Director: Ching Siu-Tung
Cast: Sean Xiao, Li Qin, Meng Mei Qi, Tina Tang, Qiu Xin Zhi, Cecilia Yip, John Chiang, Norman Tsui, Leung Kar-Yan, Hung Yan-Yan, Bao Xiaosong, Chen Liwei, Li Shen
Running Time: 101 min.
By Paul Bramhall
The hyper-kinetic action and billowing silk of the early 90’s new wave wuxia genre may be a long time ago, but one of the directors whose name is indelibly linked with it is thankfully still around – Ching Siu-Tung. Siu-Tung’s distinctive choreography style of the era, defined by its bombastic wife-fu infused set pieces, can be found in the likes of New Dragon Inn, Holy Weapon, and Butterfly and Sword, as well as in the movies he sat in the director’s chair for himself, such as the Swordsman and Chinese Ghost Story trilogies. That era of Hong Kong cinema may be gone, however I confess that when Siu-Tung’s name is attached to a movie, I still get excited about it.
Admittedly as a director the post-millennium world hasn’t exactly been full of highlights. After the riotously fun Conman in Tokyo in 2000, the guilty pleasure (at least for me) of 2002’s Naked Weapon, and the 2003 Steven Seagal vehicle Belly of the Beast, it’d be another 5 years before he directed again. When he returned, it was to make An Empress and the Warriors, the movie that many consider to be the first blip in Donnie Yen’s filmography Continue reading
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