Deal on Fire! The Great Wall | Blu-ray | Only $4.99 – Expires soon!

The Great Wall | Blu-ray & DVD (Universal)

The Great Wall | Blu-ray & DVD (Universal)

Today’s Deal on Fire is the Blu-ray for The Great Wall (read our review), starring Matt Damon, Pedro Pascal (Game of Thrones), Willem Dafoe (John Wick), Andy Lau (Infernal Affairs), Jing Tian (Special ID), Zhang Hanyu (The Assembly), Eddie Peng (Rise of the Legend).

Acclaimed filmmaker Zhang Yimou (Shadow, Hero, House of the Flying Daggers) directs this 15th century period flick revolving around an elite force making a valiant stand for humanity on the world’s most iconic structure.

The film also stars Lu Han (Miss Granny), Lin Gengxin (Young Detective Dee), Zheng Kai (The Running Man), Chen Xuedong (Tiny Times 3), Huang Xuan (Blind Massage), Wang Junkai, Yu Xintian and Liu Qiong.

Order The Great Wall from Amazon.com today!

Posted in Deals on Fire!, News |

Steven Seagal and DMX re-team in the Trailer for ‘Beyond the Law’ also starring Johnny Messner

"Beyond the Law" Theatrical Poster

“Beyond the Law” Theatrical Poster

It’s been almost 20 years since Steven Seagal (Cartels) and DMX (Romeo Must Die) joined forces in 2001’s Exit Wounds, but we’ll soon be seeing the pair re-unite for Beyond the Law, an upcoming action-thriller directed by James Cullen Bressack (Deadly Reunion) that also co-stars Johnny Messner (Kill ’em All).

Here’s the official plot: Beyond the Law is about one man’s quest for justice in a corrupt city. When a former detective learns of the murder of his estranged son, he ventures back to the darkened streets he once knew so well. Armed, dangerous and with nothing to lose, he must take on the ruthless local mob in his mission for revenge.

According to MB, Beyond the Law hits select theaters and VOD/Digital on December 6, 2019. Don’t miss the film’s Trailer below:

Posted in News |

Bookies is one of the most underrated gambling thrillers ever

"Bookies" Theatrical Poster

“Bookies” Theatrical Poster

When it comes to movies about “sports and gambling”, we tend to see the same list of films mentioned. Typical ones like The Hustler (1961), The Color of Money (1986), Eight Me Out (1988), Let it Ride (1989), Diggstown (1992), Hardball (2001) and Two for the Money (2005) – but if there’s one movie that’s considered an unappreciated gem within the most realistic movies of gambling, it has to be Bookies, a 2oo3 thriller directed by Mark Illsley (Happy, Texas).

Bookies centers on four college buddies who become small-time bookies. But when their antics give them a taste of success, things take a turn for the worse when their operation gets the attention of dangerous mobsters.

With names like Nick Stahl (Terminator 3, Sin City), Rachael Leigh Cook (She’s All That, Josie and the Pussycats), Johnny Galecki (The Big Bang Theory, Rosanne), John Diehl (Stripes, Mo’ Money), Julio Oscar Mechoso (Bad Boys, Little Miss Sunshine) and David Proval (Mean Streets, Sopranos), we can only wonder why the film never made it to U.S. theaters after its Sundance premier in 2003, but thankfully the film was discovered by a lucky audience on DVD and cable.

It’s a shame Bookies never hit the big screen, because like some of the more well-known movies of the same subject, the film features a plot that’s just as engaging and fast-paced. And don’t let the poster fool you, because this isn’t a teeny-bopper flick, it’s more along the lines of something more gritty like 2001’s Blow. Pay attention to the scene where one player turns a basketball team around. It’s a brilliant sequence!

Bookies mainly revolves around basketball, which begs the question: What if a movie was made around the subject of online Betting Sites? Let’s face it, with technology growing at such a fast pace – and people not having to to leave their house to visit a smoke-filled casino – a movie that centers around Online Gambling would be a blast!

The past, present and future of gambling movies has always been a success for moviegoers all around the world. Just look at recent ones, such as Aaron Sorkin’s Molly’s Game, which grossed a worldwide total of $59.3 million (the film is based on the true story of Molly Bloom, played by Jessica Chastain, an Olympic-class skier who ran the world’s most exclusive high-stakes poker game).

I personally look forward to more of these types of film. Who doesn’t like a roller-coaster ride filled with ups, downs and every type of cinematic thrill you can think of. After all, it’s human nature to get entertainment out of someone else’s conflict and comprising situation. It’s a sub-genre where the ending isn’t always happy and where the hero doesn’t always win.

Don’t miss the original Trailer for Bookies below. Who knows? Maybe it’s time to take that gamble (its DVD couldn’t be that expensive. Heck, maybe its even streaming on one of your subscription services).

Posted in News |

First action-packed Trailer for Ding Sheng’s actioner ‘S.W.A.T.’

"S.W.A.T." Chinese Theatrical Poster

“S.W.A.T.” Chinese Theatrical Poster

Ding Sheng – the acclaimed director/writer of Little Big Soldier, Police Story 2013, Railroad Tigers, Saving Mr. Wu and A Better Tomorrow 2018 – is putting final touches on his latest thriller, S.W.A.T. (Special Weapons and Tactics).

The story of S.W.A.T. centers on the Chinese Special Police Unit, from their hard training to their first mission.

The film stars Jerry Jia (Once Upon a Time in the Northeast), Jin Chen (Million Dollar Crocodile), Ling Xiaosu (Painted Skin TV series) and Zhang Yunlong (The Dreaming Man), via AFS.

S.W.A.T. releases on domestically on December 29th, 2019. Don’t miss the film’s Trailer below (via AFS):

Posted in News |

This holiday, we wish you a ‘Karate Christmas Miracle’

A Karate Christmas Miracle | Blu-ray & DVD (KDMG)

A Karate Christmas Miracle | Blu-ray & DVD (KDMG)

We know there are some Eric Roberts (Maximum Impact) and Martin Kove (Cobra Kai) fanatics out there – plus, it is the holiday season – so we couldn’t help but spread the word about A Karate Christmas Miracle, a martial arts movie “with a message” (you know, The Martial Arts Kid-type shit).

A boy (Mario Del Vecchio) believes that if he earns a black belt by Christmas Day his father, who went missing one year earlier, will return. A roller coaster thriller ensues, where a mystery that no one expected is unraveled – and just maybe all will witness the delivery of a miracle that can only happen on Christmas.

A Karate Christmas Miracle is being released on both Blu-ray & DVD from KDMG on November 15, 2019. The same company is also re-releasing Diana Lee Inosanto’s The Sensei on Blu-ray & DVD on the same date (it’s streaming Amazon Prime if you want to get down and dirty right now!).

Without further ado, here’s the Trailer for A Karate Christmas Miracle:

Posted in News |

The Divine Fury | Blu-ray & DVD (Well Go USA)

The Divine Fury | Blu-ray & DVD (Well Go USA)

The Divine Fury | Blu-ray & DVD (Well Go USA)

RELEASE DATE: November 19th, 2019

On November 19th, 2019, Well Go USA is releasing the Blu-ray & DVD for The Divine Fury (read our review).

This supernatural thriller (laced with martial arts) is directed by Kim Joo-Hwan (Midnight Runners), and stars Park Seo-Joon (Parasite), Ahn Sung-Ki (The Divine Move), Woo Do-Hwan (Save Me), Choi Woo-Sik (The Witch: Part 1. The Subversion), Jung Ji-Hoon (Along with the Gods: The Last 49 Days) and Kim Si-Eun (Golden Slumber).

After losing his father at a young age in a terrible accident, Yong-hu (Park) abandons his Christian faith and chooses to only believe in himself. Now as an adult, Yong-hu is a champion fighter and has everything he has ever wanted, that is until mysterious wounds appear in the palms of his hands. He solicits help from a local priest Father Ahn (Ahn), hoping the priest can help relieve him of the painful markings only to find himself in the middle of a dangerous fight against otherworldly evil forces seeking to wreak havoc on the human world.

Pre-order The Divine Fury from Amazon.com today! 

Posted in Asian Titles, DVD/Blu-ray New Releases, Martial Arts Titles, News |

Gamble with the Greats: 6 of the Top Casinos in the U.S.

Are you putting some of the top casinos in the U.S. on your road trip agenda?

Feel like gambling with the greats? Here are the seven best in America.

Planning a trip to a casino this year? You’re not alone. More than 50 million people visit casinos in the US each year.

If a trip to a casino for a little gambling is in your future, surely you’ll want to check out one of the top casinos in the US. While Las Vegas is what most people think of when great casinos come to mind, you can hit up some great locations all over the country.

Here are 6 of the top casinos in the US to include in your next gambling adventure.

1. The Wynn, Las Vegas

The Wynn Las Vegas has been winning awards and getting 5-star reviews since it opened in 2005. It features over 2,700 hotel rooms and also has a second, even more luxurious resort, The Encore, attached to it.

The casino is full of flowers, sky-lit art, and state-of-the-art gaming. Whether you want to gamble poolside, in a high-limit salon, or at their large and comfortable sportsbook, the Wynn has something for everyone.

When you need a break from the tables, check out one of the restaurants at the Wynn. They have more Michelin 4-star restaurants than any other resort in North America. From Italian to steakhouse to Chinese, the Wynn has many options to choose from.

After you fill up, check out the indoor botanical garden, visit the spa, or golf. The Wynn boasts the only 18-hole golf course on the Las Vegas Strip.

2. The Borgata, Atlantic City

The Borgata opened in Atlantic City in 2003 and spurred other developers to build large, Vegas-style casinos in the city. Since it opened, the Borgata has led Atlantic City casinos in revenue.

The casino has every gambling option you could want, including a sportsbook to bet on sports games and horse racing, since it was legalized across the country in 2018.

It has all of the luxuries of a Las Vegas casino, like 5-star restaurants by Bobby Flay and Wolfgang Puck, nightclubs, and a massive two-story spa that has a barbershop, fitness center, pool, and salon.

If you’re an avid TV watcher, you might have seen the Borgata on shows like The Real Housewives of New Jersey, The Sopranos, or Impractical Joker.

3. Peppermill Resort Spa and Casino, Reno

We’re heading back to Nevada for the next casino on our list. The Peppermill Resort in Reno offers you the luxury of a Vegas casino in a smaller environment. From slot machines to table games to a sportsbook, the casino has what you’re looking for.

The spa is spectacular, with three stories, the only Caladarium in Northern Nevada, an indoor pool, sundeck, and salon. After relaxing in the spa, head outside to one of the pools or jetted spas and then enjoy a meal at one of their 10 award-winning restaurants.

The Peppermill is also committed to sustainability and has a number of Green initiatives, including geothermal heating energy, water recycling, paperless Human Resources department, and participation in Clean the World’s Hotel Recycling Program.

4. Foxwoods Resort Casino, Connecticut

Head east again to visit the Foxwoods Resort Casino in Mashantucket, Connecticut. The Foxwoods used to be the largest casino in the world, and while it isn’t the largest any longer, it still is one of the best.

In addition to the traditional casino games, Foxwoods also offers the PLAY Arena, which allows you to play all of your favorite games from one station. You can pick the lighting, music, video, and mood of your playing experience. Foxwoods also has 35 different restaurants, from quick service, casual dining to fine dining.

When you want a break from gambling, take a ride down the road from the casino to the Mashantucket Pequot Museum and Research Center, one of the largest Native American museums in the world.

5. Horseshoe Casino, Mississippi

If Atlantic City is the east coast equivalent of Las Vegas, Tunica, Mississippi is the southern counterpart to Vegas. The Horseshoe Casino has a luxurious tower with over 300 suites and a hotel with over 500 standard rooms that are anything but ordinary.

From table games to slots to the poker room to the sportsbook, The Horseshoe has all of the gaming you could want, all at the best odds around.

Tunica is a short 30-minute drive from Memphis, so it attracts big-name entertainers, including bands, singers, and comedians like Tracy Morgan.

6. Caesars Palace, Las Vegas

Caesars has been around since the 1960s, building a casino empire in Las Vegas and beyond. Their flagship casino, located in Las Vegas, is instantly recognizable. You’ve probably seen it in movies like Rocky III, Rain Man, Ocean’s Eleven, Iron Man, and all three Hangover movies.

The casino has all of the standard amenities, but if you’re looking for other things to do, take a dip in one of the pools designed to look like a Roman bath, check out the Pussycat Dolls Lounge, or spend your winnings in the Forum Shops, which offers over 630,000 square feet of shopping. From Louis Vuitton to Sephora, the Forum Shops have a wide range of stores.

And, in traditional Vegas style, it has big-name performers, like Celine Dion, Elton John, Frank Sinatra, and Rod Stewart.

Before you head out to your next casino, be sure to give these demo slots a go-to practice your slot betting strategy without risk.

The Top Casinos in the US for Your Next Gambling Trip

This list is the surface of the top casinos in the US. There are countless more if you really want to expand your casino adventures. Whether it’s a high-end hotel, high stakes tables, or a personalized experience you’re looking for, from California to Connecticut, you can have a great casino experience across the US.

If you liked this post, be sure to explore our site and check out some of our other blog posts as well.

Posted in News |

Driver, The (2019) Review

The Driver | DVD (Lionsgate)

The Driver | DVD (Lionsgate)

Director: Wych Kaosayananda
Cast: Mark Dacascos, Julie Condra, Noelani Dacascos, Jeremy Stutes, Adam Zachary Smith, Charlie Ruedpokanon, Kane Kosugi, Milena Gorum
Running Time: 90 min. 

By Paul Bramhall

The Driver is the final installment in director Wych Kaosayananda’s thrilling apocalyptic zombie trilogy, and no doubt the one that fans have been waiting for! If that sentence has you scratching your head in bewilderment, then the good news is you’re not alone. In fact, the first and second installments have yet to be released. Two of Us, which is the first part, was shot prior to The Driver and is currently in post-production, while the second installment, titled The Rider, hasn’t even started filming. So what’s the deal? Well, most likely thanks to Mark Dacascos being the lead hot on the heels of his role in John Wick: Chapter 3 – Parabellum, it made sense to fast track The Driver. With each movie planned to work as stand-alone stories connected by the same characters and universe, you could almost say the decision makes sense.

After his leading man debut in 1993’s Only the Strong, over the next decade Dacascos was one of the brightest martial arts talents to grace the screen, with many considering Drive, his 1997 collaboration with director Steve Wang and Alpha Stunts, as the best martial arts flick to come out of the U.S. His action career would culminate in facing off against Jet Li in 2003’s Cradle 2 the Grave, however in the 15 years since his filmography has made for increasingly depressing reading, with his most recent roles prior to Mr. Wick dedicated to working with Russia’s self-styled action hero, Alexander Nevsky. For many fans who still hope for Dacascos to return to the roles he was known for in his heyday, appearing as the main foe for Keanu Reeves to face off against in John Wick: Chapter 3 – Parabellum was seen as a golden ticket. Lamentably, if not entirely unexpected, The Driver proves that the ticket in question is already null and void. 

I imagine that for many, like myself, the first twinges of uneasiness came when it was announced Wych Kaosayanada would be directing. Kaosayanada made his Hollywood debut directing Ballistic: Ecks vs. Sever in 2002, then disappeared for 10 years. In 2012 he re-emerged with Angels, a gritty thriller starring Dustin Nguyen and Gary Daniels. In the lead up to its release, the narrative around Kaosayanada was that the disastrous Ballistic: Ecks vs. Sever was never his fault, and that the finished product was drastically altered by the studio. Angels would show us what he was really capable of. Except, it remains unreleased to this day. It was eventually re-cut and re-shot, before being unleashed onto the world in 2015 as Zero Tolerance, an appalling excuse for an action movie. In-between, Kaosayanada hit us with Tekken: Kazuya’s Revenge, which is what watching it felt like – being hit in the face, repeatedly, for 90 minutes.

Normally I apply a 3 strikes and you’re out rule to any director that’s consistently cranked out back-to-back crap, so call it good will towards Dacascos that I allowed myself to go into The Driver with an open mind. The tale of a former assassin who’s now become a family man, the twist here is that the trope is played out against the backdrop of a zombie apocalypse. So there’s your hook, it’s Dacascos vs. zombies! Except he’s made this movie before, when he starred in 2007’s I Am Omega, The Asylum studios riff on the Will Smith vehicle I Am Legend from the same year. I Am Omega was (as are all of The Asylum productions) completely derivative, however comparative to The Driver, with the power of retrospect it’s actually quite fun.

Frankly, Kaosayanada’s latest is a chore to get through, as are every other one of his movies. Adding to the sort of low budget ridiculousness of everything, is that Dacascos has brought on-board his wife and daughter to play, you guessed it, his wife and daughter. Honestly, if my only memory of seeing Dacascos and Julie Condra onscreen together was in 1995’s Crying Freeman (the movie where they met), then I’d have been a happy man. Here they’ve brought their unicorn obsessed daughter Noelani Dacascos along for the ride, and as an audience we can look forward to a montage of them happily eating salad together in slow motion, and other saccharine moments which probably would have been better left on the cutting room floor. 

The plot is woefully underdeveloped and frequently drops the most interesting elements before they’ve even begun. In a nutshell it can be summarised as Dacascos and co. live in a fenced off compound with other survivors of the zombie apocalypse, then one day it’s attacked by a group of bandits (the leader of which brandishes a baseball bat, that feels a bit too much like an obvious nod to Negan, the character from The Walking Dead). Leaving the compound in ruins and overrun by zombies, Dacascos and his daughter escape in their BMW, and head north to find a place called Haven, which is believed to be one of the last bastions of humanity. Cue a relentless number of scenes consisting of Dacascos and his daughter driving (although the ‘driving’ in question has clearly been done in front of a green screen), and occasional run ins with completely unthreatening zombies.

Potentially interesting sub-plots, like the fact the compound is being run like a cult by a religious maniac, and Dacascos’ former life as an assassin, are simply there as lines of dialogue, and are given no further exploration other than the words that are spoken. Other moments are simply bizarre. When it turns out the raid on the compound was an inside-job, Dacascos confronts the guilty party to ask him why he’s sold out, to which he receives the response, “Because you never let me drive!” Ummm, ok. The interactions with the broader group of characters are so stilted, that it becomes a relief once the plot strips itself down to just Dacascos and his daughter talking to each other, the fact that they’re family in reality I’m sure contributing a more natural feel to their conversation.

Exactly what genre The Driver is aiming for is difficult to ascertain, or perhaps more feasibly, the low budget hasn’t allowed for any genre to particularly shine through. Selling itself as an action movie would be setting itself up for failure, as there’s so little of it. Brahim Achabbakhe is responsible for the action direction, and comes with a resume that’s far from shabby – having fought against the likes of Tiger Chen in Man of Tai Chi and Scott Adkins in Boyka: Undisputed, to being a part of the action team on the likes of Ninja: Shadow of a Tear and Abduction. Here he also throws in a screen appearance which allows him a brief scuffle with Dacascos, delivering the only fight scene of the whole movie, with the rest being reliant on pedestrian gunfights.

As a horror it’s even less successful, with virtually no blood-letting, and a scarcity of zombies that results in them never really feeling like a legitimate threat. A zombie movie where the zombies don’t deliver any sense of danger essentially renders itself dead in the water before it’s even left the gates. Without the promise of any action, no zombie thrills to looks forward to, and a plethora of driving scenes that threaten to make even the most patient viewer catatonic, The Driver quickly becomes a journey into monotony and refuses to change gear.

In the closing scenes we’re introduced to a pair of zombie hunting femme fatales in the form of Milena Gorum and Alice Tantayanon, who play the pair that the Two of Us title refers to, before proceedings close with a cameo from Kane Kosugi, credited as The Rider, that the 2nd installment is also billed as. Whether either production will see the light of day is a debatable one, but it’s hard to image anyone getting to the end of The Driver and caring about what happens next, or in this case, what happened before. In the opening line Dacascos states “I need to sleep”, which was a statement I frequently echoed throughout the mercifully short 90 minute runtime. Chances are, if I had, I’d have enjoyed it more.

Paul Bramhall’s Rating: 3/10

Posted in All, Asian Related, News, Reviews | Tagged , , |

New Trailer for Terence Chang-produced ‘Wings Over Everest’

"Wings Over Everest" Theatrical Poster

“Wings Over Everest” Theatrical Poster

Looks like Wu Jing’s The Climbers has some stiff competition: Wings Over Everest, an upcoming crime thriller set amid the snows of Everest. The film stars Koji Yakusho (The World of Kanako) and Zhang Jingchu (Mission: Impossible – Rogue Nation).

When a plane carrying important documents crashes in the Death Zone of Mount Everest, two men claiming to work for India’s research and analysis department offer a large sum of money to Team Wings to take them up to recover them.

Wings Over Everest is executive produced by Terence Chang (Once a Thief) and written and directed by Yu Fei, a former vice president of Paris-based gaming giant Gameloft, who is also an experienced explorer, diver and mountain climber (via SD).

The film releases domestically December 12th. Don’t miss its Newest Trailer below:

Posted in News |

Deal on Fire! The Host | Blu-ray | Only $8.86 – Expires soon!

"The Host" Blu-ray Cover

“The Host” Blu-ray Cover

Today’s Deal on Fire is the Blu-ray for The Host (read our review), directed by Bong Joon-ho (Parasite, Snowpiercer). This South Korean Blockbuster won several awards including Best Film at the Asian Film Awards and at the Blue Dragon Film Awards.

A creature plunges from the Han River Bridge into the river emerging on its shores for a feeding frenzy upon onlookers. When a young girl (Ah-sung Ko) is snatched in the melee, her family (headed by Song Kang-ho and Bae Doona) set off to recover her from the monster that the government claims to be a host of an unidentified virus.

Order The Host from Amazon.com today!

Posted in Deals on Fire!, News |

Action-packed Trailer for ‘Bad Boys for Life’ (aka ‘Bad Boys 3’)

"Bad Boys 2" Japanese Theatrical Poster

“Bad Boys 2” Japanese Theatrical Poster

Fans of the Bad Boys franchise, rejoice! Directing duo Adil El Arbi and Bilall Fallah (the pair responsible for the Dutch-language cult action flick, Gangsta) are prepping Sony’s Bad Boys for Life (aka Bad Boys 3) for a January 7th, 2020 release.

Bad Boys for Life is written by Joe Carnahan (Smokin’ Aces) and Chris Bremner (Sick Day), with story input by Peter Craig (Blood Father). Jerry Bruckheimer (Top Gun), who produced the original Bad Boys and its sequel, is once again backing the 3rd film.

The Bad Boys franchise (previously directed by Michael Bay) revolves around two hip detectives who fight criminals in the mean streets of Florida. This time around, Marcus Burnett (Martin Lawrence) is now a police inspector and Mike Lowery (Will Smith) is in a midlife crisis. They unite again when an Albanian mercenary, whose brother they killed, promises them an important bonus.

Hong Kong Cinema fans will always remember Bad Boys 2 for one of its key action scenes – involving automobiles driving down hill through a residential village – that was “borrowed” from Jackie Chan’s Police Story (1985).

Don’t miss the Newest Trailer for Bad Boys for Life below:

Posted in News |

Dangan Runner | aka Non-Stop (1996) Review

"Dangan Runner" Theatrical Poster

“Dangan Runner” Theatrical Poster

Director: Sabu
Writer: Sabu (as Hiroyuki Tanaka)
Cast: Tomorowo Taguchi, Diamond Yukai, Shinichi Tsutsumi, Akaji Maro, Ren Osugi, Sabu
Running Time: 88 min. 

By Paul Bramhall

The world of V-Cinema remains a criminally overlooked one when it comes to being released on either Blu-ray or (are we still allowed to say it in 2019?) DVD. A uniquely Japanese phenomenon, V-Cinema refers to the name given to the DTV style of filmmaking, that could be seen filling the shelves of the mostly male dominated VHS rental stores of 1990’s Japan (for a more detailed overview, check out the opening to my review of 1995’s Score). A heady mix of macho violence and female nudity, V-cinema was to the male VHS rental store crowd of the 90’s what Instagram is to modern day millennials – a quick fix that entertains for a brief moment, before happily moving along. Oh, and yes, the irony isn’t lost on me that none of the V-Cinema titles actually made it to the cinema.

With that being said, as fleeting as many of the movies may be by design, many of them were also undeniably entertaining. The previously mentioned Score immediately springs to mind, and the most notoriously popular entries in director Takeshi Miike’s filmography are from his V-Cinema era. Which brings us to the 1996 directorial debut of the man simply known as Sabu, Dangan Runner. 1996 was a particularly good year for V-Cinema, with the likes of Miike Takashi’s Fudoh: The New Generation and Takashi Ishii’s Gonin 2 both hitting the shelves the same year (an expression which, when talking about this particular genre, can be taken literally).

Sabu is the directorial alias of Hiroyuki Tanaka, who started his career in the film industry as an actor, and remains acting to this day (most recently, he can be seen briefly in Martin Scorsese’s Silence). Having focused on acting throughout the early to mid-1990’s, taking on roles in the likes of Miike Takashi’s Shinjuku Triad Society, Tanaka developed the script for Dangan Runner as an opportunity to stretch his acting muscles. The idea was that someone else would direct, and he’d play one of the main roles. A great plan it may have been, except he couldn’t find anyone willing to direct it, and in the end was given the advice that, since he wrote it, he should also direct it as well.

So Sabu the director was born, and the Japanese film industry is a better place for it. The plot of Dangan Runner introduces us to a down on his luck loser, played by Tomorô Taguchi (Tetsuo: The Iron Man), who’s decided the only way out of his miserable life is to rob a bank. Taguchi’s done his preparation – he has a gun and has spent time scoping the bank out – but when it comes to actually pulling off the robbery for real, he forgets to bring a face mask. Running out to the nearest convenience store, the fact that he also doesn’t have any cash means he has to steal one (and to make matters worse, the store only has child size masks left). Quickly proving the theory of everything that can go wrong will go wrong, the clerk notices the attempted theft, causing Taguchi to bolt from the store mask in hand, with the clerk in hot pursuit.

That’s the last we ever hear about the bank robbery, and instead the narrative changes direction completely, to become about a failed bank robber being pursued on foot through the streets of Tokyo by an angry convenience store clerk. The clerk is played by the frontman of Japanese rockers Red Warriors, Diamond Yukai (Lost in Translation), who also provides parts of the soundtrack (along with Daisuke Okamoto). We learn that his character is a failed rock star who’s become a junkie, both in and out of work, making him not the most stable character to end up in possession of Taguchi’s fumbled gun. It’s while the pair are running that Yukai crosses paths with a low-level yakuza who he owes money too. Played by Shinichi Tsutsumi (One Missed Call), who’d become a Sabu regular, seizing the moment he also joins the chase in hot pursuit of the store clerk, and so the trio embark on a relentless chase for the next hour plus.

Essentially, Dangan Runner can be seen as a kind of feature-length yakuza version of Forest Gump’s famous line, “I just felt like running.” The narrative incorporates a number of flashbacks to flesh out our 3 protagonists and provide them with a backstory. Taguchi’s spent most of his life as a push-over who’s been constantly taken advantage of and belittled, Yukai’s failed career and subsequent drug addiction has made him a lousy boyfriend, and Tsutsumi’s hesitation during a previous confrontation with a rival yakuza has him looking for redemption. As serious as their predicaments may sound, Sabu show’s a lightness of touch in the style of his direction, and a flair for understated comedy which really works. Taguchi never lets go of his children’s face mask throughout the whole pursuit, with the handgun wielding Yukai still in his convenience store apron, and a fully suited Tsutsumi brandishing a dagger not far behind.

At a brisk 80 minutes in length, Sabu has stated in interviews that this was the minimum length in Japan for a production to be classified as a movie, and looking back he’d probably have edited more out of it if he had the choice. We tend to be our own worst critics, and personally I feel Dangan Runner works perfectly in its current form. The cost of filming three people running around Tokyo may have been minimal, and lent itself well to the budget of a debut director, however there’s something undeniably kinetic about capturing it on camera that feels reflective of what action cinema should be. There’s a reason why Tom Cruise has at least one scene of him running at full sprint in all of his recent action flicks – it looks good onscreen. While I wouldn’t say Dangan Runner is an ode to running, it’s the one constant throughout.

The editing and music, which work hand-in-hand to constantly change the perspective, timeline, and scenarios, are easily one of the productions biggest strengths, combined with the performances of the key trio. As the movie progresses we gradually begin to see hints that really they’re not all that different from each other. This is highlighted when they pass a lady during their pursuit, then the perspective changes to show how each of them begins to fantasise about her. While scenes like this one are unlikely in more recent times, it’s important to remember that V-Cinema was very much filmed from the viewpoint of the male gaze. The concept of using what characters are imagining (or in some cases hallucinating) is used more than once as the trio run into the night, and acts as an effective plot device to give us an insight to the characters thoughts.

Taking us through narrow alleyways, shopping arcades, pachinko parlours, and construction sites, the landscape of 1990’s Tokyo feels just as much an integral part of Dangan Runner as the characters themselves, giving it a uniquely Japanese aesthetic. It’s worth mentioning that back when it first hit western shores in the late 90’s, a lot of comparisons were made to 1998’s Run Lola Run, the German crime thriller that also incorporated running to drive its narrative. However it was Sabu’s debut that came out a full 2 years before, so if anything it’s likely that the initial assumption back then is actually the other way around.

Knowing the story has to come to a close in some way (unless we want to get really existential), Sabu incorporates a yakuza war sub-plot which Tsutsumi’s earlier faux pas was partly responsible for causing, and acts as a pressure cooker scenario for the trio to run directly into the path of. It’s the part of the plot which feels like it’s had the least attention paid to it, but at least allows for the introduction of a hilarious detective who’s obsessed with guns and yelling lines from Hollywood cop flicks. The face-off between the rival yakuza gangs, cops, and our trio caught in the middle brings proceedings to a fitting close, and ultimately leaves a surprisingly reflective and completely unconventional action flick in its wake.

Dangan Runner represents everything that a V-Cinema flick should be. It’s brisk, contains the required amount of machismo, and is never anything less than entertaining. The fact that it also incorporates a healthy dose of comedy and gives us characters that we care about is a welcome bonus. I mentioned in the opening paragraph how most V-Cinema strived to be a quick fix and nothing more, so perhaps the biggest achievement of Sabu’s debut, was the way I still found myself thinking about it long after it finished. Both a tale of 3 guys chasing each other around Tokyo, and also how it’s only when we’re pushed to our limits that we really gain clarity on what’s important, Dangan Runner is worth chasing down. Pun intended.

Paul Bramhall’s Rating: 8/10

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T-800 is beat up in the New Poster for ‘Terminator: Dark Fate’

"Terminator: Dark Fate" Theatrical Poster

“Terminator: Dark Fate” Theatrical Poster

Despite backlash and lukewarm domestic box office returns, 2015’s Terminator Genisys performed well in international markets. In fact, here’s a tidbit you probably weren’t aware of: Terminator Genisys is the second-highest grossing film of the entire franchise (behind only T2: Judgment Day) on a global scale.

With that said, it’s no wonder that Terminator: Dark Fate (aka Terminator 6) is upon us. For this one, Terminator 3: Rise of the Machines, Terminator Salvation and Terminator Genisys are ignored, which makes this upcoming film a direct continuation to T2: Judgment Day.

But what’s even more interesting is that series inventor, James Cameron (director of the first two Terminator films, who retained the rights to the franchise for 2019), is producing and Tim Miller (Deadpool) is his trusted writer/director in charge of bringing the series back to form. David S. Goyer (The Dark Knight), David Ellison, Josh Friedman, Billy Ray (Captain Phillips) and Justin Rhodes (Contract Killers) also make up the film’s writing force.

Terminator: Dark Fate also marks the return of Linda Hamilton (The Terminator 1 & 2), who will reprise her role as Sarah Connor, Edward Furlong returning as John Connor, and of course Arnold Schwarzenegger, who is rumored to not only be returning as model T-800, but also as the character to which the cyborg was modeled after. Mackenzie Davis (Blade Runner 2049), Diego Boneta (Luis Miguel: La Serie), Gabriel Luna (Agents of S.H.I.E.L.D.), Natalia Reyes (Birds of Passage) and Enrique Arce (Tango One) round out the cast.

Terminator: Dark Fate has received its R rating due to violence throughout the film as well as language and brief nudity (via CB).

The Terminator: Dark Fate hits theaters November 1st, 2019. Watch the film’s New Red Band Trailer below:

Posted in News |

Deal on Fire! True Legend | Blu-ray | Only $7.85 – Expires soon!

"True Legend" Blu-ray Cover

“True Legend” Blu-ray Cover

Today’s Deal on Fire is the Blu-ray for Yuen Woo Ping’s drunken fighting-themed flick True Legend.

According to our review, True Legend is full of excellent, wire-assisted martial arts battles. The emphasis here is on R-rated blows to the head and lethal stabbings rather than balletic, dance-like moves.”

True Legend stars Michelle Yeoh (Crouching Tiger, Hidden Dragon), David Carradine (Kill Bill), Jay Chou (The Green Hornet), Cung Le (Dragon Eyes), and Vincent Zhao (Wu Dang).

Order True Legend from Amazon.com today!

Posted in Deals on Fire!, News |

One on One (2014) Review

"One on One" Theatrical Poster

“One on One” Theatrical Poster

Director: Kim Ki-Duk
Cast: Ma Dong-Seok, Kim Young-Min, Lee Yi-Kyung, Cho Dong-In, Yoo Teo, Ahn Ji-Hye, Jo Jae-Ryong, Kim Joong-Ki, Kim Jae-Rok, Joo Hee-Joong, Choi Gwi-Hwa
Running Time: 122 min.

By Paul Bramhall

Just like movies are a product of the time they’re made in, so the same can be said for reviews that are written of them. A review of The Matrix in 1999 described it as an innovative sci-fi action masterpiece, while a review of it in 2019 describes it as a tale of white male privilege. Time and experience dictate our perspective, and perspectives are usually much more fluid than we care to admit. Which brings me to One on One, a 2014 movie directed by Kim Ki-duk and starring Ma Dong-seok, which I decided to dig out of obscurity (based purely on its position in my alarmingly disorganised Blu-ray collection, not popular opinion) for a first time watch in 2019.

At the time of its release, just 5 years ago, One on One was quickly written off as an unremarkable and heavy handed follow-up to Ki-duk’s masterful 2013 production Moebius. One of Korea’s most controversial directors, a baffling story that emerged from the production of Moebius was how an actress quit just before filming was due to start, leading to Lee Eun-woo playing double roles in the finished product. As the #metoo movement swept through Korea in 2017, the anonymous actress came forward to elaborate that her departure was due to being raped by the director, when she refused to perform an unscripted sex scene. Since the allegations came out Ki-duk has gone to ground and not worked since, his case certainly not helped by his last movie that was also due to be released in 2017, Human, Space, Time and Human, which prominently featured scenes of rape.

While Ki-duk’s alleged misdemeanours have seen Korea’s original enfant terrible fall from grace, One on One’s leading man has experienced a career trajectory in the opposite direction. In 2014 Ma Dong-seok was still a couple of years away from his scene stealing turn in Train to Busan. At the time the muscular Korean was either playing supporting roles in the likes of Kundo: Age of the Rampant (from the same year), or headlining B-movies like The Murderer. Since gaining popularity many of his fans have been waiting to see Dong-seok unleashed in a gritty action flick a la The Man from Nowhere, but by his own admission his preference is in favor of action comedy over bloody violence which, let’s admit it, is a shame. As much as I enjoy his burly bruiser with a heart of gold persona, the realisation that the type of role I’d been hoping to see him in may already exist, led me to deciding to give One on One a shot.

The combination of a director known for his confronting themes and explorations of human natures darker side, and the curiosity of how he’d utilise an actor as physically imposing as Dong-seok, was too much to resist. Opening with the unmotivated murder of a teenage schoolgirl by a pair of contract killers, soon both the murderers and those that ordered the hit, find themselves being hunted down by a group of seven vigilantes who call themselves the Shadows. Led by Dong-seok, as the movie progresses they disguise themselves as everything from Korean army personnel to gangsters to riot police, each time abducting one of the perpetrators involved in the murder and escorting them to an undisclosed location.

Once there Dong-seok and his cohorts extract confessions out of each one of them, usually through brutal means of torture. For those who’ve been waiting for that movie where Dong-seok unleashes on people with a baseball bat full of embedded nails, sets to work on various limbs with a hammer, and pummels a guy’s crown jewels in such a way that any male viewer will be left wincing, then you’re in the right place. Dong-seok’s unrelenting violence against those who were involved in the murder eventually leads to fractures forming in the group, as others begin to question how far is too far. Combined with the fact that one of the targets who was released after confessing (Kim Young-min, Memories of the Sword) begins his own investigation into his mysterious abductors, soon Dong-seok becomes increasingly extreme in his quest to complete his mission.

Subtlety has never been a word you’d associate with a director such as Ki-duk, and One on One is a good case study to prove the point. It’s no surprise that some of his best works, such as Moebius and 3-Iron, are virtually dialogue free, as his scripts can have a tendency to show signs of clunkiness. Here the members of the Shadow group form a who’s who of characters with grievances against the world – the twenty-something that’s spent his life “studying like a robot” but can’t get a job, the average joe who’s been swindled out of his savings by a scam, and the woman who’s become dependent on the abusive relationship she’s in, to name just three. Ki-duk’s script doesn’t believe in the principle of allowing things to go unsaid, with characters airing their rage against the world at frequent intervals.

As unsubtle as it may be though, there’s also a feeling that the in-your-face approach could be the point Ki-duk was aiming for. The end credits are introduced with the question “Who am I?”, challenging the viewer to understand where they fit into the hierarchy of the society we live in, and it’s a question worth considering regardless of the way it’s been asked. Out of the 25 movies that he’s directed, One on One is arguably one of his most accessible in terms of its structure. While Ki-duk’s works frequently defy being labelled as any one genre, here he’s created what can most closely be described as a thriller. Dong-seok has an unknown connection to the murdered girl, however the focus is more on the murder being a metaphor for the injustices that the rich can inflict on the poor, with Dong-seok acting as a relentless force of nature rallying against them.

While the 2 hour runtime mostly sticks to a – put on a disguise, abduct next person involved in the murder, torture until they confess, then repeat – structure, Ki-duk uses the framework to pose some morally complex dilemmas. The more powerful the perpetrators become that the group are abducting, the more seeds of doubt are planted in certain members. Some members of the group begin to question how much injustice is simply worth tolerating and accepting as part of life, while Dong-seok’s insistence that the injustices of the world must be punished starts to put him at odds with others. Despite the heavy material, the themes of Buddhism that often crop up in Ki-duk’s work (none more prominently than in his 2003 classic Spring, Summer, Fall, Winter…and Spring) are still on display, leading to a suitably fitting ending that offers both redemption and hope.

The theme of injustice between the rich and the poor has resulted in some of Korea’s best movies in recent years, with the likes of Bong Joon-ho’s Parasite and Lee Chang-dong’s Burning posing similar questions to what’s asked in One on One, albeit through very different genres. They’re the type of questions which are likely to be no less pertinent as the years progress, with the skill as a filmmaker being how to frame them in a way which still engages the audience, knowing there’s no easy answers. Ki-duk is a filmmaker who can never be accused of taking the easy approach in any of his productions, frequently accused of treading the line between being evocative and plain bad taste, and for me One on One struck the right balance.

Going back to why I watched One on One in the first place, as a follow-up to Pieta and Moebius, it’s easy to see why it was a disappointment at the time of its release. Even as one of Ki-duk’s lesser works though, I enjoyed the questions it posed, and the heavy-handed approach should definitely not be a surprise to fans of the auteur. Whether there’s still an audience for his movies is another question. Watching it as a Ma Dong-seok movie, I enjoyed it considerably more. As someone unwilling to compromise, he kind of reminded me of an R-rated version of his character in Along With the Gods: The Last 49 Days. His roles in recent years have to some degree seen him pigeon holed, however here he gets to show his full range, and his imposing presence feels genuinely intimidating. If you’re looking for something a little grittier than the likes of Unstoppable or The Outlaws, One on One delivers the goods.

Paul Bramhall’s Rating: 6/10

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