Who wants to make a ‘P.A.S.S.’ at Bianca Van Damme?

"Paranormal Activity Security Squad" Teaser Poster

"Paranormal Activity Security Squad" Teaser Poster

P.A.S.S. or Paranormal Activity Security Squad is an upcoming martial arts – horror – comedy flick directed by and starring Alexander Wraith (No Tears for the Dead) and Bianca Brigitte Van Damme (6 Bullets, Assassination Games).

Judging from this promotional image, one can easily describe P.A.S.S. as The Ghostbusters meets exploitation cinema with other elements of craziness (i.e. Charlie Sheen, UFOs and lightsabers).

P.A.S.S. also stars Sean Stone (Savages), Rigan Machado (Kickboxer 4: The Aggressor) and Aki Aleong (Pound of Flesh).

In addition to P.A.S.S., Wraith and Van Damme are also collaborating on Enter the Fist and the Golden Fleecing, as well as Kickbox, which be filmed entirely in Thailand.

Updates: Watch a new in-movie commercial for P.A.S.S. We really don’t know what to think (and that’s probably the point). If you’re looking to pre-order a copy, visit the film’s official website.

Posted in News |

Zombie Fight Club (2014) Review

Original "Zombie Fight Club" Artwork by Kung Fu Bob

Original “Zombie Fight Club” Artwork by Kung Fu Bob

AKA: Z.F.C.
Director: Joe Chien
Cast: Andy On, Jessica Cambensy, Jack Kao Jie, Philip Ng, Michael Wong, Terence Yin, Derek Tsang Kwok Cheung, Abby Feng, Gu Bao Ming
Running Time: 95 min.

By Paul Bramhall

At the end of my review for Joe Chien’s 2012 production Zombie 108, I was so appalled at what was proudly billed as China’s first zombie movie that I wrote “if it’s Chien who’s going to be the driving force behind them, then hopefully it’ll be the last.” However, like a modern incarnation of the village idiot, somehow I found myself drawn to Chien’s 2014 follow-up, Zombie Fight Club. I can say it was the presence of Andy On that drew me in, the fact that the action was being choreographed by Philip Ng, or even just tempted by the concept of a zombie fight club. But I won’t try to justify myself, I chose to watch this movie while of sound mind, so will attempt to write this review while in a similar disposition.

Zombie Fight Club bursts out of the gates in much the same way that its predecessor did. Within the first 5 minutes we have a title sequence that lists actors with names like ‘MC Hotdog’, a vision of Taipei up in flames, a gratuitous shot of a young female’s posterior adorned in denim hot pants, and a guy having his ear chopped off. 10 minutes in and we’ve had a threesome scene, a guy having his manhood bitten off when the girl he’s receiving lip service from chooses a bad moment to become a zombie, and a group of party goers taking selfies together with the zombies. Frankly, there is more insane nonsense in these initial minutes than most movies cram into their whole runtime. But I have to confess, I found myself enjoying it.

In what I promise will be my last reference to my thoughts on Zombie 108, I had written how that movie’s opening also appeared to “basically setup for a throwback to the trashy Category III flicks of Hong Kong’s yesteryear, only in Taiwanese form.” I then went on to explain how it failed miserably. The opening of Zombie Fight Club had me hoping that Chien had learnt his lesson, and maintain the entertainingly trashy lowbrow zombie shenanigans for the duration of the run-time.

One thing that becomes evident rather quickly is that Chien must have enjoyed The Raid, as the structure of the first hour contains several identical setups from the Gareth Evans classic. Andy On is basically Rama (although to keep it simple, here On plays a character called, wait for it, Andy), with Michael Wong in the role of corrupt captain Wahyu. There’s even an almost identical shot which is framed in the van of the SWAT team, positioned as they approach the building they’re planning to infiltrate, in which On questions if what they’re doing is authorized.

Inside the building we focus on the apartment of a young couple who like to party, played by Derek Tsang and half American/half Filipino model Jessica C, who spends the entire movie either (a) wearing a pair of hot pants and a bra, or (b) wearing a pair of hot pants and a vest with no bra. This, and the fact that she cuts her hair short at some point, is the extent of her characterization. Unfortunately due to some contaminated drugs the couple and a group of friends were going to take, everyone ends up turning into zombies, a fate she only narrowly escapes thanks to taking a bathroom break when the other characters pop the pills.

Jessica C’s survival and the arrival of Andy On setup the structure for what amounts to almost non-stop blood splattered zombie mayhem. Zombie Fight Club is still B-grade stuff, but gone is the hyper-editing of the zombie scenes from Zombie 108, replaced with better zombie makeup, better CGI (although still far from perfect), and a heap more zombie extras than his previous effort could afford. The result is admittedly a lot of gory fun. Zombies get punched through the face and out the back of the head, one zombie is beaten to a pulp with a golf club, while the character giving the beating yells “Tiger! Tiger! Tiger Woods!”, and there’s even a man on a Zimmer frame vs. a zombie in the mix. None of it makes a lick of sense, none more so that when the elderly man using the Zimmer frame steps into a robot suit, not dissimilar to the one Sigourney Weaver uses in the finale of Aliens, and armed with a chainsaw creates a bloodbath of zombie decapitation.

The misogynistic streak against women has also thankfully been dialed back for Zombie Fight Club. Chien has still cast 99% of the female characters for their looks, and has them dressed as scantily as possible, but the scenes of degradation and cruelty that made Zombie 108 leave a bad taste have gone. That said, there are still some scenes that will have some viewers feeling uncomfortable. There’s the appearance of a zombie baby, and in one rather bizarre scene, which ends up becoming pivotal to the plot, a middle aged professor is visited by his daughter and her friends. When his daughter is killed by a zombie, instead of trying to rescue her surviving friends, he decides to kill them so that they can be together with his daughter in the afterlife. It may have sounded like a good twist on paper, but it’s arguably in bad taste to set a soft acoustic guitar track to a scene in which he’s murdering a group of young girls in cold blood.

Staying true to its breakneck pacing, at the one hour mark Zombie Fight Club suddenly decides it’s going to skip 1 year into the future. It’s explained onscreen that the world has been overrun by zombies, and that humans have been forced to live underground, ruled over by a mad dictator who enjoys pitting humans vs. zombies in a tournament which resembles something close to Mad Max Beyond Thunderdome meets Gladiator. Finally, we get to see the zombie fight club that the movie was named after! Andy On changes here from being Rama in The Raid to Russell Crowe in Gladiator, as he takes it on himself to attempt to free all of the humans being held captive. It’s all very dramatic, especially one scene were he’s being seduced by one of the dictators dominatrix acquaintances, in which he yells at her, “Come on, take off my pants!”

For zombie fans, there are plenty of inventive zombie deaths and liberal use of fake (and CGI) blood throughout. From Andy On storming down a corridor bashing in the brains of zombies using his fist and feet, to a car being used to take out as many of the undead as possible, in a scene which should be used as the basis for the next installment of The Fast & The Furious franchise. For those hoping that Andy On and action choreographer Philip Ng would get a rematch of their fight in Once Upon a Time in Shanghai, thankfully we do. It comes completely without warning, and had it not been for the voiceover that plays over the start of it, which explains that the dictator has created a human vs. human tournament with the victor being granted freedom, you’d be left wondering exactly why it was happening at all.

It’s a decent fight from two performers who could be argued to be the only worthy thespians currently working in HK action cinema, and the fact that part of it takes place in an abandoned bus surrounded by hungry zombies is surprisingly effective at raising the stakes. However, if it’s purely fight action you’re looking for, Zombie Fight Club is not the place to visit. For 90 minutes of blood drenched zombie mayhem and sexy scantily clad women, you could do a lot worse, and at the end of the day, isn’t that what all the best Category III movies provide us with?

Paul Bramhall’s Rating: 6.5/10

Posted in Chinese, News, Reviews | Tagged , , , , , |

‘The Raid’ director is back with a samurai action short

"The Raid 2" Japanese Theatrical Poster

"The Raid 2" Japanese Theatrical Poster

While most people spend their holiday relaxing, others, such as Gareth Evans – the acclaimed writer and director of Merantau, The Raid and The Raid 2: Berandal – decide to use the opportunity to test out some cool choreography ideas with visitors like Yayan Ruhian (Yakuza Apocalypse), Cecep Arif Rahman (The Raid 2) and Hannah Al Rashid (Safe Haven segment from V/H/S/2).

Just recently, Evans took to twitter with following news:

“Had the pleasure of having Yayan Ruhian, Cecep Arif Rahman and Hannah Al Rashid visit me in Wales over the summer holidays for a week or so.

While here, we made the following little shot sequence; partly to test out some choreography ideas I had, partly to see if we could create something non-violent my kiddo could see, but mainly cos I really needed to f*cking shoot something after 2 years without picking up a camera.

The four of us made up the entire cast crew with wonderful support in post as ever from music and sound maestros Fajar Yuskemal (Raid 2 composer) and Aria Prayoky (Raid 2 sound designer). Hope you enjoy!”

Does this mean that a future project from Evans might be samurai-related? After all, he is a big fan of Akira Kurosawa… well, only time will tell. Without further adieu, click here to watch Evans’ short action film. Should hold you off until news on Blister or The Raid 3 surfaces (via Paul Bramhall).

Posted in News |

Dragon Blade (2015) Review

"Dragon Blade" Korean Theatrical Poster

“Dragon Blade” Korean Theatrical Poster

Director: Daniel Lee
Cast: Jackie Chan, John Cusack, Adrien Brody, Lin Peng, Mika Wang, Choi Siwon, Xiao Yang, Wang Taili, Sammy Hung, Yoo Seung-jun, Karena Lam, Li Shao-Ting
Running Time: 103/127 min.

By Kelly Warner

The casting lineup of Jackie Chan, John Cusack, and Adrien Brody for a historical action movie sounds downright crazy – and also, I must admit, rather intriguing. Just ten years ago a movie headlined by those stars would’ve sounded even weirder, but the fall from their A-list status has thrown them together in that very particular level of Hell known as the Daniel Lee Historical Epic. Because of the silly trailers and bad vibes, I wasn’t expecting much from Dragon Blade. However, decent word-of-mouth praise and an appreciation for the three actors made me just curious enough to check it out.

I regretted my decision almost immediately. It’s very clear early on that Dragon Blade is a tone-deaf, ham-fisted movie.

Inspired by a true story, Dragon Blade follows a Roman legion that’s traveling the Silk Road in China. They’re tired and starving, so they require a place to rest. Their general (John Cusack) seeks to sack a city, but the defender of that city (Jackie Chan) convinces both sides to set aside their differences and share the city. In order to earn their keep, the Romans help rebuild the city’s defenses, promising to do so in 15 days. Of course during this time of rushed construction the men take time to dance, spar, and engage in general male bonding that crosses the cultural divide. But not everything is fun and games! An evil Roman Consul (Adrien Brody) is taking his army in pursuit of Cusack, which leads to a confrontation on the Silk Road.

Why are Cusack’s Romans hiding out with Jackie Chan? Why does Adrien Brody want to kill everybody? Well, are you a fan of exposition? Half-way through the film John Cusack sits down to explain his backstory and motivations: “I served under Consul Marcus Licinius Crassus Dives. He moved his troops to the Parthian Empire, formed an alliance with the Queen, who is the sister of our Lady Crassus. Consul Marcus’ elder son, Tiberius, is a vicious and treacherous man. The Consul was planning on naming his youngest son Publius to be his heir and successor. He entrusted me to keep the child alive. The young lord started having problems with his eyes. The Parthian Queen kindly sent medicine to heal his vision. Tiberius laced it with poison, blinding his brother so that he could never become Consul…” and it goes on and on from there, giving us more information than necessary. During the dialogue we get flashbacks to some characters that we never see again and are treated to the first glimpse of a Queen who will become important later on (but only after we’ve almost totally forgotten about her). Cusack reads the lines with about the same enthusiasm that I felt when I went back to rewatch the scene so that I could quote the dialogue. (Which is to say: very little.)

That scene, I think, best explains what’s wrong with the movie: the screenplay sucks. Writer/director Daniel Lee (White Vengeance) shows no understanding of pacing, eloquence, or editing dramatic tension. Info dumps are dropped on the audience like a load of bricks. Characters we don’t bother to know the names of are killed with tearjerker melodrama. And the dialogue, OHHH the dialogue! Later in the film, Cusack begs Brody to spare the young Roman lord’s life, saying that he’s committed no crime and poses no threat. Brody responds, “Of course he’s committed a crime! His crime… his crime is that he took the place in your hearts that belonged to me.” In the words of Harrison Ford, “You can type this shit, but you sure can’t say it.” Daniel Lee, who is no friend to fans to historical epics, deserves a harsh talking-to. (To be fair: I watched the US cut which apparently trims approx. 20 minutes from the film. Whether some of the film’s editing and choppy storytelling is any better in the original cut is unknown to me.)

While the film is often very violent, the central theme is one of togetherness and acceptance. At the center of the story is the city which Chan is defending and it is made up of people from many different nations, cultures, and races. That they all work together to fight evil is something I thought deserved some credit, especially in days like these. However, good intentions only get you so far.

Jackie Chan is probably the best part of the movie. In the role of Huo An, Chan gets to play a bit of his Greatest Hits: he fights, sings, provides slapstick humor, and he gets to play his new favorite sort of role, that of the self-sacrificing savior. Chan also serves as the film’s action director and the action scenes are more exciting and better filmed than much the rest of Dragon Blade. Some of the action beats are overly familiar (has Chan ever fought a female opponent without tripping her and supporting her fall by putting his hands on her breasts?), but there is some entertainment to be had.

I’m not sure what John Cusack’s doing in the film counts as acting… it’s more like he’s just conveniently standing in front of the camera while it’s rolling. Cusack has hit a bit of a rough patch in recent years (though his work in Love & Mercy was excellent). He appears half-asleep in Dragon Blade, giving the character of Lucius just enough life to remain standing. I don’t necessarily blame him. The film is total shit and he’s smart enough to know it, wisely saving battery life for better film projects.

On the flip side of the coin, Adrien Brody goes all-out playing the outrageously evil Tiberius. Brody, the youngest actor to ever win the Oscar for Best Actor (The Pianist), is also at a strange point in his career. This isn’t the role he’s been looking for. Tiberius is evil and… that’s pretty much all there is to the character. Brody’s over-the-top in the part, so much so that I think he’s either in on the joke with the audience or he’s potentially going mad onscreen, I’m not sure which. At least he provides the film with some laughs.

So yeah, Dragon Blade is not the John Cusack/Jackie Chan action movie we’ve all been waiting for. The movie is made with good intentions, strong production values, and decent action, but a cheesy script and lame performances sink the film into oblivion. I’m still interested in the future films of Chan, Brody, and Cusack; they’ve done enough good work in years past to deserve a pass for this mess of a movie. But as for director Daniel Lee, well, he remains on my Shit List.

Kelly Warner’s Rating: 3/10

Posted in All, Chinese, News, Reviews | Tagged , , , , , , |

Time Rush | aka Reflex | DVD (Archstone)

Time Rush | aka Reflex | DVD (Archstone)

Time Rush | aka Reflex | DVD (Archstone)

RELEASE DATE: April 5, 2016

Archstone and Stunt Power Films presents Time Rush (aka Reflex), an upcoming thriller that fuzes martial arts with Edge of Tomorrow!

Helmed by Daniel Zirilli (director of Steven Seagal’s upcoming thriller, Asian Connection), Time Rush is about a man who is stuck in a repeating loop of time, and must navigate his way through an Asian metropolis (in this case, Thailand).

Time Rush stars Dean Alexandrou (Blunt Force), Selina Lo (The Scorpion King 3), Ron Smoorenburg (Who Am I?Tekken 2), Ammara Siripong (Chocolate), Byron Gibson (Only God Forgives) and Kecha Khamphakdee (Asian Connection). | Trailer.

Pre-order Time Rush from Amazon.com today!

Posted in DVD/Blu-ray New Releases, Martial Arts Titles |

Kung fu brothers and sisters, SC36 needs your help…

The Shaolin Chamber 36 Forum is not only the busiest forum on Asian and Martial Arts film – it’s also home to some of the most knowledgeable fans in the world.

However, the cost of maintaining the forum is taking a serious bite out of the owners (Kung Fu Bob’s Artwork and SC36.com) much more than they had anticipated.

It was decided that the easiest way to raise funds would be via donations on an annual basis. This way, if the goal was reached, they’d be covered for a whole year.

City on Fire would like to take this opportunity to ask its visitors to play a part in supporting the forum by making a donation. Big or small (even a $1), all donations are appreciated.

Each person that donates $15 or more will be entered in a drawing, and one person will win a Shaolin Chamber 36 “Treasure Package” consisting of three 11×17″ Kung Fu Bob art prints (of their choice), and two 36 Styles T-Shirts (of their choice).

On behalf of every kung fu movie fan out there, thanks for reading!

Posted in News |

Park Chan-wook looks to ‘Metal Gear Solid’ author for film adaptation of ‘Genocidal Organ’

"Oldboy" Japanese Theatrical Poster

"Oldboy" Japanese Theatrical Poster

According to TTB, visionary director Park Chan-wook (Old Boy, Sympathy for Mr. Vengeance) is attached to direct a film adaptation of Project Itoh‘s (Metal Gear Solid: Guns of the Patriots) science fiction novel, Genocidal Organ.

Here’s what you can expect from the plot (via Amazon):

The war on terror exploded, literally, the day Sarajevo was destroyed by a homemade nuclear device. The leading democracies transformed into total surveillance states, and the developing world has drowned under a wave of genocides. The mysterious American John Paul seems to be behind the collapse of the world system, and it’s up to intelligence agent Clavis Shepherd to track John Paul across the wreckage of civilizations, and to find the true heart of darkness—a genocidal organ.

We’ll keep you updated on Genocidal Organ as we hear more. Until then, Park Chan-wook is currently putting finishing touches on his forthcoming film, The Handmaid. Stay tuned!

Posted in News |

Voice Without a Shadow (1958) Review

"Nikkatsu Diamond Guys Vol. 1" Blu-ray Cover

“Nikkatsu Diamond Guys Vol. 1” Blu-ray Cover

Director: Seijun Suzuki
Cast: Hideaki Nitani, Yoko Minamida, Jo Shishido, Shinsuke Ashida, Kotoe Hatsui, Taketoshi Naito, Keisuke Noro, Toshio Takahara, Kaku Takashina, Kenjiro Uemura
Runnning Time: 92 min.

By Kelly Warner

In the old days, a film studio would have its contract actors who appeared in multiple releases each year and there was very little cross-pollination of actors working on films for other studios. Of course the bigger stars headlined the biggest films, while other contract players could appear in multiple films, sometimes up to a dozen films in a year. Over at Nikkatsu, they had the ‘Diamond Line,’ a group of their biggest stars who they made sure to put in their best films and provide with the best marketing. Tragedy forced the roster of the Diamond Line to change over time (for example: hot young star Keiichiro Akagi died at age 21 in a go-cart accident), and actors like Jo Shishido were integrated into the Diamond Line in their place.

This week Arrow Video is releasing Diamond Guys Vol. 1, their first in what I hope will be a long line of DVD/Blu-ray releases showcasing the talent from Nikkatsu’s golden age of action movies. First on the agenda is 1958’s Voice Without a Shadow starring Hideaki Nitani, Yoko Minamida, and Jo Shishido, under the direction of Seijun Suzuki.

As a film buff with a love for classic Japanese cinema, there are few things I enjoy more than the chance to see a recently unearthed film from a favorite director. There is a long list of classic Japanese films I want to see one day, some of which were made by Seijun Suzuki, but I must admit that Voice Without a Shadow was completely unknown to me. And that kind of made watching the film even more fun; I had no idea of what to expect, which can’t be said very often about a film that’s over fifty years old.

Voice Without a Shadow was made early in the director’s career. In fact, it’s the second earliest Suzuki film I’ve yet seen, released half a year after the film noir Underworld Beauty (that’s a good one. Check it out). At this point in his career Suzuki was not yet the enemy of the Nikkatsu studio executives, and so he was given good production values and a cast of big names. Still coming into his own as an artist, the visual flair that populates the director’s most well-known films is almost nowhere to be found here. This is a more restrained effort from Suzuki, but the style fits the story he’s telling.

Based on a mystery by one of Japan’s greatest writers, Seicho Matsumoto, Voice Without a Shadow is a very Hitchcockian tale of murder, paranoia, and whodunit. Told in an episodic nature, the film begins with Asako, a telephone operator played by Yoko Minamida (House), who dials the wrong number and hears the voice of a murderer. After police track the call to a crime scene in a pawn shop, Asako is tasked with helping the police identify the murderer by voice alone. Though she can differentiate voices with unrivaled accuracy, Asako is unable to help solve the crime and the case goes cold. Years later, Asako is a doting housewife tending to her husband’s needs. When her husband invites his clients over for endless games of mahjong, circumstances lead Asako to believe that the rowdiest client, Hamazaki (Jo Shishido), is the voice she heard all those years ago.

Another mysterious murder occurs and the mystery deepens, pulling Asako and her loved ones into a dangerous game of hidden truths. It’s at this point that reporter Ishikawa (Hideaki Nitani) takes over the film. He covered Asako’s story when she first heard the ‘voice without a shadow’ and he’s reinvigorated to solve the mystery now that another man has been killed.

While Asako’s storyline works as a paranoia thriller, Ishikawa’s is a noirish detective mystery. I enjoyed both sides to the story. It’s somewhat formulaic and it owes much to the thrillers of Alfred Hitchcock (nothing wrong with that), but it all works on at least some level.

Yoko Minamida is really good as Asako, the woman that nobody believes in. It’s not long before she also begins doubting herself. Minamida plays the conflicted character with gusto, taking Asako to the edge of sanity as the walls start closing in. In the role of Ishikawa, Hideaki Nitani (Tokyo Drifter) has less colorful material to work with but he makes the best of it. Ishikawa’s role in the story is essentially to connect the dots for the audience. Nitani is good in the role; you trust him instantly, which cannot be said about any other character in the film. Jo Shishido (Branded to Kill) makes a strong impression in his supporting role as the suspected murderer. I’m so used to seeing Shishido as an anti-hero, it’s refreshing seeing him play such a sleazy villain.

Those seeking an old-fashioned murder mystery with a good cast and confident direction will find just what they’re looking for here. Voice Without a Shadow may not be a signature film for director Seijun Suzuki but it’s a fine example of the director’s success working in the mystery/thriller genre. Suzuki, for all his acclaim, is not often known for his intricate storytelling. Voice Without a Shadow is a fairly complex film, one with enough plot threads and red herrings to satisfy even the diehard mystery and film noir fans.

Kelly Warner’s Rating: 7.5/10

Posted in All, Japanese, News, Reviews | Tagged , , , |

Cityonfire.com’s ‘Zombie Fight Club’ Blu-ray Giveaway! – WINNERS ANNOUNCED!

"Zombie Fight Club" Blu-ray Cover

"Zombie Fight Club" Blu-ray Cover

Cityonfire.com and Shout! Factory are giving away 3 Blu-ray copies of Joe Chien’s Zombie Fight Club to three lucky Cityonfire visitors. To enter, simply add a comment to this post and describe, in your own words, the film’s trailer.

We will be selecting a winner at random. Be sure to include your email address in the appropriate field so we can contact you for your home address. Additionally, you must ‘Like Us‘ on cityonfire.com’s Facebook by clicking here.

The Blu-ray & DVD for Zombie Fight Club (read our review) will be officially released on February 2, 2016. We will announce the 3 winners on that day.

CONTEST DISCLAIMER: You must enter by February 2, 2016 to qualify. U.S. residents only please. We sincerely apologize to our non-U.S. visitors. Winners must respond with their mailing address within 48 hours, otherwise you will automatically be disqualified. No exceptions. Contest is subject to change without notice.

WINNERS: Opium, Eric V., and Ron R.

Posted in News | Tagged |

‘Hard Target 2’ director goes historical for ‘Admiral’

"Admiral" Theatrical Poster

"Admiral" Theatrical Poster

Netherlands-based filmmaker Roel Reiné is primarily known for making straight-to-DVD sequels to theatrical hits like, Death Race 2, The Man with the Iron Fists 2 and The Scorpion King 3. Considering budget constraints, Reiné is one of the very few B movie directors who manages to pump ’em out with quality in mind.

We’ve gotten word from XLrator Media that Reiné’s newest film, titled Admiral (no relation to the similar-themed Korean film of the same name), will be available on VOD and iTunes on February 23, 2016, in theaters (limited release) on March 11, and on Blu-ray and DVD on April 5th.

Here’s what you can expect from Admiral: When the young republic of The Netherlands is attacked by England, France and Germany and the country itself is on the brink of civil war, only one man can lead the county’s strongest weapon, the Dutch fleet: Michiel de Ruyter. The film stars Frank Lammers, Sanne Langelaar, Barry Atsma, Egbert Jan-Weeber, Rutger Hauer and Charles Dance.

Judging from the Admiral’s impressive trailer, it’ll be interesting to see how Reiné’s Hard Target 2 (with Scott Adkins taking over for Van Damme) comes out. It’s no wonder why producers keep coming back to this guy for more sequels.

Posted in News |

Well Go USA launches Asian action cinema channel ‘Hi-YAH!’

"The Heroic Ones" Chinese Theatrical Poster

"The Heroic Ones" Chinese Theatrical Poster

Well Go USA Entertainment has announced the launch of Hi-YAH!, an OTT channel dedicated to martial arts and Asian Action cinema. Read the official press release below:

Hi-YAH! will premiere on PlayStation VUE beginning January 26th, available as both a standalone subscription channel as well as offered through VUE’s “Elite” programming package. While the channel will premiere on VUE, Well Go will be syndicating Hi-YAH! across similar OTT services later this year.

Programmatically, Hi-YAH! plans to include films from action and martial arts stars that include Jackie Chan, Bruce Lee, and Donnie Yen from famed directors such as John Woo, Johnnie To, Tsui Hark and Park Chan-wook. According to Well Go USA management, the Hi-Yah! OTT channel offers a comprehensive collection of the absolute best in Asian Action content, which Well Go USA is known for bringing to the North American marketplace, refreshed each month so there will always be something new.

“We want our fans to enjoy martial arts and action films in every way they want to watch, and this is the next step in making sure they get that access,” said Jason Pfardrescher, SVP, Digital & Theatrical Distribution of Well Go USA Entertainment. He continued, “As the distribution landscape continues to evolve, it’s our responsibility to change with it.”

Click here to watch the trailer for Hi-YAH!

Posted in News |

Assassin, The | aka The Hidden Heroine (2015) Review

"The Assassin" Theatrical Poster

“The Assassin” Theatrical Poster

AKA: The Lady From Tang
Director: Hou Hsiao-hsien
Cast: Shu Qi, Chang Chen, Satoshi Tsumabuki, Nikki Hsieh Hsin Ying, Chang Shao Huai, Zuo Xiao Qing, Ethan Ruan Jing Tian, Jiang Wen, Xu Fan, Zhou Yun
Runing Time: 105 min.

By Kelly Warner

Hou Hsiao-hsien won Best Director at 2015’s Cannes Film Festival for his exquisitely filmed Tang Dynasty drama The Assassin. Since that time, the conversation about The Assassin has split between two competing lines of thought, one calling the film a masterpiece and the other calling it a pretty looking bore. My own opinion of the film falls somewhere between those two polar opposites: it’s a special film but it is slow. If you have the patience, The Assassin rewards you with a quiet and often beautiful film experience. However, those looking for the typical martial arts action movie should look elsewhere.

Set in 9th Century China, the film follows the difficult life of the assassin Yinniang (Shu Qi). When faced with killing a father while he cradles his son, Yinniang walks away from the planned assassination, much to chagrin of her master. Though her skills are unmatched, Yinniang still has too much human compassion for a woman in her profession. In order to break Yinniang and mold her into a pitiless killer, her master sends Yinniang to kill the man she was arranged to marry in her youth, her cousin Lord Tian (Chang Chen). In the many years since Yinniang and Tian have been apart, the young Lord has risen to power and amassed the largest army in North China. Not only will his death be a personal one for Yinniang, it will also reshape the political landscape of the entire country.

When Yinniang returns to rejoin the family she’s not seen since her youth, she’s welcomed back with love. They don’t know her secret intentions. Shu Qi doesn’t speak often and rarely shows emotion. She brings the character of Yinniang to life through her actions and choices. Yinniang is neither hero nor villain. She stalks Lord Tian in the dark but you can sense her conflicted feelings as she draws out the confrontation as long as possible.

Though the main character is cold and keeps us distanced, the film has unexpected warmth to it, thanks in large part to its natural beauty. This is a gorgeous looking film. I’d almost say it’s worth seeing for the cinematography alone. Every shot breathes with life. Beautiful silk curtains flow in the background, smoke snakes across the screen, colorful fauna dances in the breeze. Heightened sounds of the environment act as the film’s primary score, making the scenes peaceful and also strangely haunting. Hou doesn’t move his camera often, preferring stillness while the world moves through his frame. There’s nothing fancy going on, just a practiced patience of a filmmaker that sees the world differently than most of us.

I haven’t worked through the entirety of Hou Hsiao-hsien’s filmography but I’ve seen enough to get an idea of what to expect from the director. Hou makes quiet, introspective films with subtle style. Commonly regarded as one of the world’s best living directors, Hou demands a certain level of patience from his viewers. His appeal may not go far beyond the art-house crowd in the West. The Assassin, like much of the rest of his work, is a slow-burn. And while I liked the film, I must admit that even I wanted Hou to pick up the pace from time to time. It’s not a movie for everybody – and that’s okay, it was never meant to be. For while Hou has stepped into the more marketable realm of martial arts cinema, The Assassin has much more in common with the director’s earlier work than anything you’ve seen martial artists Donnie Yen or Jet Li star in recently.

Hou uses the martial arts sequences like a knife to cut through the quiet drama. Shot fast, up close, and edited in a flurry of cuts, the fights seem to be intentionally at odds with the rest of the film. Though wirework is occasionally used to help the performers with a high jump here and there, the action is mostly well-grounded in reality. I liked the way they chose to depict Yinniang’s skills with a blade. Shu Qi isn’t nearly as skilled in martial arts as some of her contemporaries, but her character is never put in the position of showing off. She’s lethal like a cobra poised to strike, completely lacking in flair or showmanship. When three men charge at her with swords, Yinniang makes a few dodges and dispatches them all with quick slashes from her curved knife. Like Hou’s visual style, the fights aren’t fancy, they’re efficient and restrained.

Though the film would be incomplete without the martial arts, The Assassin is more of a historical drama than anything else. Those coming expecting an action film will no doubt be disappointed. It has more in common with Shakespeare than Jackie Chan. Though the film moves at a slow pace, it drew me in over time. It’s beautiful to behold, yes, but there’s something more going on in Hou’s creation. The Assassin has a dream-like quality to it; the film transports you somewhere beyond your screen in a way that only true cinema is capable of. Not everyone will feel the same, but I found the film to be very special indeed.

Kelly Warner’s Rating: 8/10

Posted in All, Chinese, News, Reviews | Tagged , , , , |

Pay Back | DVD (Lionsgate)

Pay Back | DVD (Lionsgate)

Pay Back | DVD (Lionsgate)

RELEASE DATE: On April 5, 2016

On April 5, 2016, Lionsgate is releasing Pay Back on DVD. This 2013 Chinese thriller stars Fan Siu-wong (Ricki-Oh), Francis Ng (Too Many Ways to be Number One), Cynthia Khan (In the Line of Duty 3, Eternal Fist) and Lam Suet (Monk Comes Down from the Mountain).

When mafia fall guy Zhang Jin finally gets released from prison, he’s nearly assassinated. In an effort to survive, Zhang becomes entangled in a conspiracy, linking his fate with unlikely allies and turning friends into enemies. Zhang must discover the identity of the assassin before he gets murdered, without plunging himself back into a life of crime | Trailer.

Pre-order Pay Back from Amazon.com today!

Posted in Asian Titles, DVD/Blu-ray New Releases, Martial Arts Titles |

Exclusive: Interview with Ip Man 3′s Donnie Yen & Mike Tyson

I had the pleasure of participating in a round table interview amongst other journalists with the stars of Ip Man 3, Donnie Yen and Mike Tyson, at a press junket in Los Angeles, California. With only a limited amount of time at our disposal, me and the other journalists got to ask about two to three questions each to the actors. Along with myself, the other journalists present were Rachel Lee from Korea Daily, Greg Lynch from Kung Fu Tai Chi Magazine, and Laura Sirikulvadhana from Nerd Reactor. Afterwards, we all had the immense pleasure of taking pictures with the two stars, an opportunity and experience that I will never forget.


“When I always think of the Chinese culture, my ideas always come from the Shaw Brothers movies,” explained Tyson.

ZACH NIX: Donnie, you and fight choreographer Yuen Woo Ping go back as far as films such as Drunken Tai Chi and In the Line of Duty IV. What has it been like working with him through the years, and Mike, what was it like working with him for the first time?

MIKE TYSON: I was having a ball. Me and the director really couldn’t communicate much. Certain people can speak the language and understand the culture, and Donnie explained it to me.

DONNIE YEN: Vice versa. Also, trying to explain some of Mike’s commons and some of his input, I convert that to master Yuen Woo Ping. I was acting as a bit of a personal translator/middle person. But to answer your question, my first movie was directed by Yuen Woo Ping. He discovered me 33 years ago. And we haven’t worked with each other for twenty-something years. So this is kind of a reunion. For me, even though he’s in his 70s, he’s like a young kid, he wants to play, he wants to explore. He was so excited to not only work with me again but work with Mike. For him it was like he has some new toys here! (laughs)

MIKE TYSON: He’s a good guy. Fun, smart.

RACHEL LEE: I was wondering if you guys were fans of each other?

DONNIE YEN: I’m a big fan of Mike’s! I watch every single one of his fights.

“I recall watching every single one of Mike’s fights. At the time, they were on HBO, I would watch them in Hong Kong,” says Yen.

RACHEL LEE: What was your first reaction when you met each other?

DONNIE YEN: Just, overwhelmed! Because I recall watching every single one of Mike’s fights. At the time, they were on HBO, I would watch them in Hong Kong. The time difference, I had to stay up all night to watch him, but than he’d knock the other guy in two seconds! That’s it! (laughs)

MIKE TYSON: I thought it was like 18 years ago, but he said the first Ip Man was only eight years ago. A friend of mine, had told me about the movie, and he gave me the movie, and I watched it a few times, and I watched the second one, and than I told him I’m in part three, and he told me, “Oh man, I’m so happy!”

GREG LYNCH: For Mike, was this your first choreographed fight, and what was that like?

MIKE TYSON: No, I had another fight in Africa, no Algeria, a fight scene in a movie. But this was really a fight scene, good stuff. This was the real deal right here.

"Ip Man 3" Theatrical Poster

“Ip Man 3” Theatrical Poster

LAURA SIRIKULVADHANA: This was the third movie. What makes this movie different, and if you are deciding to say goodbye to the character, how does it feel to say goodbye?

DONNIE YEN: I have to give credit too the director, Wilson Yip. The three installments, are all surrounded by this person, who so happened to be a martial arts grandmaster. But the story talks about a family man, how he deals with problems that we all have. The first one was about survival during the Japanese occupation and how he dealt with the depression. The second one was all about making a living. The third one is more about depth. For me, I feel as an actor, we bring the maturity as we get older, to the character. Between this and the first one, there’s more wrinkles and white hair.

RACHEL LEE: What’s your favorite thing about acting?

MIKE TYSON: Being who I want to be. Being Frank [Tyson’s character in Ip Man 3]. I make more money when I play Mike Tyson, but I hate being Mike Tyson. I just like being someone else.

LAURA SIRIKULVADHANA: Did you guys learn anything from each other? Because you are a champion boxer and you a martial artist, during the scenes did you guys feel like you learned a lot from each other?

DONNIE YEN: I learned a lot. I was trying to get some secret tips from him. (laughs) But we unfortunately did not have enough time because we spent most of it filming.

Donnie Yen vs. Mike Tyson. What else is there to say?

MIKE TYSON: I was happy being with him. When I always think of the Chinese culture, my ideas always come from the Shaw Brothers movies. I’m African American, they’re always oppressed, they’re the weak man of the East, this and that. They over come all of these physical and emotional quagmires.

GREG LYNCH: I noticed in all three of the Ip Man films, you are a very gentle character. Is that on purpose?

DONNIE YEN: On purpose. Even though this is a person, from day one, we didn’t want to make a documentary. We wanted to create a screen hero that is so different from what we had previously in different films. Usually when you have a hero, the hero saves the world or teaches his particular beliefs and philosophies.

ZACH NIX: Donnie, after the release of Ip Man 2, there were several other adaptations based on Master Yip’s life. Did you see any of these, and if you did, did you or Wilson Yip take their success or model into account for Ip Man 3?

DONNIE YEN: Not at all. Of course, we made the first one. The only other different Ip Man movie that I saw, I didn’t even finish the film, was the Wong Kar Wai film [The Grandmaster], because I’m a friend of Tony Leung, and I want to see how they bring this together. Every filmmaker has their own vision, how they create the story and what message they promote. From day one, we knew this was our model and this is what we want to convey, and we want to stick with that.

The two legends sign posters for media guests.

MIKE TYSON: This is the face of Ip Man! That’s just what it is. The guy could be a better actor or perform better, but this is Ip Man. This is our champion.

GREG LYNCH: How did you get involved with this one?

MIKE TYSON: They said, “Hey, do you want to be in Ip Man?” and I was like, yeah! (laughs) I called my friend, and he was like, “Get the **** out of here!” I’m in Ip Man!”

LAURA SIRIKULVADHANA: They talk about this being the final film, or is it a potential for a fourth or Bruce Lee starring?

DONNIE YEN: There’s a potential for a fourth.

LAURA SIRIKULVADHANA: So you would come back?

DONNIE YEN: I don’t know. Maybe. So far, in Asia, we have broken a lot of records. Never say never.

LAURA SIRIKULVADHANA: Congratulations, by the way. It beat Star Wars.

MIKE TYSON: That’s why Star Wars called him! If you can’t beat him, join him! (laughs)

City On Fire’s Zach Nix is lucky these guys are on his side.

DONNIE YEN: It’s a blessing. I love Star Wars too. I’m very grateful to be in such a major intellectual property film.

ZACH NIX: From Ip Man to Star Wars. (laughs)

DONNIE YEN: Yeah, I can’t complain.

GREG LYNCH: Jackie Chan and Jet Li both said you are the best fighter in films.

DONNIE YEN: They’re great in their own ways. I don’t want to be compared to any body else. We are all different species.

Thanks again to Donnie Yen, Mike Tyson, Well Go USA, Alexandra Drapac and our very own Zach Nix for making this interview happen. Ip Man 3 is currently playing in theaters – and/or own it on Blu-ray and DVD on April 19th!

Posted in Interviews, News |

Flight 7500 | DVD (Lionsgate)

Flight 7500 | DVD (Lionsgate)

Flight 7500 | DVD (Lionsgate)

RELEASE DATE: April 5, 2016

From Takashi Shimizu, the director of the Ju-On: The Grudge series, comes Flight 7500. High up in the air, people can hear you scream – but that won’t help you.

On a flight from Los Angeles to Tokyo, a plane is shaken by severe weather. When the turbulence subsides, a passenger suddenly dies – and a supernatural force is unleashed…

Flight 7500 stars Ryan Kwanten (Blunt Force Trauma), Amy Smart (Crank: High Voltage), Leslie Bibb (Law Abiding Citizen), Jamie Chung (Sucker Punch) and Jerry Ferrara (Entourage).

Lionsgate Home Entertainment is releasing the film’s DVD on April 5, 2016 – watch the film’s trailer!

Pre-order Flight 7500 from Amazon.com today!

Posted in DVD/Blu-ray New Releases, Other Notable Titles |