Edge of Tomorrow | Blu-ray + Blu-ray 3D & DVD (Warner)
RELEASE DATE: October 7, 2014
Warner presents the Blu-ray + Blu-ray 3D & DVD for Doug Liman’s Edge of Tomorrow. An officer (Tom Cruise) finds himself caught in a time loop in a war with an alien race. His skills increase as he faces the same brutal combat scenarios, and his union with a Special Forces warrior (Emily Blunt) gets him closer and closer to defeating the enemy.
The film is based on All You Need Is Kill, a Japanese novel by Hiroshi Sakurazaka. Watch the trailer.
“Once Upon a Time in Shanghai” International Poster
Director: Wong Ching Po
Cast: Philip Ng, Andy On, Mao Jun Jie, Sammo Hung Kam Bo, Jiang Lu Xia, Chen Kuan Tai, Yuen Cheung Yan, Fung Hak On, Yolanda Yuan Quan
Running Time: 95 min.
By Paul Bramhall
In a Hong Kong which continues to be starved of performers who can deliver screen presence, charisma, and kung-fu skills, the trend over recent years seem to be to push the talented martial artists that usually take on supporting roles to the fore, making them front and centre and hoping for the best. Wu Jing pulled off directing and leading man duties in 2008’s Legendary Assassin, with only lukewarm results; Xing Yu took top billing in 2013’s Wrath of Vajra, displaying all the screen presence of a rock; and in 2014, Philip Ng was pushed to the forefront for Once Upon A Time in Shanghai.
Just like Wu Jing and Xing Yu, Ng has consistently shone brightly and briefly in his many supporting roles. However, also just like Wu Jing and Xing Yu, the real question here is can he carry a whole movie by himself? Thankfully in Once Upon A Time in Shanghai, he gets to share the screen with a high caliber of Hong Kong talent, both new and old. In many ways the cast is like a roll call of Hong Kong fighting talent – Andy On, Jiang Luxia, Sammo Hung, Chen Kuan Tai, Fung Hak On and Yuen Cheung Yan (who bizarrely sounds like Darth Vader here) are all in the mix, reading like a kung fu fan’s dream.
The story is also reminiscent of the Hong Kong movie industries glory days, as it tells the tale of Ma Wing-Jing, a country bumpkin who comes to 1930’s Shanghai in the hopes of living the big city life in a virtuous and honest manner. The tale has been told in many different formats, including the 1972 Shaw Brothers movie The Boxer From Shantung, in which Wang-Jing is played by Chen Kuan Tai (who also appears in this version), and again in 1997’s Hero, in which the role is taken on by Takeshi Kaneshiro. Both Kuan Tai and Kaneshiro have strong onscreen personas, so Ng has been left with some big shoes to fill, and understandably, he somewhat falters.
The story goes that Ma Wang-Jing comes to Shanghai as an innocent country bumpkin, who eventually falls in with some local gangsters and begins to be corrupted by power, a change which is important to convey in any version of the tale. However here that change isn’t conveyed at all, but this isn’t due to Ng’s acting, we’ll return to that point later. What Ng does convey is a sense of awe at the bright lights of Shanghai, but unfortunately, he seems to confuse acting like a gape jawed idiot as a look which conveys innocence. It doesn’t.
Speaking of the bright city lights, you’d be forgiven for thinking they’re not that bright at all, because the movie’s color palette is so washed out that it’s essentially black and white, with only the slightest splashes of color, such as Ng’s jade bracelet or some red lipstick. This color scheme worked in movies like Sin City, but here it just looks a little off, like they should either make it full color or make it completely black and white. On a side note, the original publicity poster which was distributed reflected this color scheme; however, as it neared release, all of the new publicity shots that came out were shown in full color, which was somewhat misleading whichever way you look at it.
This decision was probably a choice of director Wong Ching Po, who’s known for his quirky movies such as Let’s Go! and Revenge: A Love Story. There are times when it does work, and the movie starts off strongly, with Ng displaying his fighting prowess on a boat, and then his first interactions when he arrives in Shanghai. However, the movie is also scripted by Wong Jing, Hong Kong’s master of low brow entertainment. Wong can deliver when he wants to, and in fact some of the sets here look to be the same used on 2013’s excellent The Last Tycoon, which he wrote and directed, however here the story shows signs that he probably wasn’t putting a lot of effort in.
A disturbing amount of randomness seems to enter the movie at various inappropriate moments, most of which involve poor Andy On. A scene suddenly cuts away to him sitting in his living room with a live tiger prowling around, in a moment of manly bonding with Ng, he explains the origin of a hotdog and how the sausage was too slippery to hold bare handed; and to top it all off, he has to frequently break out of character to deliver hysterically fake evil laughter. It’s all very unintentionally funny, and you have to frequently remind yourself that it’s supposed to be a serious movie whenever these moments occur.
Thankfully, unlike some recent movies like The Viral Factor and Naked Soldier, On gets to unleash his fists and feet at regular intervals, here under the choreography of Yuen Woo Ping, the second time they’ve worked together after 2009’s True Legend. On is probably the closest thing Hong Kong has right now to the perfect thespian: he has the looks, the screen presence, and the moves, topped off with perfect English. Ng is the star of the show of course, and he gets plenty of opportunities to also bust out the moves, his mid-film fight with On being a highlight. The choice of camera work is not always the best in the fight scenes, but thankfully, there is a lack of the dreaded shaky-cam, and we get to see that Ng’s skills are undoubtedly the real deal.
There are aspects of the action which will frustrate though, or more specifically, the absence of action by some performers. Jiang Luxia, once heralded as the next Yukari Oshima, continues her decline of being in movies in which she has virtually no lines and even less action. I don’t know why she was even here, as she’s basically a glorified extra. I confess to harboring a secret desire to see a Sammo Hung vs. Chen Kuan Tai match, but it didn’t happen. Without giving too much away, I also found the finishing move Ng pulls off against the first Japanese fighter in the finale to be laugh out loud funny, rather than the ‘wow, that was cool’ reaction it was probably going for.
While on the subject of the Japanese, it brings me back to my point regarding Wang-Jing’s corruption by wealth and power. As I mentioned this part is a crucial change for the character, but of course both The Boxer of Shantung and Hero were made before Hong Kong’s handover back to China, so didn’t need to worry about such things as appeasing the China censorship board. In Once Upon A Time in Shanghai the character Ng portrays is much more two dimensional, and dare I say dull, compared to previous depictions. So instead of being corrupted by power and taking on his own country men in the form of the axe gang, Ng is left stuck with a plot which pits him against, you guessed it – the Japanese! Jet Li fought them in Fearless; Donnie Yen fought them in Legend of the Fist and Ip Man; and Xing Yu fought them in The Wrath of Vajra; but hey, clearly not enough mileage has been traveled with the Japanese villains plot device yet.
While of course this was also par of the course in many of the 1970’s kung fu movies, the in your face nationalism that seems to come packaged with it these days definitely wasn’t, and here once again it’s On who is given the embarrassingly cringe worthy line of yelling out how he’ll never let China be ruled by Westerners or the Japanese. For a simple story of a country bumpkin who comes to make a living in the big city, the jarring but predictable turn of events that make it all about the unwavering Chinese spirit against the Japanese will likely induce a yawn. How much you enjoy the movie will probably come down to balancing a love of fight scenes with a high level of patience. You’ve been warned.
Lionsgate presents the Blu-ray & DVD for The Prince. Bruce Willis, John Cusack and Jason Patric face off in this action-packed thriller. A mechanic – and retired assassin – with ties to the underworld is drawn back into the life he gave up when his daughter is kidnapped. To rescue her, he must confront his former rival.
The Prince also stars Jessica Lowndes, Jung Ji-Hoon (aka Rain from R2B and Ninja Assassin), Gia Mantegna, Jonathon Schaech and Curtis “50 Cent” Jackson. Watch the trailer.
Today’s Deal on Fire is the Blu-ray for 1970’s Brothers Five, directed by Lo Wei (The Big Boss). This 1970 Shaw Brothers classic stars Cheng Pei-pei (Come Drink With Me), a woman who must reunite the Kao brothers to rid the Teng Lung Manor of killers whilst avenging the murder of their father.
Blue Underground presents the Blu-ray for Companeros, written and directed by the legendary Sergio Corbucci (Django, The Great Silence), Companeros is a once-in-a-lifetime teaming of the two greatest European stars in `Spaghetti Western’ history.
Franco Nero (Django), Tomas Milian, Jack Palance and Fernando Rey star in this action-packed comedy classic that also features a remarkable score by Ennio Morricone (The Good, The Bad and the Ugly). Watch the trailer.
Van Damme 5-Movie Action Pack | Blu-ray (Universal)
RELEASE DATE: October 14, 2014
Universal presents the Van Damme 5-Movie Action PackBlu-ray set, which includes John Woo’s Hard Target (1993), Jean-Claude Van Damme’s The Quest (1996), Steven E. de Souza’s Street Fighter (1994), Peter Hyams’ Sudden Death (1995) and for the first time on Blu-ray, Sheldon Lettich’s Lionheart (1990).
The Van Damme 5-Movie Action Pack is a 5-Disc set, which also contains the Digital Copy of each movie.
Director: Kim Ki-Duk
Writer: Kim Ki-Duk
Producer: Kim Ki-Duk, Kim Woo-Taek, Kim Soon-Mo
Cast: Cho Jae-Hyu, Seo Young-Joo, Lee Eun-Woo, Lee Eun-Woo, Kim Jae-Rok and Kim Jae-Hong
Running Time: 88 min.
By Paul Bramhall
Kim Ki-duk has remained one of Korea’s most discussed and controversial directors over the last 15 years. His movies usually portray the dark side of human nature with tales dictated by the sex and violence that permeates through them, often taking on subject matter even the most open minded individual would shy away from.
Ki-duk cranked out a movie every year since his debut with Crocodile in 1996, sometimes even two, however things took an unexpected turn for the worse in 2008 when, while filming Dream, actress Lee Na-young nearly died while filming a scene in which she had to hang herself. On top of this, the distributor for the movie which he wrote and produced, Rough Cut, went bankrupt, which resulted in him not making a single dollar from it.
The combination of his guilt over Na-young’s near death combined with the unexpected blow to his finances sent Ki-duk into a 3 year exile. It was an exile which he wouldn’t return from until 2011, with the autobiographical piece Arirang, a documentary in which Ki-duk plays both the interviewer and interviewee, holed up by himself in a log cabin, in his own attempt to come to terms with the time that had passed. Arirang must have served its purpose, because in 2012 he returned with Pieta, which won the Golden Lion award at the Venice Film Festival of the same year, a brutal work which follows a ruthless debt collector who is visited by a mysterious woman claiming to be his mother, who abandoned him as a child.
In 2013 Ki-duk followed up Pieta with Moebius, and even before the movie was given a release date, it seemed that the controversy which he became known for with movies like The Isle and Samaria was back front and center. Upon submitting the movie to the Korea Media Ratings Board, it was given a ‘Restricted’ rating for harmful content. While a movie being given an R rating in the US is not such a big deal, in Korea only specific cinemas can show ‘Restricted’ movies, and at the time of writing there are currently none in the whole country, which effectively made it banned on its home soil. Ki-duk found himself in a dilemma, and in interviews openly expressed that he’d do whatever it takes to get the movie released, not least because the cast and crew would only get paid based on the returns the movie received.
In July 2013, Ki-duk wrote a letter to the board in which he explained how the scenes that were being described as harmful played an essential part of the story, and that in the context of which they’re taking place, make sense. In the letter he explained that if the board still refused to tone down the rating, he would pay the cast and crew himself. While it was never made clear if the second time he re-submitted the movie there were any changes or cuts made to it, the presumption is that it remains the original version, and it appears that Ki-duk must have quite a way with words, as Moebius was indeed granted a release domestically.
So, with all this drama playing out behind the scenes, what of the actual movie itself? The plot of Moebius will probably be enough to turn a lot of people off from the word go. It revolves around the family unit of a father, mother, and son. When the mother captures the father cheating on her one evening, something she’d long suspected, enraged she storms into the bedroom where the father is sleeping and tries to castrate him with a knife. He wakes up just in time to foil her attempt, but while he’s recovering from the (understandable) shock, the still enraged mother barges into the son’s bedroom, and castrates him instead. This is all within the first 15 minutes, and really to say anything more about the remaining 75 would be to spoil the experience.
Another crucial thing to mention about Moebius is that it doesn’t contain a single line of dialogue, there’s not a single word spoken during the whole run time. This may sound remarkably grim and depressing, and there’s no doubt that it is, however Ki-duk seems to realise this, and by putting the most shocking events that take place in the first 15 minutes, the rest of the movie takes us into some surprising, and sometimes even touching, situations. For me Ki-duk’s movies are to a degree hit and miss, when he gets it right his movies are remarkably effecting and unsettling, but on more than one occasion I’ve been of the opinion that he can be rather clumsy when it comes to characters dialogue and interactions with each other. He’s a director that works best when he’s using symbolism, and it should come as no surprise that many consider another one of his best movies to also have minimum dialogue, 2004’s 3-Iron.
So to some extent, Moebius represents Ki-duk embracing his strengths in a way he never has before, by doing away with dialogue all together. It’s amazing then, that while watching the movie this isn’t an issue at all, and in fact it’s one of the contributing factors to the brilliance of Moebius, while never being a gimmick or a distraction. The characters interactions with each other, driven by expressions and glances along with the situations which unfold, all happen naturally, and there’s never any scene which feels like words are needed. Remarkably for a Ki-duk movie, and even more so for the subject matter being dealt with, there’s also a degree of black humor running through various scenes. Despite the desperation of the situation, you can’t help but smile at the scenes when the bond between father and son seems to be growing stronger while they browse through penis transplant websites together. It’s absurd, and it’s that absurdity which the movie doesn’t shy away from which makes it such an achievement.
The two actors and actress who make up the main characters of Moebius deserve kudos for their amazing performances. Jo Jae-hyeon as the father is a world away from his role as the father in 2010’s Thai-Korean co-production The Kick. Jae-hyeon frequently collaborated with Ki-duk on his early movies, however this is the first time they’ve worked together since 2002’s Bad Guy. Lee Eun-woo deserves special mention as she not only plays the mother, but she also plays the part of the woman whom the father is having an affair with, and goes on to play a significant character in the story. She is amazing here, coming across as both dangerous and vulnerable, and Moebius is worth a recommendation for her performance alone. It’s Seo Yeong-joo as the son who steals the show though, after capturing people’s attention in 2012’s Juvenile Offender, here he really makes his mark, and delivers an entirely believable, and very brave, performance, all being just 16 years old.
While the subject matter may put a lot of people off Moebius, it would be a shame because it means they would be missing an amazing movie. There is much more going on than just sex and violence here, which no doubt there is a lot of, but to go into it in any detail is a conversation best saved for after viewing rather than before. It’s best to say that rest assured, Ki-duk has created what is arguably his best movie to date in my opinion, and one that is worth watching by anyone who class themselves as a fan of cinema.
Jimmy Wang Yu 4-Film Collection | DVD (Shout! Factory)
RELEASE DATE: November 18, 2014
Shout! Factory presents the DVD set for The Jimmy Wang Yu 4-Film Collection. This 4 film, 2 disc set includes One-Armed Boxer(1972), The Tattooed Dragon (1973), Beach of the War Gods (1973) and Man Called Tiger (1973).
Liam Neeson is back in the kind of mode that audiences have come to love him in: playing a gravelly-voiced tough guy with ‘a particular set of skills.’ This September, Neeson is going for A Walk Among the Tombstones. Despite the Steven Seagal-esque title, this gritty thriller is the latest movie to bring author Lawrence Block’s private detective Matthew Scudder to life. The last Scudder film was 1986’s 8 Million Ways to Die, featuring Jeff Bridges in the role.
Here’s your last bit of trivia: this particular story was almost brought to the silver screen back in 2002 with Harrison Ford in the lead. But the first trailer for A Walk Among the Tombstones is here and it promises plenty of intrigue and atmosphere, which should please Liam Neeson fans who are enjoying the actor’s current renaissance as a man of action. What can we say? Neeson clearly knows how to handle himself in a fight scene.
Updates: Check out the film’s latest poster. It’s sorta like the first poster, only front view.
Bruce Lee Premiere Collection | Blu-ray (Shout! Factory)
RELEASE DATE: November 11, 2014
Shout! Factory presents the Blu-ray set for the Bruce Lee Premiere Collection, which includes the following four films: The Big Boss (1971), Fist of Fury (1972), Way Of the Dragon (1972) and Game of Death (1978). Also included are extra features for each individual title.
Please note: This new set includes only the films mentioned above. If you’re interested in the collector’s book, the documentaries and the Bonus Feature DVD, the Bruce Lee: The Legacy Collection is still available.
Tekken: Kazuya’s Revenge | Blu-ray & DVD (ANconnect)
For those of you looking to expand your Blu-ray & DVD collection, get ready for our latest roll of new releases handpicked by cityonfire.com!
For the month of August, we have an exceptional list of action, martial arts, old school kung fu and Asian horror titles: Ninjas, Van Damme, Seagal, Kosugi, Japanese horror, old school Hong Kong… they’re all here!
If you’re interested in purchasing any of the titles, we’re hoping you’ll click on our Amazon.com links to show your support towards cityonfire.com.
Millennium Entertainment presents the Blu-ray & DVD for Ninja Apocalypse. From visual effects director Lloyd Lee Barnett – known for his digital work in films like Avatar, Speed Racer and Spider-man – comes Ninja Apocalypse. This upcoming martial arts film sports an impressive cast that includes Christian Oliver (The Three Musketeers), Ernie Reyes Jr. (The Rundown), Les Brandt, West Liang, Kaiwi Lyman, Tara Macken, Isaac C. Singleton Jr., Antoinette Kalaj, Mark Heidelberger and Cary-Hiroyuki Tagawa (Mortal Kombat).
ANconnect presents the Blu-ray and DVD for Tekken: Kazuya’s Revenge. Kane Kosugi (Choy Lee Fut, Ninja 2: Shadow of a Tear) stars in this prequel to 2010’s Tekken. Joining Kosugi is Cary-Hiroyuki Tagawa (Tekken), Gary Daniels (Skin Traffik) and Ron Smoorenburg (Who Am I?). Like its predecessor, Tekken 2: Kazuya’s Revenge (aka Tekken: A Man Called X) is based on the popular Namco fighting game of the same name.
Tokyo Shock presents the DVD for 2011’s Eko Eko Azarak: The First Episode of Misa Kuroi. A crisis occurs at a High School when the students fall prey to black magic. A student named Misa (Maeda Nozomi) attempts to help them by battling the dark forces with magic that has been passed down in her family for generations. Based on legendary horror manga Eko Eko Azarak and directed by original author, Shinichi Koga.
Well Go USA presents the Blu-ray & DVD for Keith Parmer’s action-thriller Swelter, starring Jean-Claude Van Damme. Van Damme plays a member of a bank robbing gang that manages to steal a cool $100 million before some of them are apprehended by the police. Swelter also stars Josh Henderson, Brad Carter, Alfred Molina and Lennie James.
Tokyo Shock presents the DVD for the 2006 Malaysian-Chinese film Seed of Darkness (aka Nephesh Seed), directed by Michael Chuah (Fist of Dragon). In the tradition of Japanese horror classics The Ring and The Grudge! A woman decides to undergo an “in-vitro fertilization process” in Singapore to have a child of her own. 7 years later, after moving to anew apartment, the child begins to behave oddly and insists she can see the “non-existent” father. Starring Amber Chia, Juin Juin Leong, Vick Teo, Alvin Wong, Sze Sen Wong and Zun Yap.
Shout! Factory presents the DVD for the Martial Arts Movie Marathon Vol. 2, which contains four classic Golden Harvest movies on two discs. This set includes 1973’s The Fate of Lee Khan with Li Hua Li, Roy Chiao, Feng Hsu, Ying Bai, Feng Tien and Angela Mao; 1974’s The Shaolin Boxers with James Yien; 1977’s The Shaolin Plot with Chan Sing, Cheung Ging Boh and Sammo Hung Kam Bo; and 1975’s The Young Dragons with Cheng Lui, Chiang Nan and Chin Yuet Sang – directed by John Woo!
Lionsgate presents the DVD for A Good Man. Steven Seagal re-teams with director/producer Keoni Waxman (Force of Execution) for the 5th time. After an illustrious special ops career ends in disaster, Alexander (Seagal) goes off the grid and attempts to lead a quiet life as a handyman at an apartment complex. But when one of his tenants and her family fall under the thumb of a Russian gangster, Alexander is dragged into an all-out war between rival Chinese and Russian gangs. Tzi Ma (Rapid Fire, Rush Hour, Dark Vengeance), Victor Webster and Massimo Dobrovic also star.
Action Slate presents the DVD for the Kazakh revenge thriller Joker. A man avenges his brother’s death with the help of an otherworldly monk who teaches him the skills to destroy his enemies. Joker stars Vitalij Kischenko, Denis Lituyev and Yerbolat Toguzakov.
Phase 4 Films presents the Blu-ray & DVD for Uwe Boll’s Rampage: Capital Punishment (aka Rampage 2). It’s the return of violent anti-hero Bill Williamson (Brendan Fletcher). This time he has plans to change the world by exacting vengeance on the rich, and ripping Washington apart! Boll has definitely made some horrible movies in the past, but if you’ve seen 2009’s Rampage or 2013’s Assault on Wall Street, Boll has proven himself to be a competent filmmaker. If Martin Scorsese is the master of gangster film, then Boll is the master of making flicks about people goin’ postal!
Well Go USA presents the DVD for 2012’s Triad, directed by Daniel Chan (Young and Dangerous: Reloaded). Triad follows a college-educated young man (William Chan) who decides to give up the straight and narrow for a life in the Triads. He very quickly ascends the ranks, even as he offends his elders by operating extra-circular businesses. But his entire house of cards might come toppling down when he realizes someone close has betrayed him. Triad also stars Michelle Wai (Girl$), Patrick Tam (Beast Cops), Irene Wan and Derek Tsang (The Thieves).
Criterion Collection presents the Blu-ray for 1979’s Vengeance Is Mine, directed by Shohei Imamura (Black Rain). A thief, a murderer, and a charming lady-killer, Iwao Enokizu (Ken Ogata) is on the run from the police. Director Imamura turns this fact-based story—about the seventy-eight-day killing spree of a remorseless man from a devoutly Catholic family—into a cold, perverse, and at times diabolically funny examination of the primitive coexisting with the modern. More than just a true-crime tale, Vengeance Is Mine bares humanity’s snarling id.
"The Expendables: Extended Director's Cut" Blu-ray Cover
Today’s Deal on Fire is the Blu-ray for The Expendables: Extended Director’s Cut, which features over 10 minutes of footage not seen in the theatrical version. Read our review.
Sylvester Stallone stars as Barney Ross, leader of The Expendables, a tight-knit team of skilled combat vets turned mercenaries. Hired by a powerful covert operator, the team jets off to a small South American country to overthrow a ruthless dictator. Also starring, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews and Mickey Rourke.
AKA: Karate Cop
Director: Lo Wei
Cast: Don Wong Tao, Sylvia Chang Ai Chi, Chuck Norris, Chin Yuet Sang, Wong Sam, Yee Kwan, Lam Ching Ying, Daniel Ivan, Robert Jones, Ma Man-Chun
Running Time: 100 min.
By Jeff Bona
Despite of the fact that Lo Wei’s Yellow Faced Tiger was produced in 1974, the film’s origin dates back to 1972, when it was originally planned to be Bruce Lee’s 3rd project following Fist of Fury(1972). However, due to Lee’s much-publicized squabble with Wei, the two went separate ways and Yellow Faced Tiger was indefinitely shelved.
Some believe that Lee refused to work with Wei for a number of reasons. One may have been that Wei, who dubbed himself “Hong Kong’s First Millionair Director,” publicly took full credit for the success of both The Big Boss (1971) and Fist of Fury(1972). Wei even went as far as saying he was responsible for teaching Lee how to fight on camera, which obviously made Lee furious.
Another reason is the two rarely saw eye to eye. During shooting, Lee would often clash with Wei, criticizing him for spending more time in his trailer or off set, and less time overseeing the progress and quality of his productions. When instances like this occurred, it was Lee who took charge and became an informal co-director.
Then there are the rumors: George Tan, a noted Bruce Lee Historian, has said the following about the Wei/Lee feud: “The REAL reason behind the feud was Raymond Chow (founder of Golden Harvest Studios). Chow is the master of divide and conquer. Chow was sleeping with Wei’s wife at the time. Imagine what would have happened if Wei found out at that critical point. What if he told Lee to split and form a new company away from Chow? Chow was/is a true master. Lee was a novice in that arena.”
Whatever the truth may be, anyone who has seen Wei’s non-Bruce Lee films can’t deny that Lee’s presence – both on screen and off – is what made the The Big Boss and Fist of Fury the classics that they’re known as today. The same scenario can be applied to Robert Clouse – just watch any movie he directed after Enter the Dragon(1973).
In 1974, a year after Lee’s passing shook the entire Hong Kong film industry, Chow finally decided to unshelve Yellow Faced Tiger. Determined to find someone to fill Lee’s shoes, Golden Harvest held a talent search in New York where they discovered Don Wong Tao, an avid Taekwondo practitioner who slightly resembled Lee. Impressed with both his looks and his physical ability, Golden Harvest immediately signed Wong Tao for a multi-picture deal.
Golden Harvest also brought back American Karate Champion, Chuck Norris, as the film’s ruthless villain. Norris, who was previously handpicked by Lee for Way of the Dragon(1972), was approached by Wei for the film’s main baddie. According to Norris’ 2004 autobiography, Against All Odds My Story: “When Lo Wei, a Chinese director, asked me to play a role in a low-budget karate movie called Yellow Faced Tiger that he was making in San Francisco, I said, “Sure, why not?” Lo Wei said the movie would be shown only in Asia. I didn’t care; I needed the money.”
Considering Yellow Faced Tiger was shot in San Francisco, California – with a cast consisting of many Caucasian and African American talent – many assume that the film was intended for Western audiences a la Enter the Dragon. Contrary to that belief, the film wouldn’t make its way into America until 1981 for one particular reason (more on that later).
In a nutshell, Yellow Faced Tiger revolves around a Chinese cop named officer Wong (Wong Tao) who’s having a really bad week. After Wong saves his buddy (Robert Jones) from being beaten to death by a gang, he gets kicked off the force for accidentally killing one of the thugs. Wong then takes a job at a Chinese restaurant where he comes across a crime syndicate boss (Norris) who wants to recruit him because of his fighting skills. When Wong refuses, the syndicate makes his life a living hell.
Like many post-Lee, early 70s Golden Harvest films, Yellow Faced Tiger is one dodgy production. It’s what you would expect from Wei: Shaky cameras (unintentionally, not artistically), rushed shots and horrendous acting. But make no mistake, its hilarious imperfections make it a riot to watch. Without doubt, it falls under the cliché “so bad, it’s good” category.
The film is definitely action-packed, courtesy of veteran fight choreographer Han Ying Chieh (better known as the guy who plays “The Boss” in The Big Boss). If you’re aware of the non-Lee fights Chieh staged for The Big Boss, then you should have a solid idea of what Yellow Faced Tiger has to offer. Let’s just say that the choreography was the typical early 70s, basher-type fights, which were bland, especially compared to the grace and fluidity that Lee had to offer.
Nonetheless, it’s apparent that Wong Tao was choreographed with Bruce Lee’s fighting-style in mind. Lee’s trademark clenched-fist pauses, intense facial features and one punch/kick knockdowns are all here; only problem is Wong Tao isn’t Lee, so the carbon copied movements come across as forced and out of place. Like Lee, Wong Tao is often shirtless and sports a similar hair style. That said, Yellow Faced Tiger should be classified as a Bruceploitation flick.
Unfortunately, after Yellow Faced Tiger failed to bring in box office numbers, Golden Harvest came to the conclusion that Wong Tao wasn’t a bankable star, so after two movies – the other, a partial role in Chinatown Capers (1974) – Wong Tao and Golden Harvest parted ways.
A couple years later, Wong Tao ultimately found glory when he hooked up with Seasonal Films’ Ng See Yuen to appear in a new film, opposite Hwang Jang Lee and John Liu. Instead of trying to make him another “new Bruce Lee,” Yuen was able to showcase Wong Tao in a different light. The result: The Secret Rivals(1976), which ended up being a major hit and has remained a cult classic to this very day.
Also of note in Yellow Faced Tiger is an early appearance of actress, Sylvia Chang (The Lady Killer). Despite her raunchy role (in one fully clothed scene, she gets off by pretending to be raped by two men), Chang went on to become one of the most successful Hong Hong stars, reaching critical acclaim for her acting, writing and directing skills. You have to start somewhere, right?
The bottom line: Yellow Faced Tiger is one of the worst films in the Golden Harvest catalog, but like The Man Called Tiger (1973) and Stoner (1974), it’s highly entertaining because of its flaws and interesting for its historical connection with Bruce Lee.
Footnote: In 1981, during the height of Norris’ Hollywood career, Yellow Faced Tiger was to be re-released as Slaughter in San Francisco to capitalize on his success. Upon hearing of the film being marketed as “a brand new movie starring Chuck Norris,” Norris took legal action and tried to stop it from being released. After all, he didn’t want to ruin is squeaky clean, Good Guys Wear Black (1978) image with a low budget, badly dubbed, Chinese production where he plays a sleazy villain. Clearly, Norris lost this battle.
Street Fighter: Assassin’s Fist | Blu-ray & DVD (Funimation)
RELEASE DATE: October 28, 2014
Funimation presents the Blu-ray & DVD for Street Fighter: Assassin’s Fist. Watch Ken, Ryu, Akuma and many other of your favorite characters from Capcom’s Street Fighter video game come to life! Originally released as a 12-episode web series by Machinima, Street Fighter: Assassin’s Fist will now be showcased as a 143 minute, full length film, with 13 minutes of bonus footage not seen in the web series.
Why watch the series on your computer screen, when you can watch it in full HD and without interruptions? Watch the trailer.
Blue Underground presents the Blu-ray for 1977’s Shock Waves, direct by Ken Wiederhorn (Return of the Living Dead II). In World War II, the Nazi High Command ordered its scientists to create a top secret race of indestructible zombie storm troopers. No member of this horrific SS unit was ever captured by the Allied Forces and, somewhere off the coast of Florida, they have survived.
Shock Waves (aka Almost Human or Death Corps) stars Peter Cushing, Brooke Adams and John Carradine. Watch the trailer.
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