strange underneath. Most the people here are good, decent folk worshipping a new faith. They don’t all know about kidnappings, ransom notes, or… blood sacrifices.

It’s not long before the cult leaders begin to suspect that the kidnapped girl’s kin is hidden amongst them. Thomas must be careful, but he cannot waste time. The moments when Thomas is slinking around are suspenseful. But when he uncovers the truth, that’s when things get really interesting.

What helps set Apostle apart from other creepy cult horror films is the Thomas and Prophet Malcolm characters. Thomas is a darker character than most heroes for this sort of story, and Malcolm isn’t nearly as evil as we might expect. Both hero and villain operate in interesting gray areas. Thomas is a dangerous man who lost his faith and scowls at the island’s worshippers when they’re not looking. Dan Stevens (The Guest), one of the most interesting actors of his generation, sells the part because he doesn’t act the badass. He’s too slight of frame for that, I think. Instead he presents Thomas as a survivor, a man who knows what it takes to make it to the next day, caring little for the amount of blood or dirt that gather beneath the fingernails to make that possible. Likewise, Prophet Malcolm may indeed do terrible things, but he always does them in an attempt to help his paradise succeed. What I most enjoyed about Michael Sheen’s (Frost/Nixon) performance were the moments he decided to show horror and the moments he was more straight-faced.

And then there’s the ‘Her.’ Apostle is a Lovecraftian horror adventure about the man on a mission who finds people worshipping something old and strange. I enjoyed these aspects of the film as well, though I also wish it’d somehow gone a little stranger. However, at 2 hours and 10 minutes, it’s already a little long for a horror movie. That being said, I cannot on first viewing think of anything that could’ve been cut. Everything in the movie either lends to character, setting, or mood. It’s also a very fast moving 2+ hour movie.

I liked the way in which Evans let the bloodshed start as a trickle before it became a literal waterfall. In an early scene, a knife goes across someone’s throat with surprisingly little blood spray for a film from the director of The Raid 2. In that film, his hero fried a dude’s face off on a stove. But it gets wild and nasty in some later scenes, especially one featuring an old meat grinder. The fight scenes, understandably kept at a minimum by comparison to The Raid and Merantau, are well executed. These scenes are better than similar fights in movies where the action is why you show up. In Apostle, the action is secondary, and it’s still done really well.

There are times while watching Apostle that you could be forgiven if you forgot you were watching a Gareth Evans film. Part of this is simply because Iko Uwais is nowhere to be seen. But also, Apostle is the first chance that most of us have seen Evans do something totally different from his Indonesian films (his directorial debut, Footsteps, was filmed in Wales but the film is not as well-known or as widely seen as his other works). As much as I want to see The Raid 3 (which might never happen) or some other Evans/Uwais collaboration, Apostle made me realize that there’s a lot more to the filmmaker than silat kicks and improvised stabbing. I’m now looking forward to the next Evans horror film as much as I am his next martial arts actioner.

I really liked Apostle. It’s cool and creepy good times with some nice cinematography, an interesting score, and nary a false note in any of the performances. Sometimes I wish it had gotten weirder, but I’m happy with the weirdness that we got. Fans of The Wicker Man and Lovecraft should definitely check it out, but I think it should appeal to film buffs in general, provided they can stand the bloody happenings of the second half.

Kelly Warner’s Rating: 8/10

Posted in All, Asian Related, News, Other Movies, Reviews | Tagged , |

Albert Pyun is back with ‘BAAD: Bad Ass Angels & Demons’

"BAAD: Bad Ass Angels & Demons" Poster

“BAAD: Bad Ass Angels & Demons” Poster

The shooting starts this weekend on cult director Albert Pyun’s (Cyborg, Nemesis, the Sword & the Sorceror) ambitious fantasy actioner BAAD: Bad Ass Angels & Demons.

The film stars Mia ScozzaFave as Arch Angel Azrael, Fulvia Santoni as Arch Angel Gabriel, Kenzi Phillips, Noa Lindberg as the demon Lilith, Glenn Maynnard as the Demon God Maalik, Ermina Perez as the demon Naraka, Brandy Mason, Chloe Brown, Sheila Krause, Zach Muhs and Linda Kerridge from the classic Fade to Black who previously worked with Pyun on a trilogy of Pyun’s earliest films.

The film is being produced by Donna Fischer-Gray, Brad Thornton, Tai Nicole Weinman and Cynthia Curnan, the films screenplay is by Curnan and Pyun himself. The project builds upon ideas for Pyun’s original unproduced screenplay for Masters of the Universe 2, which in turn evolved into the basic of the cult classic Cyborg starring Jean-Claude Van Damme.

The film is being directed and shot by Albert Pyun in 360′ VR 3D, using a variety of lightweight action camera systems from Go pro, Xiaomi and Yi. This sees Pyun handling cinematography for the first time since shooting short films and an early feature with veteran producer Tom Karnowski in the 1970’s. BAAD is shooting on locations in Las Vegas, Utah, Israel, Nepal and Thailand with an expected release in the fall of 2019.

The film sees Pyun returning to the director’s chair for the second time since being diagnosed with early stages of onset dementia in 2014. Pyun continues to challenge himself and be an inspiration to film-makers from around the world.

Posted in News |

‘The Night Comes For Us’ with a dark ‘n deadly New Trailer

"The Night Comes For Us" Netflix Poster

“The Night Comes For Us” Netflix Poster

The long-awaited Indonesian action film The Night Comes for Us (read our review), ill finally be seeing the light of day October 19th on Netflix.

Helmed by Timo Tjahjanto – 1/2 of the “Mo Brothers” directing duo (Macabre, Killers, Headshot) – The Night Comes for Us is a neo-noir hitman thriller that stars Joe Taslim (The Raid), Iko Uwais (The Raid 2), Sunny Pang (Headshot) and Julie Estelle (Macabre).

Taslim plays Ito, a former triad enforcer must protect a young girl while trying to escape his former gang, setting off a violent battle on the streets of Jakarta.

The Iko Uwais Team (Headshot), headed by Uwais (The Raid) and Very Tri Yulisman (The Raid 2), is delivering the film’s fight and action choreography.

Updates: The official Trailer for The Night Comes for Us is now available below:

Posted in News |

Deal on Fire! John Wick | Blu-ray | Only $7.59 – Expires soon!

John Wick | Blu-ray & DVD (Lionsgate)

John Wick | Blu-ray & DVD (Lionsgate)

Today’s Deal on Fire is the Blu-ray for David Leitch and Chad Stahelski’s John Wick (read our review), starring Keanu Reeves.

Reeves plays John Wick, a retired assassin who now leads a peaceful lifestyle. But when a series of unfortunate events distort his daily routine, Wick has no choice but to revisit his sinister past and go on one hell of a kill crazy rampage.

John Wick also stars Michael Nyqvist, Alfie Allen, Willem Dafoe, Dean Winters, Omer Barnea, Adrianne Palicki, Toby Leonard Moore, Daniel Bernhardt and John Leguizamo.

Order John Wick from Amazon.com today!

Posted in Deals on Fire!, News |

‘The Raid’ helmer’s thriller ‘Apostle’ gets a New Trailer

"Apostle" Teaser Poster

“Apostle” Teaser Poster

While we’re all anxiously waiting for a possible The Raid 3, Gareth Evans (Merantau), the creator of The Raid franchise is currently putting final touches on his latest film, Apostle (read our review), which will premiere on Netflix on October 12th.

Apostle follows a man who travels to a remote island and attempts to rescue his sister after she’s kidnapped by a religious cult. The group demands a ransom for the sister’s return, undermining the man’s resolve to rescue her (via Deadline).

In a recent interview with Impact’s Mike Leeder, here’s what Evans had to say about the project: “Apostle is a period mystery thriller set in 1905, Edwardian England… It was a conscious decision to do something outside of the action genre, sure. For me I’ve always been a fan of all cinema and so, regardless of the fact that action has given me the good grace and fortune to carve out a career for myself, I’ve always said I wanted to explore other genres,” Evans added.

Apostle stars Dan Stevens (The Guest), Michael Sheen (Underworld), Lucy Boynton (Sing Street), Bill Millner (Son or Rambow) and Kristine Froseth (Rebel in the Rye).

The other Evans project in the air is Blister, a “contemporary American gangster story with echoes of The Wild Bunch,” according to Evans. The film was intended to begin production this year, but has been pushed back and currently remains in limbo. Evans is also in-talks to write and direct a live-action adaptation of DC Comics’ Deathstroke, as well the crime drama series Gangs of London for HBO’s Cinemax and Sky Atlantic.

Check out the Newest Trailer for Apostle below:

Posted in News |

First Trailer for Park Chan-wook’s series ‘Little Drummer Girl’

"Little Drummer Girl" Poster

“Little Drummer Girl” Poster

Visionary director Park Chan-wook (Sympathy for Mr. VengeanceThe Handmaiden) is getting ready to unleash a six-episode AMC/BBC mini-series based on John le Carre’s spy novel The Little Drummer Girl.

The series follows Charlie (Florence Pugh), an actress whose vacation misadventures walk her right into a global intelligence role that forces her to take on a literal deadly role. Alexander Skarsgård co-stars as Becker, an Israeli agent tasked with bringing her into the international plot, and Michael Shannon as Becker’s dangerous boss Kurtz (via IW).

The series is slated to debut in the U.S on AMC as a three-night television event with a two-hour episode on November 19th at 9:00 P.M. ET/PT. Additional two-hour episodes will air on consecutive nights at 9:00 P.M. ET/PT on November 20th and November 21st (via Collider).

The Little Drummer Girl was previously made into a feature film by George Roy Hill (Butch Cassidy and the Sundance Kid) in 1984, which starred Diane Keaton (The Godfather) as Charlie.

Don’t miss the New Trailer for the series below:

Posted in News |

Hold the Dark (2018) Review

"Hold the Dark" Poster

“Hold the Dark” Poster

Director: Jeremy Saulnier
Cast: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Julian Black Antelope
Running Time: 125 min.

By Kyle Warner

In days like these, when seemingly every other person in Alaska has their own reality TV show and the powers that be plan to put oil pipelines all across the land, the state of Alaska is losing some of its rugged, dangerous appeal. But in the deep dark woods of the state, you can still find some of America as it once was, wild and natural and unknown. That’s where Hold the Dark takes place, in the pitiless wilds of Alaska where predators rule and industry has left the land largely untouched. Jeffrey Wright’s hunter is called in to explore the deep dark of the woods, looking for something menacing that lurks there. However, as Hold the Dark progresses, our understanding of the ‘dark’ changes, and the movie becomes less about exploring the deep dark of nature and more about the deep dark of the human heart.

The Sloane child is taken. The boy’s mother, Medora (Riley Keough), believes he is the latest in her small Alaskan village to be taken by wolves. When the search yields no results, Medora Sloane wants revenge, and calls upon nature writer Russell Core (Jeffrey Wright) to come in and kill the wolf that took her son so that she will have at least something to show her husband when he returns from war. “I know you have sympathy for this animal. Please don’t,” she writes to Core. And indeed, Core is more of a man of nature than he is a hunter of it, but he agrees to help if he can. “Help explain what happened here.” From early on, Core has reason to believe that Medora isn’t all right, but he chalks this up to her dealing with grief in one of the loneliest places in the world. As Medora stares out the chilled glass of her little cabin, she asks Core, “Do you have any idea what’s outside those windows? How black it gets? How it gets in you?”

Medora’s husband, Vernon Sloane (Alexander Skarsgård), is introduced to us during his service in the Middle East. He is a cold, efficient soldier, who barely says a word. When he walks in on a fellow American soldier raping a local woman, Vernon calmly takes out his knife and stabs the man, then hands the knife to the woman for her to finish the job. A bullet wound knocks him out of the war and sends him home early, where upon he must face the news that his son is dead and his wife has suddenly gone missing.

Core is very much the audience’s surrogate, putting together the pieces, asking the right questions, and nervously continuing towards the darkness. And because of this, it is surprising how much of the film is yielded to Vernon Sloane and the local lawman played by James Badge Dale (who has never been better). It’s a quiet film full of implied meanings and dark questions (12 hours later I just thought up a holy shit possibility that changes everything, the details of which I cannot share for fear of ruining too much).

Hold the Dark keeps you at arm’s length for a very long time as you try to figure out just what it is. As a fan of director Jeremy Saulnier and a fan of man vs nature movies in general (go nature!), Hold the Dark has been on my radar for a long time. Watching the first trailer, I thought it was going to be a mix of The Grey and The Wicker Man. Well, it’s not that at all. It has so much genre DNA in the mix – adventure, thriller, action, horror, thriller, existential cosmic dread – that it’s a difficult movie to pin down as you’re watching it. On the surface, Hold the Dark is simpler than it seems at first. But once you dive below, you find that deep dark heart full of complexities and unanswered questions. There is a lot of subtext here, some of it horrifying. And because so much of the film lets its meaning be implied rather than stated, it is likely to lose some viewers along the way. It does end in a sort of ‘wait what?’ fashion but as I let the movie digest I came to appreciate this finale more.

The performances are largely very good. Jeffrey Wright (Casino Royale) has long been one of Hollywood’s most underappreciated actors and he sells Core’s everyman vulnerability well here as he is thrust into a mystery he’d really rather bow out of. James Badge Dale (Iron Man 3) has a cool, blue collar working man quality to him that reminds of Roy Scheider. He enters the film later than the rest of the main cast but takes over almost every scene he’s in without a need for chewing scenery. It’s a seemingly effortless performance. One scene in which Dale tries to talk down a suspect played by actor Julian Black Antelope (Blackstone) is one of the best acted scenes in 2018 cinema. Riley Keough (Mad Max: Fury Road) continues a string of interesting supporting roles as the grieving and strange mother Sloane. I was less impressed by Alexander Skarsgård (Big Little Lies), who whispers his way through the movie. Skarsgård is better when he says nothing (which, to be fair, is pretty often), as he has a quiet stillness to him that makes his character’s cruelty seem all the more chilling.

Over his first three features, director Jeremy Saulnier was noticeably improving as a filmmaker with each new film. Blue Ruin was a big step up from Murder Party and Green Room was a big step up from Blue Ruin (I still consider Green Room the best film of 2016). It would be a bit unfair to call Hold the Dark a step back, but it is the first time where Saulnier’s newest film is not his new best film. That said, it is his most ambitious. Whereas his other films addressed the bloody darkness head-on, Hold the Dark is more ambiguous and (depending on the viewer) has the potential to say more, especially on repeat viewings. The screenplay is written by supporting actor and frequent Saulnier collaborator Macon Blair (I Don’t Feel at Home in This World Anymore.) based on a novel by William Giraldi. Blair continues to be one of the most interesting artists working in film as well, here crafting a great script while also providing one of the movie’s few laughs in his supporting role.

At the center of Hold the Dark is one of the bloodiest, ugliest shootouts in modern film memory. It is ultra-violent and horrific, joining a small but growing number of films that make gun violence into the stuff of horror movies. It’s incredible filmmaking, tense as hell. It’s also a peculiar moment that, if viewed in terms of plot, seems to take up a lot of time from the central story. But I feel that Hold the Dark is more about mood and theme than it is story, and as such the pitiless massacre of the shootout fits right in with the rest. A cold, merciless movie which ends with more than a few unanswered questions, Hold the Dark is bound to divide audiences. But if you’re in the right mood for this particular breed of darkness, there’s an interesting movie to explore.

Kyle Warner’s Rating: 7/10

Posted in All, News, Other Movies, Reviews | Tagged , |

Sion Sono to direct gruesome murder series for Netflix

Cold Fish DVD (Salient)

Cold Fish DVD (Salient)

Director Sion Sono (Why Don’t You Play in Hell?), “the most subversive filmmaker working in Japanese cinema today,” has signed on to direct a Netflix series titled Ai-naki Mori de Sakebe, which translates to “Shout in the Loveless Forest.”

The upcoming series – which revolves around a gruesome triple murder – stars Kippei Shiina (Outrage), Shinnosuke Mitsushima (The Third Murder) and Denden (Cold Fish).

According to THR, Netflix has been investing heavily in original Japanese content. Its local platform boasts the most titles of any of the streaming giants, surpassing even the U.S. with more than 6,000 programs and films.

We’ll keep you updated on Ai-naki Mori de Sakebe as we learn more.

Posted in News |

Don’t hold your breath for ‘Deathstroke’ film from ‘Raid’ helmer

"The Raid 2: Berandal" Theatrical Poster

“The Raid 2: Berandal” Theatrical Poster

We usually don’t report on comic book movies (there’s better websites for ’em), but here’s a story we couldn’t resist: Gareth Evans (Merantau), the mastermind behind The Raid franchise, is in-talks to write and direct a live-action adaptation of DC Comics’ Deathstroke, a character created by Marv Wolfman and George Pérez.

According to TW, Deathstroke was ranked as IGN’s 32nd greatest comic book villain of all time. Deathstroke possesses enhanced strength, speed, agility, and durability granted by an experimental serum. These include having the strength of ten men, and possessing heightened speed, stamina, endurance and reflexes (via WP).

Updates: “Nothing really went beyond those conversations [in October 2017]. I haven’t heard anything for a really long time,” Evans noted. “To be honest, every time I see an article written I keep wanting to ask, ‘Okay, what is it you guys know that I don’t know?’ Because I haven’t heard anything for a good while yet. So I don’t know if that will ever come back full circle at some point. But I know I haven’t had any conversation about that project for a long time now” (via CB). For now, Evans is prepping Apostle, which will premiere on Netflix in October!

Posted in News |

Outrage Coda | Blu-ray (Film Movement)

Outrage Coda | Blu-ray (Film Movement)

Outrage Coda | Blu-ray (Film Movement)

RELEASE DATE: November 20, 2018

Ready for another dose of organized brutality? On November 20, 2018, Film Movement is releasing the Blu-ray for Outrage Coda (aka Outrage: Final Chapter), a Yakuza thriller directed by, written by, and starring Takeshi Kitano (Mozu: The Movie).

Outrage Coda (read our review) is the follow up to Outrage and Beyond Outrage. The first film did for dental offices what Jaws did for the beach…

Other returning stars include Toshiyuki Nishida (Sukiyaki Western Django), Sansei Shiomi (Crows Zero), Tatsuo Nadaka (Onnagai), Ken Mitsuishi (Kaidan), Ikuji Nakamura (Shin Godzilla), Yutaka Matsushige (Crows Zero) and Hakuryu (The Good, The Bad, The Weird).

Pre-order Outrage Coda from Amazon.com today! 

Posted in Asian Titles, DVD/Blu-ray New Releases, News |

Gareth Evans reveals what ‘The Raid 3′ would have been…

"The Raid 2: Berandal" Poster

“The Raid 2: Berandal” Poster

If 2009’s Merantau hinted that director Gareth Evans was on to something special, then 2011’s The Raid proved our point. With 2014’s The Raid 2: Berandal, expectations were not only met, they were drastically surpassed.

Fact is, in such a short amount of time, Evans is an ingenious filmmaker who is on one hell of a creative peak; funny thing is, something tells us the guy hasn’t even reached his peak yet. Using The Beatles as analogy: If Merantau is “Meet the Beatles,” then The Raid is “Rubber Soul;” If The Raid 2 is “Revolver,” then perhaps The Raid 3 will be “Sgt. Pepper’s Lonely Hearts Club Band”?

Evans has made his mark as one of the hottest action directors working in film today. And he does it with a limited budget, a foreign language and no big names or stars (which has obviously changed for Iko Uwais).

In celebration of Evans’ cinematic victory, we decided to jump the gun on The Raid 3 (regardless if a Raid 3 ever happens), using a roller coaster of updates from the director himself:

So far, here’s what we know/knew about The Raid 3:

“I don’t have any plans to do The Raid 3 within the next two or three years so I’m going to take a break from that franchise for a bit… I want to do some some things outside of Indonesia for like two films, then come back to Indonesia and shoot The Raid 3. I have another one I want to shoot with him first. Still in the action genre and it’s something that [Uwais] needs to train for for a fair amount of time. You have to make good with some weaponry, my friend,” says Evans (via CO.com, March 2014).

“If The Raid 2 starts two hours after the first film, The Raid 3 will start three hours before The Raid 2 finishes. We’ll go back in time a little, and then we’ll branch off. So for me – without giving too much away – I want to try a different landscape. I want to try to shoot something that’s very, very different from the first and the second one. So visually it’ll look completely different, tone-wise it’ll be very different. So there’s a lot going on there, a lot of ideas going around in my head, it’s just a case of putting them down on paper. We’re in the process of developing it for maybe two years down the line,” says Evans (via DOG, April 2014).

Evans has brought up Scott Adkins on numerous occasions, so you can’t deny that Adkins has a chance of appearing in The Raid 3. Even Adkins himself has tweeted: “I’m officially stating it NOW!! @ghuwevans better me put in The Raid 3!! Here’s what Evans had to say about him: “Scott Adkins I’ve had the pleasure of meeting on a few occasions. He’s ridiculously talented with an all round skillset that combines fight techniques with athleticism and acrobatics. I’m looking for the right project, once I do I would love to work with him on something” (via COF).

There were some imdb.com rumors that suggested martial arts super star Tony Jaa (Ong Bak) may be joining the cast of The Raid 3. Although imdb’s information may or may not be accurate, it’s definitely a 50/50 scenario. Here’s what Evans had to say about Jaa: Tony Jaa is a phenomenal talent. Ong Bak was a major announcement to the industry and to audiences that the martial arts genre was back. Of course there’s been a fair amount of mud thrown around regarding the situation between artist and production company but that’s not for us to know nor is it in any way something that takes anything away from his all round talents. With the right script, the right role and please God no elephants.” But in a later reply with Evans, he said this about the rumor: “That’s just someone posting it up on imdb.com. I have a huge amount of respect for Tony, but I haven’t even put pen to paper on The Raid 3 yet, and it won’t happen for a couple of years” (via COF).

In early 2015, Evans took to Twitter to give us an update (or lack thereof) for the 3rd chapter of The Raid series: “The Raid 3 isn’t going to be happening anytime soon. Ideas in my head. Nothing written. No set date. 2018/19 possibly.”

In a November 2016 interview with Impact’s Mike Leeder, Evans had this to say about The Raid 3: “To be honest I don’t really know. I have an idea and it’s the same idea I’ve had since we were making part 2. Nothing has changed on that front, I just can’t say for sure when I’ll be in the right headspace to do something with it. Whether it was a conscious decision or not, moving back to UK felt like a closing chapter on that franchise – we ended the story pretty neatly (I feel) in part 2. I’m aware there’s an interest for it, and genuinely it is incredibly touching to see people still dropping messages my way asking for it. So never say never, but it’s unlikely to happen anytime soon.”

On September 23, 2018, came some disappointing news for those of us wanting a Raid 3: Here’s what Evans told CBThe Raid 3 was… at one point it was on my radar. I had a full idea. I know what the storyline would have been. But I think enough time has passed now that I think I’m not likely to go back and revisit it. We had a lot of fun making those films, and I think we came to a nice, sort of natural conclusion with [The Raid 2]. And I think sometimes you can have a little bit too much of a good thing.

Updates: Speaking to JoBlo, Evans revealed that The Raid 3 would have been more about the gangs rather than Iko Uwais’ character, Rama:

“I knew what I wanted to do with The Raid 3, I knew what that story was going to be. If I was ever going to make it, it really had to have happened after we made The Raid 2. The storyline was going to pick up – I’ll give you a little bit of it – if you were watching The Raid 2 and rewound from the ending about 15-20 minutes back to when Goto gives instructions to his right-hand man to go kill the police, kill the politicians, ‘kill everyone that we work with, we’re going to start fresh,’ that was going to be the first scene of The Raid 3. It was going to be more about the yakuza than it was going to be about Rama; Rama was not really going to feature in that storyline much at all, it was going to be about the bosses in Japan realizing that someone in Jakarta that represented them started to fuck with the politicians and the police in a country they don’t belong in. It was going to be the fallout from that.”

“It was going to be a 95 minutes, 100 minutes, sort of… escape into the jungles of Indonesia type of thing. But it really needed to be made at that period of time. Four years, five years later to go back and try to recreate that, it felt a bit disingenuous. I made three martial arts films in a row, I wanted to explore other things first. It was always a cool idea, but it stopped being really special for me. The Raid, it gave me an awful lot that I’m very appreciative about, but that adventure is kind of over now.”

Again, never say never, but for now, Evans is prepping Apostle, which hits Netflix in October!

Posted in News |

Takeshi Kitano: TKO Collection | Blu-ray (Film Movement)

TKO Collection - 3 Films by Takeshi Kitano | Blu-ray (Film Movement Classics)

TKO Collection – 3 Films by Takeshi Kitano | Blu-ray (Film Movement)

RELEASE DATE: November 20, 2018

On November 20, 2018, Film Movement Classics will be releasing the TKO Collection – 3 Films by Takeshi Kitano on Blu-ray. This box set includes Violent Cop, Boiling Point and Hana-bi (aka Fireworks).

Violent Cop (read our review): In his explosive directorial debut Japanese renaissance man-cum-comedian-extraordinaire Takeshi Beat Kitano plays vicious rogue homicide Detective Azuma who takes on a sadistic crime syndicate only to discover widespread internal corruption in the police force. Facing criminal charges for his unorthodox Dirty Harry-type methods, Azuma finds himself caught in a web of betrayal and intrigue that sends him on a bloody trail of vengeance. But when his sister is kidnapped by a sadistic drug lord, Azuma’s tactics escalate towards an apocalyptic climax.

Boiling Point (read our review): Ono Masahiko is an unlucky gas station attendant who belongs to a losing junior baseball team. When the local yakuza threaten and capture his coach, he and a friend get more than they bargained for when they travel to Okinawa seeking revenge. This is the second feature film from renowned action auteur Takeshi Beat Kitano.

Hana-Bi/Fireworks (read our review): Former police officer Nishi feels responsible for the shattered lives of his loved ones. His partner Horibe has been crippled in a disastrous stakeout, a colleague is shot dead by the same villain, and his own wife has a terminal illness. In debt to a yakuza loanshark, Nishi conceives a bank robbery to provide for his partner, help the dead cop’s widow, and take one last holiday throughout Japan with his wife and share a final taste of happiness. A highly original crime drama written, directed and starring Takeshi Kitano.

Features:

  • Violent Cop 20-minute featurette
  • That Man Is Dangerous: The Birth of Takeshi Kitano
  • Original Violent Cop trailer
  • New Violent Cop HD re-release trailer
  • Boiling Point 20-minute featurette
  • Okinawa Days: Takeshi’s Second Debut
  • Original Boiling Point trailer
  • Hana-Bi Commentary by film writer for Rolling Stone magazine, David Fear
  • Hana-Bi Making-of featurette
  • Exclusive Violent Cop and Boiling Point artwork by influential comic creator Benjamin Marra
  • Violent Cop and Boiling Point Collector’s Booklet, featuring film essay by Tom Vick, the Asian film Curator for the Freer and Sackler Galleries (The Smithsonian’s Museums of Asian Art); cast and crew credits
  • Hana-Bi Collector’s Booklet, featuring essay by film writer, Jasper Sharp; chapter breaks; stills

Pre-order the TKO Collection from Amazon.com today! 

Posted in Asian Titles, DVD/Blu-ray New Releases, News |

The House That Never Dies: Reawakening | DVD (Well Go USA)

The House That Never Dies: Reawakening | DVD (Well Go USA

The House That Never Dies: Reawakening | DVD (Well Go USA

RELEASE DATE: December 4, 2018

On December 4, 2018, Well Go USA is releasing the DVD for 2017’s The House That Never Dies: Reawakening, a Chinese thriller directed by Joe Chien (Zombie 108)

This sequel to 2014’s The House That Never Dies stars Joan Chen (Lust, Caution), Gillian Chung (Ip Man: The Final Fight), Julian Cheung (The Grandmaster), Vivian Wu (The Last Emperor) and Ting Mei (Unbeatable).

A hundred years after the mysterious murders of the entire Zhisheng household, a cultural relic restorer Song Teng experiences strange events at the ancient mansion. After discovering baby skeletons and weird spells, the intricate weaving of the past and present begin to emerge and reveals a haunting tale of the wrongly deceased still seeking justice from the living world.

Pre-order The House That Never Dies: Reawakening from Amazon.com today!

Posted in Asian Titles, DVD/Blu-ray New Releases, News |

Eastern Cherries – First Experiences of Asian Cinema: Japan Edition Part I

EasternCherries-05

While it was Jet Li’s breakthrough role in Shaolin Temple that provided me with my first real taste of Asian cinema, my curiosity was piqued enough that I soon found myself exploring the realms beyond the kung fu genre. As a result, after binge watching the Hong Kong cinema classics for over a year, I gradually began consuming cinema from countries like Japan and Korea. My exposure to Japanese cinema in-particular had mainly been through the written word, with books I owned on Asian cinema inevitably raising names like Akira Kurosawa and Yasujiro Ozu somewhere along the way. While such instances of name dropping provided me with a peripheral awareness of the Land of the Rising Suns cinematic output, my first Japanese movie was about as far away from the works of Kurosawa and Ozu as humanly possible.  

"Yojimbo" Japanese Theatrical Poster

“Yojimbo” Japanese Theatrical Poster

Being somewhat of a horror fan, it was while browsing the local newspaper in March of 2001 that I came across the cinema listings for the area, always wedged with a familiar regularity between the puzzle and sports pages. Each cinema usually had its own little box on the page, with the movies and times that were being shown listed within the frame. However, occasionally some movies were given their own little box, usually taking the form of a poster, and some small quote from a magazine such as Empire or Total Film. With my newfound curiosity for Asian cinema, I immediately noticed that one of the small pictures on this particular day was that of an Asian woman, and at the top of the picture were 5 stars – a small text underneath indicating that they were a rating from Empire magazine.

The picture was for a movie called Audition, and best of all, was at the time I had a subscription to Empire magazine, so it turned out I actually had the issue from which the review was taken. As I flicked through its pages, it turned out the writeup was of the kind that today would be referred to as a capsule review. Stuck in a small column on the side of one of its pages, the lack of dedicated space explained why I’d missed it upon my first browse of its pages, when it’d been delivered the week prior. The review didn’t give much away, other than it was an unsettling horror from a director called Takashi Miike, and that if it was showing on a cinema close to you, it would be a crime not to check it out.

"Audition" Japanese Theatrical Poster

“Audition” Japanese Theatrical Poster

Well, that was me sold. I immediately cross referenced the listings on the cinema closest to where I lived, and sure enough, it had a couple of screenings on the upcoming Saturday. One phone call later, any myself and my friend had our plans for the weekend sorted. It’s interesting to me now that, almost 20 years on if I know a Takashi Miike movie is being shown on a nearby cinema, you’ll most likely find me overbrimming with anticipation in the days prior. Back then though, with no prior knowledge of what we’d be seeing, in the intermediate days we gave Audition no further thought. It was simply that movie we were going to go and check out over the weekend.

I still clearly remember the day itself though. The screening was at 6:15pm, and I met my friend outside of the local Odeon multiplex (the same one we’d watched The Matrix a couple of years earlier) shortly before to shoot the breeze for a few minutes before going in. The plan was to watch the movie, then have a few beers in the pub next door. Skip forward a couple of hours later, and while we usually left the cinema declaring that whatever movie we’d watched was a masterpiece, or a steaming pile of crap, after Audition we both strolled out in a kind of speechless silence.

Whatever it was we’d just watched had been a cinematic experience, the kind of which neither of us had ever experienced before. We both had no real prior knowledge of what to expect, other than it was about a widowed man who, on the advice of his film producer friend, agrees to hold an audition for an upcoming movie, which in reality is in fact a ruse for him to find a new wife. On paper the plot already seemed somewhat outlandish, and the setup if anything resembled more of a comedy than anything indicating a horror. 

A night to remember...

A night to remember…

Even onscreen, the opening third of Audition could well be argued to take on more of a comedic tone than anything close to resembling horror. But then, without the audience even noticing, the tone begins to shift gradually into a territory that, for someone who’d only been exposed to western style horror, feels increasingly uncomfortable and uneasy. The loud shock scares and build-up of music, so much a part of Hollywood horror, were completely missing from Audition, with scenes unapologetically playing out with no soundtrack accompaniment whatsoever. However rather than detracting from the experience, the silence in itself brought about a sense of creeping dread, the type of which it was impossible to put your finger on exactly what it was. As an entry point to Asian horror, I was hooked, even if at the time I didn’t yet know it.

Takashi Miike

Takashi Miike

It’s difficult to resist the urge to describe such scenes, even the smallest ones, that created that sense of foreboding, however I hold out the hope that there are still viewers out there that haven’t seen Audition, and for that reason I’d hate to reveal anything. In any case, regardless of my readings on the likes of Kurosawa and Ozu, Takashi Miike immediately became my favorite Japanese director (ok, so disregard the fact that I hadn’t seen the work of any others at this point), and Japanese horror became a genre I needed to see more of.

Tartan Video's grimy "Ring" DVD.

Tartan Video’s grimy “Ring” DVD.

Watching the finale of Audition in the cinema is still as fresh in my mind today as it was back then. Despite it being a subtitled Japanese movie with minimum marketing, the cinema was about half full, which even today would be considered a good turn-out for such a production. Out of all the movies I’ve watched on the big screen both before and after Audition, it remains the only screening that I’ve witnessed people stand up and walk out of. For whatever reason, watching shocked audience members make their exit, somehow only added to the horror and excitement of watching the final scenes play out. The memory of gripping the armrest of the cinema seat, to the sound of “Kiri kiri kiri kiri kiri!”, is not one that can easily be forgotten, and I doubt it ever will.

As it happened, the UK distributor Tartan Video would release another Japanese horror movie on DVD, a little known title by the name of Ring, the same month, and its sequel a few months later. Naturally they were purchased almost as soon as they landed on high-street shelves. Looking back now, I was lucky enough to watch the likes of Audition and the original Ring trilogy with little to no knowledge or spoilers of what terror they contained, and for that I’m forever grateful. Would they be any less impactful if I’d known, or even had a hint, of how these movies ended? I’d argue most likely yes, however in the culture of social media and micro information sharing that we live in today, I’d say it may be almost impossible to not have some idea, which is a shame.

Ironically it was Ring more than Audition which went on to set the trend for Asian horror for most of the 00’s, with long haired pale skinned white ghosts appearing left right and centre. However as much of an influence as Hideo Nakata’s take on Sadako would have on the horror genre, it will always be Takashi Miike’s Asami that will linger in my memory as my entry point to Japanese cinema. It’s a film industry in recent times that frequently disappoints more than it entertains, but regardless of its current state, nothing can take away those glorious few years of the late 90’s and early 00’s, when for a brief shining moment, Japanese horror reigned supreme once more.

Read Eastern Cherries – First Experiences of Asian Cinema: Japan Edition Part II
Read Eastern Cherries – First Experiences of Asian Cinema: Japan Edition Part III
Read Eastern Cherries – First Experiences of Asian Cinema: Japan Edition Part IV

Posted in Features, News |

Detective Dee: The Four Heavenly Kings | Blu-ray & DVD (Well Go USA)

Detective Dee: The Four Heavenly Kings | Blu-ray & DVD (Well Go USA)

Detective Dee: The Four Heavenly Kings | Blu-ray & DVD (Well Go USA)

RELEASE DATE: November 13, 2018

On November 13, 2018, the third film from the Detective Dee series, titled Detective Dee: The Four Heavenly Kings (read our review) is arriving on Blu-ray & DVD from Well Go USA.

The visionary Tsui Hark (Double Team) is back in the director’s chair – this time around, Dee (Mark Chao) is forced to defend himself against the accusations of Empress Wu while investigating a crime spree.

Detective Dee: The Four Heavenly Kings also stars Kenny Lin (The Great Wall), William Feng (The Bodyguard), Ma Sichun (Time Raiders), Carina Lau (Let the Bullets Fly) and Ethan Juan (The Assassin).

Pre-order Detective Dee: The Four Heavenly Kings from Amazon.com today! 

Posted in Asian Titles, DVD/Blu-ray New Releases, Martial Arts Titles, News |