The Front Line Blu-ray & DVD (Well Go USA)

The Front Line Blu-ray & DVD (Well Go USA)

The Front Line Blu-ray & DVD (Well Go USA)

RELEASE DATE: May 8, 2012

Well Go USA announces Jang Hun’s The Front Line which is Korea’s 2011 submission to the Academy Award category of Best Foreign Picture. The film tells the story of the fierce struggle to establish a border between North and South Korea at the end of the Korean War and is currently a box office smash in its native country. Check out the trailer.

Posted in Asian Titles, DVD/Blu-ray New Releases |

Films of Fury: The Kung Fu Movie Movie DVD (Phase 4 Films)

Films of Fury: The Kung Fu Movie Movie DVD (Phase 4 Films)

Films of Fury: The Kung Fu Movie Movie DVD (Phase 4 Films)

RELEASE DATE: May 1, 2012

From Enter the Dragon to Kung Fu Panda and everything in between, Films of Fury: The Kung Fu Movie Movie features the genre’s greatest on-screen warriors, and reveals the legend, the lore, and the loony of the Kung Fu film genre like it has never been seen before. Based on Ric Meyers’ best-selling book, Films of Fury: The Kung Fu Movie Book. Check out the trailer.

Posted in Asian Titles, DVD/Blu-ray New Releases, Martial Arts Titles |

Lethal Weapon: The Complete Collection Blu-ray (Warner Bros.)

Lethal Weapon: The Complete Collection Blu-ray (Warner Bros.)

Lethal Weapon: The Complete Collection Blu-ray (Warner Bros.)

RELEASE DATE: June 12, 2012

Warner Bros. presents the Lethal Weapon: The Complete Collection on Blu-ray. Along with Die Hard, the first Lethal Weapon is one of the greatest action films of all time. The sequels that followed have nothing on the original, but as a whole, the franchise is solid entertainment. All films are directed by genius filmmaker, Richard Donner (“Superman”).

Posted in DVD/Blu-ray New Releases, Other Notable Titles |

Kinji Fukasaku’s ‘Battle Royale’ at a theater near you

"Battle Royale” Japanese Movie Poster

"Battle Royale” Japanese Movie Poster

42 Students, Three Days, One Survivor, No Rules. Clever, creepy and ultra-violent, Battle Royale, one of the most controversial cult films ever made, will be shown in North American theaters for a limited time.

According to Blu-ray.com, Anchor Bay Entertainment, who acquired Battle Royale’s (and its sequel) North American rights, is hosting a limited theatrical run for the director’s cut of the movie. The film will not be shown in 3D, which is what was originally planned.

Both Battle Royale Parts 1 and 2 will also be available on Blu-ray & DVD on March 20th.

Posted in News |

Donnie Yen has a history of violence in ‘Wu Xia’ on Import Blu-ray and DVD

"Wu Xia" Chinese DVD Cover

"Wu Xia" Chinese DVD Cover

Here at Cityonfire.com, we universally love Peter Chan’s 2011 film Wu Xia. Guest reviewer DiP gave it a 10/10; Mighty Peking Man said that if it was the kind of martial arts film Bruce Lee would make if he were still alive; while HKFanatic called it Donnie Yen’s best role since 2008’s Ip Man.

In the film, Donnie Yen plays a family man with a dark past. When two criminals wander into his town, he’s forced to raise arms once again in order to protect his family. Forensic detective Takeshi Kaneshiro is called on the scene to investigate and each clue leads him closer to uncovering Donnie’s past – but that’s the last of their worries with an army of assassins waiting in the wings.

The Weinstein Company bought the rights to Wu Xia but have yet to distribute it in the West. Over at trusted retailer DDDHouse, you can import the film on Region A Blu-ray for $23.72 or Region 3 DVD for $15.38.

Part of the reason I mention this is that over at Twitch, James Marsh has received word from Peter Chan that the Weinsteins will be releasing Wu Xia in North American theaters, most likely in May. The Weinsteins are giving the film the more generic title Dragon and, not surprisingly given their history, have cut the film to be “leaner, pacier.” Plenty of viewers have enjoyed Wu Xia just the way it is, even if the movie is not as action-packed as some of Donnie’s other work like Killzone or Flash Point. Wu Xia is a one of a kind of film; an intense character drama that combines elements of high-flying martial arts with CSI-like forensic work. Our recommendation is to see it the way Peter Chan intended it.

Posted in Asian Import Titles, News |

Gantz (2010) Review

"Gantz" International Theatrical Poster

"Gantz" International Theatrical Poster

Director: Shinsuke Sato
Writer: Hiroya Oku, Yusuke Watanabe
Cast: Kazunari Ninomiya, Ken’ichi Matsuyama, Yuriko Yoshitaka, Kanata Hongo, Natsuna Watanabe
Running Time: 130 min.

By HKFanatic

Much like “Death Note,” 2010’s “Gantz” is a two-part live-action adaptation of a popular and long-running manga/anime. While “Death Note” sticks closely to the realm of the supernatural, “Gantz” is pure science-fiction. At times it feels like a cross between “The Matrix” and “Men in Black.” The premise offers an immediate hook: right as they’re about to be flattened by a subway train, two childhood friends are transported to a starkly furnished room with a group of complete strangers. It’s there that a giant black orb explains their mission: aliens are among us and must be hunted down. Our protagonist, Kei, and his unlikely allies suit up in “X-Men”-like black leather and hit the streets to take down aliens with powerful weaponry unlike anything on this earth. “Gantz” is one of the few films that manages to deliver on its high concept with two hours of violent action and existential dilemmas, leaving the viewer hungry for Part Two.

My experience with the “Gantz” anime was limited to the first four or five episodes and I have to admit I found the live-action film to be something of an improvement. The movie tones down the more “ecchi” (perverted) elements of the anime, removing the overtly sexual content but keeping the blood ‘n gore intact. While this certainly softens the story in some regards, making Kei more likable than he was in the anime, I feel like the changes are acceptable to allow “Gantz” to reach a wider audience. In other words, Kei is no longer imagining that every girls he sees is naked – but you still get your fill of exploding aliens. I know some have called the film a “dumbing down” of the source material but I wasn’t bothered by the trade off.

For the most part, “Gantz” is a slick piece of pop entertainment with great production design and costumes, fairly decent special effects, and a convincing cast. Most of the flaws in this film can be traced back to the anime and manga: although the characters are equipped with extremely effective weapons, they have a habit of aiming their guns at an enemy and standing there, mouths open in shock or rattling off about their latest existential crisis. You can kind of get away with this storytelling crutch in an animated series but once it’s in live-action it becomes even more noticeable and plenty of reviewers have already criticized “Gantz” precisely for this  issue. However, it might not be as much of a problem if the viewer knows what to expect. Just be warned the characters of “Gantz” have a habit of crying and yelling when they could just pull a trigger and solve most of their problems.

While “Gantz” is only one part of a two-part series, it does a fairly decent job of telling a complete story. The only thing disappointing about the third act, really, is that it degenerates into an endless series of CG-infused battles. The computer effects are acceptable but not necessarily up to the standards of a Hollywood blockbusters. I suppose the nature of “Gantz’s” enemies necessitates that they be conceived with digital effects – they are aliens, after all – but I found that the first two, more humanoid opponents provided more satisfying action sequences. The last 20 minutes of “Gantz” prove to be CG overkill.

Regardless, “Gantz” is an enjoyable popcorn movie. The characters are anguished, the costumes are tight, and the aliens are out for blood. Chances are you either love these live-action anime adaptations or you’re driven nuts by how they deviate from the source material. Depending on where you stand, “Gantz” should be another satisfying entry in this particular genre, which seems to be enjoying a renaissance as of late. As for me, I’m looking forward to popping in “Gantz: Part II – Perfect Answer” as soon as I get the opportunity.

HKFanatic’s Rating: 8/10

Posted in Japanese, Reviews | Tagged |

Life Without Principle DVD (Indomnia)

Life Without Principle DVD (Indomnia)

Life Without Principle DVD (Indomnia)

RELEASE DATE: May 29, 2012

Directed by Johnnie To, 2011’s Life Without Principle delves into Hong Kong’s money-obsessed culture through three characters whose destinies collide one fateful day when a loan shark gets assaulted after withdrawing $10 million from the bank. Starring Lau Ching Wan, Richie Ren and Denise Ho. Watch the trailer.

Posted in Asian Titles, DVD/Blu-ray New Releases |

Gael Garcia Bernal to star in ‘Zorro Reborn’

"Zorro" (1975) Japanese Theatrical Poster

"Zorro" (1975) Japanese Theatrical Poster

THE MOVIE: There are now plans for a post-apocalyptic take on the classic swash-buckler last portrayed in movies by Antonio Banderas. X-Men special FX artist Rpin Suwannath is attached to direct Zorro Reborn. Plans are for the film to be darker than its predecessors. Although I have to say that someone already beat that company to the punch on the premise of a post-apocalyptic swordsman.

Updates: This Zorro is not to be confused with an attempted Sony reboot. Dark Horizons suggests the Sony version will either be called The Forging of Zorro or Zorro: The Legend Begins.

BREAKING NEWS: Variety, via cinemablend.com, states that Amores Perros’ Gael Garcia Bernal is now attached to star in Zorro Reborn.

Posted in News |

Japanese beach cops will save us all in ‘Beach Patrol Force: Cherry and Peach’

"Beach Patrol Force: Cherry and Peach" Japanese Promotional Poster

Now this has to be the strangest trailer I’ve seen in awhile. A micro-budgeted Japanese action flick called Beach Patrol Force: Cherry and Peach is on its way. It looks to follow the exploits of two female cops in short shorts who make sure the beaches of Japanese are safe and, if the occasion calls for it, team up with local police to take down drug dealers.

Surprisingly, the trailer looks like a lot of fun and not at all as exploitative as you’d imagine. Okay, maybe a little exploitative. But still fun. Check out the trailer here.

Meanwhile, Beyond Hollywood has two posters and more info on this flick, which releases in Japan later in the year.

Posted in News |

Hit! Blu-ray & DVD (Olive Films)

Hit! Blu-ray & DVD (Olive Films)

Hit! Blu-ray & DVD (Olive Films)

RELEASE DATE: April 24, 2012

Olive Films presents 1973’s Hit!, directed by Iron Eagle’s Sidney J. Furie. A federal agent (Billy Dee Williams), whose daughter dies of a heroin overdose, seeks out revenge on the drug ring held responsible. Also starring Richard Pryor, Paul Hampton and a funky soundtrack by Enter the Dragon’s Lalo Schifrin.

Posted in DVD/Blu-ray New Releases, Other Notable Titles |

Low budget Korean film ‘Unbowed’ sweeps Box Office

"Unbowed" Korean Theatrical Poster

"Unbowed" Korean Theatrical Poster

The Chosun Ilbo reports that the low-budget Korean film Unbowed is causing a box office sensation. According to the Korean Film Council, film attracted a total accumulated number of 1.4 million viewers, surpassing the 1-million mark just eight days since its release.

Unbowed is inspired by the true story of Kim Myung-ho (played by Ahn Seong-Gi), a professor who failed to get tenure by his university after he questioned the validity of a math question in its entrance exam in 1995. After years of litigation against the university, Kim lost and shot a crossbow at the judge who handled his case. Check out the trailer.

Update: If you’re in the Los Angeles area, you can see The Unbowed at CGV cinemas starting February 17th. Korean distributor CJ&EM is working to get the film released in other U.S. cities. Thanks to the Asian Media Wiki.

Posted in News |

Mutant Girls Squad Blu-ray & DVD (Well Go USA)

Mutant Girls Squad Blu-ray/DVD Combo (Well Go USA)

Mutant Girls Squad Blu-ray/DVD Combo (Well Go USA)

RELEASE DATE: May 22, 2012

Mutant Girls Squad (aka Fighting Girls: Legend of the Blood of the Iron Mask) is a Japanese film by Noboru Iguchi (“The Machine Girl”), Yoshihiro Nishimura (Tokyo Gore Police) and Tak Sakaguchi (“Yoroi: Samurai Zombie”). The film is about Rin, a sixteen-year-old mutant girl who meets a gang of rebel mutants who aim to take revenge on humans for persecuting their race. Check out there trailer.

Posted in Asian Titles, DVD/Blu-ray New Releases, Martial Arts Titles |

Shout! Factory’s Roger Corman Cult Classics come to Netflix Instant

Battle Beyond the Stars Blu-ray/DVD (Shout!)

Battle Beyond the Stars Blu-ray/DVD (Shout!)

For decades, Roger Corman has been synonymous with low-budget but influential genre filmmaking. Through his production house he helped iconic American directors like James Cameron and Jonathan Demme get their start. Lately distributor Shout! Factory has been re-issuing many of Corman’s out-of-print films on blu-ray and DVD. Today several of these Roger Corman Cult Classics arrive streaming on Netflix. Celebrate the man, the legend, that is Roger Corman with these key films:

Rock ‘n Roll High School (1979) – the hit rock musical that launched The Ramones into the cultural lexicon

Battle Beyond the Stars (1980) – this science-fiction epic was no doubt produced to ride the “Star Wars” craze but its story structure actually takes inspiration from Akira Kurosawa’s “Seven Samurai.” Streaming in HD

Slumber Party Massacre (1982) – this tongue-in-cheek slasher movie was helmed by acclaimed screenwriter Amy Jones (“Mystic Pizza,” “Beethoven”)

Humanoids From the Deep (1980) – this horror flick is notorious for its skin-crawling premise involving mutant fish monsters wanting to mate with land-dwelling ladies. Streaming in HD

Caged Heat (1974) – possibly the most famous film of the entire ‘women in jail’ subgenre, this movie was an early effort from “Silence of the Lambs” director Jonathan Demme

The Big Bird Cage (1972) – another movie with a ‘women in captivity’ theme, this one stars Pam Grier and arrives from “Spider Baby” and “Switchblade Sisters” director Jack Hill. Streaming in HD

Women in Cages (1971) – are you noticing a pattern yet? Subjugated women sure were a popular theme in the 70’s. Also starring Pam Grier. Streaming in HD

Grand Theft Auto (1977) – before the popular video game there was this film, about a couple on the run from the mob in a hot car, which also happens to be Ron Howard’s directorial debut

Crazy Mama (1975) – Jonathan Demme directs this kitschy ode to the 1950’s involving three outlaw women

Carnosaur (1993) – released two weeks before “Jurassic Park” hit the big screen, this low-budget cheapie cashed in on the whole dinosaur fad

Bloodfist (1989) – yes, Roger Corman even tried to produce his own “Bloodsport.” This martial arts flick starring Don “the Dragon” Wilson spawned no less than eight sequels

Posted in News |

Badge 373 Blu-ray & DVD (Olive Films)

"Badge 373" Theatrical Poster

"Badge 373" Theatrical Poster

RELEASE DATE: April 24, 2012

Olive Films presents 1973’s Badge 373, an action thriller starring Robert Duvall. Eddie (Duvall) is a tough, no-nonsense, racist Irish cop who heads out on a one-man crusade to find out who killed his partner. Like 1971’s The French Connection, Badge 373 is based on Eddie Egan, a real life, tough-talking New York cop. Watch the trailer.

Posted in DVD/Blu-ray New Releases, Other Notable Titles |

Tiger on the Beat (1988) Review

"Tiger on the Beat" Chinese DVD Cover

“Tiger on the Beat” Chinese DVD Cover

Director: Lau Kar Leung
Cast: Chow Yun Fat, Conan Lee, Nina Li Chi, Shirley Ng, Norman Chu, Gordon Liu, David Chiang, Philip Ko Fei, James Wong, Wayne Archer, Lau Kar Wing, Shing Fui On, Lydia Shum, Ti Lung, Wilson Tong, Wu Shih, Bill Lui Tak-Wai
Running Time: 89 min.

By Joseph Kuby

More watchable than Lethal Weapon 3 and 4 combined!

Although this irreverent film should really be compared to the overlooked classic Running Scared (which was a big hit in Hong Kong) than Lethal Weapon as the story borrows from Billy Crystal’s movie in key scenes (as does Sammo’s Skinny Tiger Fatty Dragon). The international success of Lethal Weapon convinced studio heads to produce Tiger on the Beat.

Lethal Weapon was a good film with sharp interplay between Glover and Gibson but the action lacked anything noteworthy in concept. The chainsaw and belt-buckle segments in this flick are beyond anything conceivable in the vast majority of American action movies of the ’80s. Credit has to be given though to Texas Chainsaw Massacre 2 for providing obvious inspiration for the finale.

Tiger on the Beat is the sort of film which can be filed under the category of ‘only in Hong Kong’ and it’s a striking example of why Hollywood has never truly embraced the “anything goes” mentality of HK film making. The humor is a mixed bag as proves to be the case in a lot of HK films made around this period.

Chow Yun Fat and Conan Lee make for a delightful match-up which belittles the fact that they were skeptical of each other. Conan would get on Chow’s nerves a lot. Had they actually got along well, we would have seen them as a pair in Wong Jing’s God of Gamblers but Chow’s disregard of Conan meant that Jing decided to create a new commercial angle for his ’89 classic – HK’s biggest film star paired up with the HK’s biggest pop star.

Furthermore, Jing’s advocacy of fast-paced film-making was confronted by the possibility that the production would have slowed down and fallen apart due to the level of bickering that could go on between Chow and Conan.

If there had to be a sticky issue with this movie, it’s that Lau Kar Leung never wholeheartedly embraced contemporary martial arts thrillers in the same way Kwai, Sammo and Ping did. Lau was too stuck in his traditional ways to be renowned as a master of modern fighting styles. Metaphorically, he is akin to Wong Fei Hung’s rival in Once Upon a Time in China.

The action in this film has both +’s and -‘s. Many can argue that Lau is without equal when it comes to being a purveyor of unadulterated traditional martial arts action. Even so, he can never coordinate modern unarmed combat with the same ferocity that someone like Tony Leung Siu Hung could do. For all-round action, this film is reasonably enjoyable but for martial arts action, even an independent film like Angel can make mince meat of Lau’s contributions here.

Chow did not find it difficult to work with Lau. He claims all the ideas for the action in the film belong to Lau. When they were on the set, Chow learned how to manipulate various Chinese weapons. The part where Chow uses the knife at the end, they used a wire to tie the knife to his finger so he could twirl the knife.

The writer of this film, Tsang Kwok Chi, had also written Skinny Tiger Fatty Dragon – a film which owes its storyline to Running Scared no less than Tiger on the Beat does. The success of Tiger on the Beat had no doubt irked Lau Kar Leung’s younger brother. Lau Kar Wing was always envious of his brother’s success in the same way Sammo was of Jackie. The reason why Wing’s film was less successful was that Chow Yun Fat was a bigger star than Karl Maka.

The success of Running Scared may surprise people but the local audience in Hong Kong are more interested in comedies than action films (hence the mixing of genres that takes place in Hong Kong). Full-on action movies like Hard Boiled, Tiger Cage 2, Fist of Legend and Eastern Condors usually have relatively paltry box office results.

Tiger on the Beat made more money than the majority of Chow’s serious crime thrillers: A Better Tomorrow 2, City on Fire, The Killer, Flaming Brothers, Full Contact, Rich & Famous and Tragic Hero. As one might assume, Tiger on the Beat was big enough to have a sequel.

If the filmmakers of Running Scared realized just how big the film was in Asia, they could have gone ahead with making the sequel Still Running and releasing it for the Asian market. The size of Asia has always been perceived as a very good way to recoup costs. This explains why John Woo, Wong Jing and Jackie Chan have got away with making expensive films which proved to be troublesome for Hong Kong financiers.

In the case of Wong Jing, High Risk was made on a budget whose costs could not be covered in Hong Kong alone (where it made approximately US$ 1 million) thus the film went on to cover three times its cost after it made its mark in Japan, Thailand and Korea.

A lot of people have complained about the misogynistic attitude that Chow Yun Fat’s character conveys. I don’t mind it too much because it makes for a welcome departure from the usual congenial attitude one expects from a hero in a cop movie. Chow bashing a woman around beats the mandatory love scene you’d get in the American equivalent of a cop buddy movie.

My only complaint is that near the end of the film Nina Li likes him so much that she cries for him when she has to leave. Though this particular piece of plot development is nowhere near as implausible as the contrived final fight in Lethal Weapon.

Still, there was no plausible reason for her plight other than to make her more sympathetic. Something that was acknowledged as a marketing ploy by the producer to make her more likable for Asian audiences.

Prior to this film, a lot of movie goers were weary of Nina due to her coming from the Mainland and being perceived as a posh stuck-up diva. The perception is to do with Nina showing a lot of pride for her national heritage. Chow went as far to comment that Nina was less popular than the far-from-prestigious Amy Yip. According to Chow, the men in HK don’t like Nina because she’s not down-to-earth and she doesn’t have that ‘easy lay’ vibe that Amy has.

Nevertheless, Chow despised having to put Nina through all the misogyny. He felt sorry for her and, in his view, all the abuse lashed out on her should have been heaped on Conan. Chow was well aware of the fact that Conan was disrespectful to the people who made him a star in the first place. Chow was particularly appalled at the thought that any person working in the industry would be physically assaulted by a Triad in the hopes of acquiring Conan’s services.

Conan’s ego was such that he thought that he was brought in to make Chow a big star than vice-versa. It’s not hard to imagine Conan as someone in need of a reality check. In a ’90s issue of the American magazine Inside Kung Fu, he had the audacity to claim that Chow wouldn’t have been in Tiger on the Beat had Conan not accepted the role as his partner. Conan’s claim would have been credible if the film was made before A Better Tomorrow.

Conan is something of an enigma in HK cinema. In muscularity, Conan is to Jackie what Dragon Lee is to Bruce. Conan is so egotistical that he proclaims to be the only actor who has done his own stunts yet he lacks the finesse his lookalike has. Conan, to his credit, has the same mentality to do risky stunts.

Conan’s knowledge of English was never capitalized on when it came to distributing this film in English-speaking territories. This means his inclusion in the cast makes for a bizarre choice. I’m assuming the production team wanted Jackie so much that they were willing to settle on a poor man’s version to capture half of the effect.

Like how Megadeth’s Dave Mustaine has a tendency to mention Metallica in interviews, Conan never fails to convey disdain for Jackie when given the chance to talk with someone in the media. Upon the release of this film, Conan was quick to point out that his chainsaw battle was vastly impressive than Jackie’s encounter with a chainsaw-wielding crony in The Protector. Coincidentally, Jackie’s Peking Opera teacher had done a film in 1980 called The Old Master (with Bill Louie) which had chainsaw action.

The last thing that will be said about Conan will be a quote from Chow:

“Lee Yuen Bat is more Gwailo. He’s not Chinese! He’s really like a Hollywood star. He’s always…*mimes a sniffing action*”

The Lethal Weapon producer Joel Silver is a big fan of this film and got Conan to play Jet Li’s brother in Lethal Weapon 4. When he produced Exit Wounds with Steven Seagal and DMX, the rope trigger gag was reused along with a humble reference to the chainsaw encounter. Lamentably, Joel gave a disservice to Lau by siting John Woo for the rope-trigger bit.

If you’re bored with strait-laced heroics and want something that’s a bit more bohemian then Tiger on the Beat is recommendable, just don’t watch it with feminists.

Joseph Kuby’s Rating: 7.5/10


By Raging Gaijin

Chow Yun Fat and Conan Lee headline this action-packed 80’s Hong Kong flick. This is the kind of movie that the country seemed to mass produce during that decade: a melting pot of genres that tosses out wacky humor and gritty drama in equal measure, all held together by intense action sequences. If you’re anything like me, you thrive off these movies and will be pleased to know that this is one of the best.

Okay, so the plot isn’t very remarkable. It’s basically a riff on Lethal Weapon as Chow Yun Fat and Conan Lee play two mismatched partners on the Hong Kong police force. Chow Yun Fat is a womanizing rebel who ducks responsibility while Conan Lee is the stoic cop who”s always diving into action whenever duty calls. The two actors, while both excellent in their roles, don’t really have any charisma together; and neither character is developed all that much. As a result, this doesn’t exactly rank as a great heroic bloodshed movie or violent drama like The Killer.

However, none of that really matters as soon as the action lights up the screen. Although his character is rather flat and unappealing, Chow Yun Fat has undeniable screen presence. It’s always thrilling to watch him reload a shotgun as he holds the shells between his gritted teeth. You just know some bloody mayhem is soon to follow.

As cool as Fat is, I have to admit that Conan Lee steals the movie from him. Maybe it’s just that his character is more likeable (he doesn’t beat women up, for one thing) but I think it also has to do with Conan Lee’s charisma. He’s a talented actor who never seemed to become as popular as some of his contemporaries but his role in Tiger on Beat leaves a strong impression. He’s the real star of the show and his phenomenal action sequences are what make this movie worth watching. He comes across as a more buff, more serious Jackie Chan. He does a lot of exciting stunts and engages in the movie’s best choreographed martial arts battles. The climax of these bouts is a jaw-dropping chainsaw duel that, in my opinion, ranks as one of the greatest onscreen fights ever filmed. Conan Lee and his opponent wield the saws as though they were swords, exchanging blows in a shower of sprayed sparks and blood, almost like a Hong Kong Chainsaw Massacre.

Tiger on Beat is a relic of the Hong Kong film industry. Besides the fact that it’s dated by Chow Yun Fat’s dubious fashion sense and a few scenes set at an aerobics class, it’s the kind of movie that no one really makes anymore: a no-frills blend of humor, drama, and violence. Sometimes the jokes work, sometimes they don’t; same thing goes for the emotional content. It’s a shame that Chow Yun Fat and Conan Lee don’t exactly light up the screen together, but Tiger on Beat still has some of the most over-the-top and insane action ever in a Hong Kong movie. This alone makes it a must see for fans.

Raging Gaijin Rating: 7.5/10


By Numskull

Chow Yun-Fat is Sgt. Li, an undercover cop who owes his continued employment in the Hong Kong Police force to his influential Uncle Jim. Everyone needs a hobby; his is adultery. Nothing unique there.

Conan Lee is Michael Cho, an up-and-coming cop who possesses the awesome ability to beat people up faster than the speed of sound…he hits a guy and we hear the sound effect several seconds later. Wow!

Together, these two men form a…a…well, um…they form a team of two men. Their conflict in approaches to cracking the drug case to which they are assigned makes them…uh…makes them…makes them not get along too well. Unlce Jim pairs them up because…since…uh…due to the fact that…er…well, he just DOES, okay?

Integral to the story are a brother and sister who get involved with the wrong people. He works the drug market to send money to his poor mama. She makes deliveries on his behalf to help keep him out of danger and when she gets uppity with Li he has to show her who’s boss. Take THAT, bitch!

The siblings’ antics cause all sorts of headaches for Li and Cho. The kind cured with violence, not aspirin.

The Lethal Weapon comparison for this movie is fairly accurate. There’s a decent mix of action and humor with some drama mixed in. The problem is, none of these elements has a strong enough presence to really make you sit up and take notice. Li and Cho sacrificing their pants to keep a couple of schoolgirls from getting their pretty little heads blown off may be amusing, but that’s pretty much the height of the film’s comedic content. Similarly, you’re not too likely to be moved to tears when so-and-so dies or when such-and-such happens and the action sequences fall a bit short of genuine excitement, except for a very cool chainsaw duel at the end.

Worth mentioning is the fact that this is one of the very few HK films I’ve seen that makes reference to other HK stars…not just Bruce Lee, as can be expected, since he has ceased to be a “star” and has entered the realm of myth and legend, but also Jackie Chan, Ti Lung, and a cheap (but perhaps deserved) shot at Anita Mui (or, more specifically, at Anita Mui’s breasts).

It’s a decent HK flick in many ways, but it won’t make you write home to tell the folks about it. Worth watching, but not worth spending oodles of cash on.

Numskull’s Rating: 6/10

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