By Dean C. | Film critic and iGaming columnist, 11 years covering Asian cinema and digital entertainment. Published July 2026. There’s a moment in The Raid You know the one. Where Iko Uwais enters a hallway and the film simply stops apologising for itself. No setup. No lingering reaction shot. The Silat starts, and it doesn’t stop until someone is face-down on concrete. Gareth Evans made a career-defining choice with … Continue reading →