My childhood in the leafy suburb of Linlithgow, near the capital of Scotland, Edinburgh, could not have been more idyllic and beautiful. On Saturdays the family would head through to Edinburgh, a place I remember as a kid being labyrinthine with great Victorian atmosphere, with winding streets that connect up in weird ways. In the evening we would regularly go to my Grandparents house, just outside of the city. My … Continue reading →

By 2002, I’d seen a handful of Hong Kong action movies – mostly John Woo staples like A Better Tomorrow and Miramax’s dubbed Jackie Chan pictures – but it wasn’t until my hand reached for a lonely copy of Tsui Hark’s 2000 gonzo action masterpiece Time & Tide at Blockbuster Video that I truly became a devotee of the genre. To my teenage self, Hark’s surreal blend of audacious camerawork, … Continue reading →

Today I couldn’t tell you whose idea it was to go to Blockbuster and rent a Jackie Chan VHS but I can clearly remember more than one family movie night spent laughing and gasping in shock while watching Operation Condor. Of course, even this innocent memory of a Hong Kong superstar’s attempt at an Indiana Jones movie is somehow wrapped up in Weinstein controversy. For the longest time, pre-internet Kyle … Continue reading →

Over the coming months, myself and other regular contributors here at cityonfire will be weighing in with what movie it was that first got us into Asian cinema. We’ll be breaking it down into 3 regions – Hong Kong/China, Japan, and Korea – in that order, with a month dedicated to each. First out of the gates, as expected, is Hong Kong and China. Most likely the gateway for many … Continue reading →

As fans of kung fu cinema, we can certainly never be accused of having it easy when it comes to the movies we love. Deleted scenes that may or may not exist, alternate endings that are considered lost, and copious amounts of additional footage known to be destroyed are just some of the lamentable realities the genre comes with. However at least with the scenarios described above, we can say … Continue reading →

A large slice of every video shop was once dedicated to shirtless, blood-dripping men, striking clenched poses and displaying great fighting skills. Taking their key from Hong Kong cinema, the films of Jean-Claude Van Damme (perhaps the man who personifies video more than anyone) and the various sub-Van Dammes was a vibrant and varied industry of fighting tournaments programmers, bar room brawls and cops who knew chop-socky. They were born … Continue reading →

For various inexcusable reasons, last year I omitted posting a list of the best movies bore witness to in 2016. Thankfully 12 months on, looking back over my movie viewing habits of 2017, I can safely say there’s definitely been more good than bad. And when it was good, it was really good. So it seems apt to once more pull together a summary of titles I found myself categorizing … Continue reading →

With the recent release of the Charlize Theron starring Atomic Blonde, a disproportionate amount of mainstream press coverage has revolved around how refreshing it is to finally see a Hollywood movie with a female action lead. Understandably, many Asian cinema fans have been quick to point out how Hong Kong has delivered more butt kicking female leads than you can shake a stick at, dating back to the beginnings of … Continue reading →

Back in the oughts, before Hollywood became bankrolled by superhero franchises and endless reboots, the industries former money maker came from a seemingly endless stream of Americanised remakes of Asian movies. From horror (especially horror!) to action flicks to comedies, the list quickly became exhaustive, with fans of the originals rarely having anything positive to say about the Hollywood versions. However one aspect of the remake machine that rarely gets … Continue reading →

Jim Kelly was a singular individual… period. Although for some – particularly critic – he was just another standard action contractee of the Blaxploitation era recalled in idle conversat­ions notably for his co-starring credit opposite the late Bruce Lee in Enter the Dragon (1973), and a vernacular of deadpan, cynically delivered one-liners. Is this the only legacy Jim Kelly bequeathed to a united nation of grieving fans and ageing film Historians; nostalgically pining … Continue reading →

When you think of the famous studios responsible for producing some of the most popular kung fu classics, some names that will likely spring to mind are Golden Harvest, Shaw Brothers, and Cathay, to name but a few. One name that certainly wouldn’t be near the top of anyone’s list, or even on it at all for that matter, is American cable channel HBO. However at the end of 2016, … Continue reading →