Classic slots and new slot machines – what to choose?

When you start playing online slots, one thing quickly becomes clear – there are a lot of games to choose from! In fact, most casinos, whether on or offline, are made up predominantly of slot machines, and there are many reasons for this. One of the main ones is that software providers are free to use any theme they like to colour a game, and math models can be tweaked to entertain practically any gambler type.

You might think then that providers are tripping over themselves to create the latest new craze to attract players. Since graphics are always improving, then new games must always look more advanced with each release, right? In some ways, this is true, and the aesthetics of modern slots is truly incredible. However, classic slots remain hugely popular as well and are certainly not going away any time soon. Here we’ll look at the benefits of new and classic slots in an attempt to help players pick the games that suit them best.

Classic Slots

While there is no one size fits all definition for the term ‘classic slot’, but usually, you’ll know one when you see one. Symbols are one of the giveaways and classic slots use icons that have been around since slot machines first burst on the scene over a hundred years ago in San Francisco. Symbols you can expect to find here include cherries, bells, diamonds, ‘7s’, BARS, and so on. There is a good reason for this, too, as some of the early slot machines used to reward players with fruit flavoured gum rather than money. Most players will be happy to know this has changed, and classic slots now offer massive potential wins! Take a look at these examples to get a feel for a classic slot:

  • Joker Stoker (Endorphina) – 5×4, 40 payline slot stacked with classic slot imagery.
  • Fruits Collection (Spinomenal) – Spinomenal do a range of these, so if fruit is your thing, they are worth taking a look at.
  • Hot Fruits 20 (Amatic) – for a taste of retro gaming, this online slot has you covered.
  • 243 Crystal Fruits (Tom Horn) – wild symbols transform this game from a 5-win line to 243 ways experience.
  • Fruit Million (Bgaming) – stacked symbols and expanding wilds go together to potentially blow doors off this fruit fiesta of a slot.

Another hallmark of classic slots is a tendency to be straightforward, no-nonsense games. Classic slots are often a bit simpler so players can enjoy them with ease and with a minimum of complication. However, this isn’t always the case, as some developers prefer to flex their creativity by dropping all sorts of innovation into the genre.

New Slots

Blazing away on the forefront of online gambling technology is a wave of new slots. These are games that operate under no restrictions. Makers are free to use whatever theme, graphics, sounds, or features they want. Often the only limit seems to be a studio’s imagination. As such, when you fire up new online slots, there is no telling where it will take you, and some players love the variety and suspense this sort of gaming can provide. Here are several fantastic newer slots to try:

  • Sweet Bonanza (Pragmatic Play) – matching symbols pay from any position in this tooth-achingly good slot.
  • Reactoonz 1 and 2 (Play’n GO) – crazily entertaining grid slot gaming from one of the pioneer studios in the field.
  • Divine Fortune Megaways (NetEnt) – an older slot drastically expanded by the power of BTG’s dynamic game engine.
  • Deadwood (Nolimit City) – there are tons of Western-themed slots out there, but for many, this is one of the best on the market.
  • Multifly (Yggdrasil) – harness the power of lizards and multipliers in this hugely colourful online slot.

As you can see, there is a wide range of slot types here. Fruit and classic imagery still appear in new slots, but there is also so much more going on as well. If you’re the sort of player who craves novelty, then the new slots category is probably the most suitable place to hang out.

Best of both worlds

All told, there is no clear winner when it comes to playing classic or new slots. Both have merits, and each category has something different to offer. The real winner really is the players, who are free to dip and dive at will into an old school classic fruit slot, or the latest high-powered hair-raiser from a cutting-edge studio. If you still aren’t sure which one to go for, take a demo, try games for free, and once you’ve got a few on the to-do list, feel free to switch to real money online gambling. Just be sure to do so responsibly, and it’s possible to have a blast no matter what sort of online video slot you prefer.

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Daggers 8 (1980) Review

"Daggers 8" Theatrical Poster

“Daggers 8” Theatrical Poster

Director: Cheung Sam
Co-director: Wilson Tong
Starring: Meng Yuen-man, Wilson Tong, Lily Li, Peter Chan Lung, Alan Chui, Cheng Hong-yip, Chan Ming-Wai, Chen Yu-Wei, Billy Chan Wui-Ngai, Yeung Wah
Running Time: 90 min. 

By Ian Whittle

What starts out as another kung fu comedy with slightly too irritating Dean Shek style tomfoolery suddenly turns into something much more complex and intelligent.
Meng Yuen-man (The Master Strikes) plays an impulsive kung fu fan who drives his grandfather up the wall with it. When his brother is killed in a duel, Meng runs away from home rather than agree to give up learning kung fu. As he travels across the country, he learns new styles from 3 masters, all of whom have a nasty habit of turning up dead…

I found Meng rather overbearing in Hell’s Windstaff but he’s better here, and his acrobatic skills are astounding – sadly his career would end following a heart attack. Peter Chan Lung (Deadful Melody) makes for a fun master of cooking and kung fu, to the point where you actually miss him once he’s gone. Lily Li (Crazy Couple) is also very much at her best, demonstrating very good Continue reading

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A reboot of Steven Seagal’s ‘Under Siege’ in the works from ‘Night Comes for Us’ director Timo Tjahjanto?

"Under Siege" Theatrical Poster

“Under Siege” Theatrical Poster

Indonesian director Timo Tjahjanto (The Night Comes for Us) of the “Mo Brothers” directing duo (Killers, Headshot, Macabre), is helming a remake of the 1992 Steven Seagal film, Under Siege. He’ll be teaming up with writer Umair Aleem, who penned the recent Netflix actioner, Kate (read our review).

Deadline reports that Timo Tjahjanto and Umair Aleem collaborated and developed the pitch together with the movie being planned to stream on HBO Max.

The original hit film was directed by Andrew Davis (Above the Law) and starred Steven Seagal (Attrition, Cartels) as Casey Ryback, a former Navy SEAL operator turned chef who became famous for the line “I’m just a cook”. A sequel, Under Siege 2: Dark Territory, directed by Geoff Murphy (Young Guns 2), followed in 1995. Throughout the years, Seagal Continue reading

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Therapist: Fist of Tae-baek, The (2020) Review

"The Therapist: Fist of Tae-baek" Theatrical Poster

“The Therapist: Fist of Tae-baek” Theatrical Poster

Director: Choi Sang-Hun
Cast: Oh Ji-Ho, Shin So-Yul, Jung Eui-Wook, Dong Zhang, Kim Kyeol, Bae Min-Jung, Park No-Kyeong, Jeon Hyun-Soo, No Young-Ju, Oh Kyung-Min
Running Time: 104 min.

By Paul Bramhall

Look past the A-list productions that make it onto the cinema screens of Korea (and increasingly overseas). Look past the many B-grade productions that look to emulate the success of the bigger budgeted counterparts that inspired them. Look past a further few layers that likely exist in-between, and eventually you’ll land on the Korean DTV action flick, a genre that cranks out an alarmingly high number of titles that remain relatively unseen not only overseas, but also in Korea. Usually fight flicks that give Korea’s stuntman community a chance to strut their stuff, if you’re wondering why you’ve never heard of recent flicks like Joseon Fist, God of the Fight: Shirasoni, and Real Fighter, don’t worry as you’re not alone.

With the likes of Hong Kong and Japan’s action scenes barely even shadows of their former selves, you’d think a whole genre dedicated to delivering low budget fight fests would be a no-brainer for those looking for a dose of high kicking taekwondo action, so just why do these flicks remain so unheard of and unseen? There could be several reasons. For a start it’s exceptionally rare for any of these titles to get the English subtitle treatment, limiting their appeal to overseas audiences. However I’d be willing to argue the answer is more straightforward. Much like the Japanese V-Cinema boom of the 90’s (or for a more recent example – China’s online cinema output), many of these fight flicks come with killer artwork that promises plenty of testosterone and violence, however the actual Continue reading

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Watch the Trailer for ‘Sheep Without a Shepherd II’ starring Xiao Yang, Simon Yam, Aarif Lee, Song Yang and Janice Man

"Sheep Without a Shepherd II" Theatrical Poster

“Sheep Without a Shepherd II” Theatrical Poster

Filmmaker/actor Dai Mo, who is perhaps best known for directing Detective Chinatown, is getting ready to release Sheep Without a Shepherd II, the thematic sequel to the hit 2019 film, Sheep Without a Shepherd. 

Sheep Without a Shepherd II stars Xiao Yang (Dragon Blade), Simon Yam (Run and Kill), Aarif Lee (Kung Fu Yoga), Chen Yusi (Mojin: The Worm Valley), Song Yang (The Final Master) and Janice Man (Nessun Dorma).

The film revolves around a married couple whose lives are changed when their son is involved in an accident.  Desperate to save their son, they choose a path that ultimately leads to a shocking result.

The first film – a remake of the 2013 Indian film, Drishyam – was directed by Sam Quah and Continue reading

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Herman Yau’s ‘Death Notice’ starring Francis Ng, Louis Koo and Julian Cheung gets a New Trailer

"Death Notice" Theatrical Poster

“Death Notice” Theatrical Poster

Celebrated Hong Kong filmmaker Herman Yau (Shock Wave 2, Shock Wave, Ebola Syndrome) is currently prepping the long-awaited Death Notice (aka Death Notify), a cat ‘n mouse, cops vs killer thriller based on the popular novel of the same named by Zhou Haohui.

The film features an all-star cast that includes Louis Koo (of course), Francis Ng (Full Alert), Julian Cheung (The Suspect), Charmaine Sheh (Line Walker), Chrissie Chau (Men Suddenly in Love), Ray Lui (To Be Number One), Chan Kwok Kwan (Ip Man 3) and Simon Yam (The Mission).

Plot: In Hong Kong, a vigilante serial killer leaves death notices, stating when and how he will murder a victim. Even if the victim reports it to the police and receives protection, the killer can easily break through Continue reading

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One Shot | Bu-ray & DVD (Screen Media)

One Shot | Bu-ray (Screen Media)

One Shot | Bu-ray (Screen Media)

RELEASE DATE: December 7, 2021

On December 7, 2021, Screen Media Films is releasing the Blu-ray & DVD for One Shot (read our review), the latest from martial arts star Scott Adkins (Ip Man 4, Triple Threat) and director James Nunn (Eliminators, Green Street 3: Never Back Down).

In this intense, non-stop action-thriller, relentlessly filmed in a single continuous take, an elite squad of Navy SEALs on a covert mission to transport a prisoner off a CIA black site island prison is trapped when insurgents attack, trying to rescue the same prisoner. Led by Lieutenant Blake Harris (Scott Adkins), the team, including Deputy Site Manager Tom Shields (Ryan Phillippe), must trust the secret intel of Junior Analyst Zoe Anderson (Ashley Greene) in order to deliver Continue reading

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Cliff Walkers (2021) Review

"Cliff Walkers" Theatrical Poster

“Cliff Walkers” Theatrical Poster

Director: Zhang Yimou
Cast: Zhang Yi, Qin Hailu, Ni Dahong, Zhu Yawen, Yu Hewei, Lei Jiayin, Liu Hao Cun, Yu Ailei 
Running Time: 125 min. 

By Paul Bramhall

As one of China’s most highly regarded fifth generation filmmakers it seemed like Zhang Yimou was impervious to the increasingly strict censorship laws that the government has imposed on its cinematic offerings in recent years. However in 2019 we learnt that not even a filmmaker of Yimou’s stature was above the states all-seeing gaze, when his latest feature One Second was pulled just days away from its premier at the Berlin Film Festival citing “technical reasons”, by now a common euphemism for censorship trouble. One Second was eventually released over a year later after reshoots to address the offending content, leaving a relatively short period until the release of his next feature with 2021’s Cliff Walkers, which much like 2018’s Shadow also sees Yimou working from his own script.

I bring up the background involving One Second, as Cliff Walkers very much feels like a movie from a filmmaker who’s been burnt by the need to censor his own work, and doesn’t wish to go through the same process again. So instead we get a movie that literally ends with the onscreen text “This film is dedicated to all of the heroes of the Revolution”, ensuring it favours good will when it goes in front of the board and makes it into theatres unscathed. Yimou isn’t alone in facing the need to compromise to fit into China’s new, heavily jingoistic cinematic landscape. Fellow fifth generation alumni Chen Kaige has the upcoming Battle at Lake Changjin on the horizon, a big budget battle epic that he co-directed with Tsui Hark and Dante Lam, which covers the courageous heroics of the People’s Volunteer Army in a decisive battle during the Korean War. If you’re thinking wasn’t China Continue reading

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Eureka’s ‘Cinematic Vengeance!’ now shipping from U.S.-based seller Goodie Emporium!

Cinematic Vengeance! 8 Kung Fu Classics From Director Joseph Kuo

Introducing the Limited Edition Blu-ray set (Region B) for Cinematic Vengeance!, which includes the following films: The 7 Grandmasters, The 36 Deadly Styles, The World of Drunken Master, The Old Master, Shaolin Kung Fu, The Shaolin Kids, 18 Bronzemen and Return of the 18 Bronzemen.

Attention U.S. buyers: Please note that this is a Region B (UK) release, so a multi-region Blu-ray player or multi-region UHD Blu-ray player is required to play this movie (standard U.S. players will not play the discs). 

Read the full details below:

Although his name may not be as instantly recognisable as some of his contemporaries, Joseph Kuo was an incredibly successful filmmaker who consistently produced crowd-pleasing spectacles always in line with what audiences at the time wanted to see. Often handling writing, directing, and producing duties, the success of this multi-hyphenate filmmaker is even more remarkable considering that the majority of his films were produced independently, at a time when the kung-fu genre was dominated by the big Hong Kong studios. Cinematic Vengeance! collects eight Continue reading

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Legendary Weapons of China | Blu-ray (88 Films)

Legendary Weapons of China | Blu-ray (88 Films)

Legendary Weapons of China | Blu-ray (88 Films)

RELEASE DATE: February 9, 2022

On February 9, 2022, 88 Films will be releasing the Blu-ray for Lau Kar-Leung’s Shaw Brothers classic, Legendary Weapons of China. A UK (Region B) version of the film will also be available on February 8, 2022.

When the former member of a failing magical kung fu order threatens to destroy the remaining group’s reputation through his loud mouth insults and defamatory behaviour, an elite band of killers is dispatched to silence him forever.

Though perhaps the golden age of martial cinema had been and gone, this late entry wuxia-style film from The Shaw Brothers’ house of dreams, was still able to pack a powerful punch.

Written, directed and starring Lau Kar-Leung (The Spiritual Boxer, Spiritual Boxer II), this gloriously fast-paced drama, which entertainingly mixes swordplay with hand to hand combat in a fabulously furious rollicking adventure, weaves its own special kind of magic.

Continue reading

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Revenge of the Shogun Women | Blu-ray (Kino Lorber)

Revenge of the Shogun Women | Blu-ray (Kino Lorber)

Revenge of the Shogun Women | Blu-ray (Kino Lorber)

RELEASE DATE: December 14, 2021

On December 14, 2021, Kino Lorber will release a 4K-sourced Blu-ray for Revenge of the Shogun Women (aka 13 Golden Nuns), a 1977 martial arts film from director Chang Mei-Chun (Kung Fu Kids).

Revenge of the Shogun Women stars Pai Ying (A Man of Immortality), Han Hsiang-Chin (Melody from Heaven), Liang Hsiu-Shen (A Flower in the Storm), Cheung Yu-Yuk (Flying Sword Lee), Lam Dai (Golden Nun) and Ku Cheng (The Seven Commandments of Kung Fu).

From Mei-Chun Chang, the director of Dynasty, comes this eye-popping martial-arts extravaganza set near the turn of the 18th century in China. Thirteen women train to become nuns after they are ravaged by bandits. A mastery of kung fu is required before the women finish their training, and after they leave the temple the nuns Continue reading

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Hard Target | 4K UHD + Blu-ray (Kino Lorber)

Hard Target | 4K UHD Blu-ray (Kino Lorber)

Hard Target | 4K UHD + Blu-ray (Kino Lorber)

RELEASE DATE: December 7, 2021

On December 7, 2021, Kino Lorber Studio Classics will release a New 4K UHD + Blu-ray for John Woo and Jean-Claude Van Damme’s 1993 actioner Hard Target.

In Hard Target, a woman (Yancy Butler) hires a drifter (Jean-Claude Van Damme) as her guide through New Orleans in search of her missing father. In the process, they discover a deadly game of cat and mouse behind his disappearance. The film also stars Lance Henriksen, Arnold Vosloo, Bob Murawski and Wilford Brimley.

The upcoming release will include New interviews with John Woo, Lance Henriksen and Yancy Butler, as well as the Unrated Director’s Cut and U.S. Theatrical Cut of the film.

According to Kino, Woo considers Continue reading

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Film vs Book: Murder on the Orient Express

The Orient Express was an early long-distance passenger train service that was created in 1883 by the International Sleeping-Car Company – better known by its French name of “The Compagnie Internationale des Wagons-Lits”. The original endpoints of the service were Paris and Constantinople (known as Istanbul today).

Whilst the route and rolling stock used on the line changed many times during the services tenure, one important feature did not – the Orient Express name was synonymous with intrigue and luxury rail travel. At a time when travelling was renowned for being rough and dangerous, the Orient Express was seen as a futuristic showcase of what could be achieved – it was comfortable and luxurious but remained prohibitively expensive for much of the time it was in operation.

Agatha Christie’s Murder on the Orient Express

In 1934, English writer Agatha Christie wrote an extremely popular work of fiction that was set on the Orient Express. Titled “Murder on the Orient Express” in the United Kingdom, and “Murder in the Calais Coach” in the United States, sales figures for the book are difficult to find because it has been reprinted and republished so many times. 

Without doubt though, this book must surely be one of Agatha’s most popular titles – it is certainly amongst the most well-known, having seen three separate film adaptations in 1974, 2001 and 2017. There were significant differences between the original book and all three of these movies, however – unsurprising, given the intricate and extremely detailed plot of the source material.

Slot Machine Adaptation

A video slot was created to coincide with the 2017 film adaptation of Christie’s work by respected developer of Online Slot Machines, Yggdrasil. The game is a 20-line slot featuring a traditional 5×3 layout with a theoretical RTP of 96.1%, with bonus rounds centered around the most famous cities on the legendary train journeys route – Paris, Venice, Belgrade, and Istanbul. The slot was a big success at the time, though player numbers have fallen each year as the movie quietly progresses into obscurity.

The Biggest Differences Between the Book and Films

In the book, the famous detective Poirot is portrayed as being more pensive and thoughtful, spending much of his time speaking in a ‘soliloquy’ narrative style. The directors in Hollywood changed Poirot’s character extensively in all three film adaptations, though the 2017 adaptation in particular is notable for turning the detective into essentially an action star. Whilst this does add excitement and momentum to the film, it is a huge departure form the source material and prevents viewers from truly understanding the character of Poirot as Agatha had originally intended.

Cuts for Timing Purposes

Of course, much of the intricate detail of the plot had to be cut from the movie, including huge sections of dialogue which some viewers felt introduced many questions as to why certain characters acted in the ways that they did. Converting a 256 page novel into a film script is never going to be an easy task, and despite a run length of close to 2.5 hours, the 2017 film adaptation misses out on many critical plot elements that fans of the novel were disappointed to find missing from what was supposed to be the most accurate adaptation of Christie’s book to date.  

Confusing Timelines

Just as there has been three different film adaptations of Murder on the Orient Express, the novel itself has been adapted and re-adapted many times over the decades since its original release as well. Sometimes the changes were small, made simply to reflect cultural differences that have occurred during the years since. On other occasions, whole sections of the book were seemingly rewritten with the aim of finding a new target audience. 

The description of Poirot’s moustache is one example that changes significantly between different adaptations of both book and film, for instance.

Character Differences 

The character M Bouc in the novel is a Belgian, just like Poirot, and resultingly had little trouble convincing the detective to take on the case. The character is portrayed entirely differently in the movies – a British man with a love of several vices including drinking and gambling. Whilst the character portrayed onscreen is very believable, he differs substantially from the M Bouc of the novel. 

The twelve characters portrayed in the book are changed to reflect a much more diverse cast in the 2017 film adaptation – a common theme in Hollywood movies today. Poirot was also the one to find the body in the most recent movie adaptation, which was possibly done to speed up the plot substantially. 

In Closing

As a final note, the snowdrift/avalanche is one of the most iconic scenes in the movie, yet only received a brief mention after it happened in the book. This was no doubt done for dramatic effect – just another touch of Hollywood magic as they say. The question is, did Agatha’s book really need any such magic? The original book is just as good a read today as it was in 1934, and is a timeless piece of literature – will anybody say the same of the 2017 film adaptation a century from now?

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Hong Kong ‘Z Storm’ director David Lam to ‘Walk in the Shadows’ with Wang Qianyuan and Han Geng

"Walk in the Shadows" Theatrical Poster

“Walk in the Shadows” Theatrical Poster

Hong Kong director David Lam (Street Angels), predominately known for his popular Hong Kong franchise – Z Storm, S Storm, L Storm, P Storm and G Storm – is taking a break from the stormy weather for an crime thriller titled, Walk in the Shadows.

The upcoming film stars Wang Qianyuan (Shadow, Saving Mr. Wu), Han Geng (Dynasty Warriors, The Great Detective) and Viann Zhang (Flying Swords of Dragon Gate, Magic Card).

Plot details for the film are currently non-existent, but judging from the Newly released Poster (via AFS), much of the film is most-likely set in a prison setting.

A Trailer for Walk in the Shadows is due soon, until then, here’s the Trailer Continue reading

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One Shot (2021) Review

"One Shot" Theatrical Poster

“One Shot” Theatrical Poster

Director: James Nunn
Cast: Scott Adkins, Ashley Greene, Ryan Phillippe, Emmanuel Imani, Dino Kelly, Lee Charles, Jack Parr, Waleed Elgadi, Terence Maynard, Jess Liaudin, Dan Styles
Running Time: 96 min.

By Paul Bramhall

As a fan of the action genre there’s something deeply admirable about the amount of effort that goes into creating a one-shot action scene. From the hospital shootout in John Woo’s Hard Boiled, to Tony Jaa’s restaurant rampage in Tom Yum Goong, the combination of timing, choreography, stamina, and camerawork has to come together just right to make it work. Today the one-shot action scene is still just as popular, but increasingly post-production digital assistance is used to effectively stitch a collection of shots together, giving the illusion of it being a genuine continuous shot. That’s not necessarily a criticism, with Charlize Theron’s stairwell fight in Atomic Blonde and Chris Hemsworth’s escape in Extraction being stellar examples of digitally assisted one-shot sequences, however to apply the one-shot principle to an action movie from start to finish is a daunting proposition.

It’s been tried before, with Ilya Naishuller’s Hardcore Henry using digital stitching to create a first-person one-take adrenaline rush in 2015, and more recently Tak Sakaguchi framing his 77-minute genuine one-take battle sequence to create Crazy Samurai Musashi with middling results. It would be in 2021 though when the busiest man in the DTV action genre, Scott Adkins, decided to try his hand at starring in a one-shot action movie. The appropriately titled One Shot reunites Adkins with director James Nunn, who he worked with on the underseen Eliminators, and the lamentable Green Street 3: Never Back Down. Since they last collaborated Nunn has kept himself busy in the DTV action genre helming The Marine 5: Battleground and The Marine 6: Close Quarters, so to see him Continue reading

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