Edgar Wright, the genius director known for his pleasantly paced, comedic brand of culture-induced films (Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. the World) is back with an innovative project that’s being described as an “action crime musical film”. The movie, titled Baby Driver, involves a young getaway driver named “Baby” (The Fault in Our Stars’ Ansel Elgort), who finds himself taking part in a heist doomed to fail. In the process, he … Continue reading →

Now that Jordan Vogt-Roberts’ Kong: Skull Island (reboot of the King Kong franchise) and Gareth Edwards’ Godzilla have done their damage at the box office, Legendary Entertainment and Warner Bros. are in full swing with Godzilla vs. Kong, a mash-up of the two aforementioned titles. According to THR, Adam Wingard (director of Netflix’ upcoming Death Note), who made a name for himself with low-budget horror thrillers such as You’re Next and The Guest, has closed a deal … Continue reading →

For the last few years, Legend of Conan (aka King Conan or Conan the Conqueror) – the proposed ‘true’ sequel to 1982’s Conan the Barbarian – has been in an off again/on again status by Universal. The film was most likely pushed aside, numerous times, due to “higher priority” projects (i.e. Terminator Genisys) that involve the series’ returning star, Arnold Schwarzenegger. Over the years, City on Fire has collected news updates regarding the development Legend … Continue reading →

In the tradition of Nah Hyeon’s recent film, The Prison, comes The Merciless (aka Hoodlum), an upcoming crime thriller by writer/director Byun Sung-Hyun (Whatcha Wearin’?). The Merciless (read our review) involves a couple of prisoners (Sol Kyung-Gu of Another Public Enemy and Siwan of The Attorney) and their search for higher power in the criminal world. The film also stars Kim Hee-Won (The Man from Nowhere), Jeon Hye-Jin (Tell Me Lies), Lee Kyoung-Young (The Prison), Kim Sung-Oh (A Bittersweet Life) and Heo … Continue reading →

Well Go USA is finally releasing Haofeng Xu’s highly-anticipated, award-winning martial arts film The Final Master (read our review) on DVD, Blu-ray and On Demand on July 25, 2017. Xu made a name for himself by penning the screenplay for Wong Kar-Wai’s The Grandmaster. But it was 2011’s The Sword Identity, his directorial debut, which showed Xu’s true talent. Then came his acclaimed second film, 2012’s Judge Archer (aka Arrow Arbitration). Xu’s trend in both films was presenting … Continue reading →

Three months ago, it was reported that Chinese entertainment company Huayi Brothers (Mojin: The Lost Legend, Dragon Blade) announced the production of The Mask of the Black Death, an upcoming film based on a script by one of the most important and influential filmmakers in the history of cinema, Akira Kurosawa (Seven Samurai, The Hidden Fortress). Now, another never-before-filmed Kurosawa screenplay, Silvering Spear, has been acquired by Jinke Entertainment from Kurosawa Production Co. for a big screen … Continue reading →