Director: Lee Jae-Won
Cast: Seo Hyun-Woo, Lee Myeong-Ro, Lee Seol, Kim Kyu-baek, Park Seung-tae, Choi Euna
Running Time: 96 min.
By Paul Bramhall
I confess to being a fan of the “having a bad day” sub-genre, the kind which places a character (or characters) in an unenviable situation over the course of a short timeframe, and come with a narrative that’s usually built around the mantra of everything that can go wrong does go wrong. The likes of 2014’s A Hard Day stands out as a classic example, and in more recent times the Netflix series Beef proved to be a superlative slice of the genre done well. In 2022 director Lee Jae-won made his debut with Thunderbird, which doubles as his feature graduation project from the Korea Academy of Film Arts (KAFA), taking the same framework but switching up a bad day for a bad night, playing out across one night in the small town of Jeongseon.
In the opening scene we meet a beaten-up gambling addict played by Lee Myeong-ro (The Roundup: No Way Out, Snowball) who’s being help captive in the backseat of his own car – a souped up Audi 44 that the titular Thunderbird refers to. Being kept company by a pair of debt collectors, they pawn the car to a local pawnshop to collect some of the money he owes, and give him a deadline of midnight to find the rest. Dumped in the street with his shoes and mobile thrown into a nearby stream, Myeong-ro is left with no choice but to use a payphone to contact his taxi driver Continue reading
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