Director: Hirokazu Koreeda
Cast: Song Kang-ho, Gang Dong-won, Bae Doona, Lee Ji-eun, Lee Joo-young, Park Ji-yong, Im Seung-soo, Kang Gil-woo, Lee Moo-saeng, Ryu Kyung-soo
Running Time: 129 min.
By Paul Bramhall
There are those filmmakers out there whose cinematic identity feels distinctly attached to the country that they hail from. Akira Kurosawa will always be associated with Japanese cinema much the same way Jean Luc-Godard will always be associated with French cinema. So it’s always interesting when we see such filmmakers venture further afield. In the Asian film industry, such ventures tend to inevitably involve an excursion into Hollywood, whether it be Wong Kar-Wai’s My Blueberry Nights from 2007, or Park Chan-wook’s Stoker from 2013.
What makes Broker unique in this world of cross-cultural pollination, is that it sees a Japanese director at the helm of a Korean production. While there have been examples of Japanese and Korean collaboration before in recent years, 2016’s Colonel Panics springs to mind directed by Cho Jin-seok with an all-Japanese cast, it remains a rare occurrence. Here it’s Hirokazu Kore-eda (The Third Murder, Still Walking) in the director’s chair, an auteur already firmly established as a master of meditative family themed dramas in his homeland, and still hot off walking away with the Palm D’Or prize at the 2018 Cannes Film Festival for Shoplifters. Interestingly Broker isn’t the first time for Kore-eda to venture outside of Japanese language cinema following Continue reading
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