Iron Monkey (1993)

AKA: Iron Monkey: The Young Wong Fei Hong

Literally: The Young Wong Fey Hung: Iron Monkey

Director: Yuen Wo-Ping

Producer: Tsui Hark

Writer: Tsui Hark, Tang Pik-Yin, Lau Tai-Muk

Action Director: Yuen Wo-Ping, Yuen Cheung-Yan, Yuen Sun-Yi, Kuk Hin-Chiu

Cast: Yu Rong-Guang, Donnie Yen Ji-Dan, Jean Wong Ching-Ying, Tsang Sze-Man, Yang Yee-Kwan (Yam Sai-Koon), James Wong Jim, Yuen Sun-Yi, Hau Yiu-Chung, Lee Fai, Cheung Fung-Nei, Chun Kwai-Choi, Chan Siu-Wah, Yip Choi-Nam, Ko Man-Dik

Running Time: 86 min.

Plot: "Take from the rich and give to the poor." Sound familiar? Iron Monkey is the Robin Hood of the East. This time, the legendary Iron Monkey teams up with a young Wong Fei Hung to battle against a corrupt Chinese government.

AMIR'S REVIEW: Fast, unique, and extremely furious Kung Fu action. A doctor by day, a masked fighter by night, the story cleverly mixes western superhero movies with eastern martial artistry. A great Batman movie without the bat, Iron Monkey will not bore. The film manages to transform the genre not by escaping from the essence of Martial Arts movies but by elevating it to a higher level.

AMIR'S RATING: 8/10

REEFER'S REVIEW: This Yuen Woo Ping directed prequel to Once Upon A Time In China is about as wire-fu-crazy as a film can get. Though not necessarily a bad thing, it does require adequate suspension of disbelief. In fact, most of the battles in this movie are enhanced through editing or wires. This proves to be tiring in some respects, especially when there are no boundaries set on what exactly a martial artist can and cannot do. Running across rooftops seems to be permitted. Jumping straight up into the air and landing on the other sides of building can be done too. This maybe picky. But I wish we, as the viewer, knew the limits.

That said, this is a very entertaining film. Yu Rong Guang is simply amazing as the Robin Hoodesque Iron Monkey. Donnie Yen, in his best performance to date, plays Wong Kay-ying, the father of future folk hero Wong Fei Hong, with a certain stoic grace (if that makes sense). And surprisingly, Fei Hong is played by a girl in young boy drag. And his/her fight scenes, using an umbrella, are especially a treat.

What sets this one apart from other kung fu epics is the attention it pays to its characters, even with just an 86 minute running time. Even the whore-turned-doctor's assistant is developed. It would be a throwaway role in most films of this genre, but Yuen and the screenwriters really want us to care for her. Yen shows immense likability in this role as well. In other of his films, he plays mostly surly, hot-headed guys. A real turn-off in an action hero, if you ask me. Yuen takes this type and makes him quietly emotional when it comes to the well being of his son, Fei Hong. The audience is immediately won over by this tough guy who simply doesn't know how to express feelings of love for his son and thus, making him all the sterner.

I can't end this review without mentioning that the end fight, taking place on burning poles, is just about the wildest fight sequence I have ever seen. I constantly found myself amazed at the audacity of the filmmaking. Then again, that is why we all love HK cinema.

REEFER'S RATING: 9/10

NUMSKULL'S REVIEW: Hot DAMN! THIS, by fuck, is how you make a wire-fu movie. After sitting through one of those pre-movie advertisement slide shows that had four consecutive factoids on Britney Spears (so she covers "I Can't Get No Satisfaction" on one of her albums, does she? How much you wanna bet there's at least a million little girls out there who think SHE wrote that song instead of The Rolling Stones?), I sat back and had 85 or so of the most fun-filled minutes I've ever experienced in a movie theater.

What sets Iron Monkey apart from the BAD kind of wire-fu movie is that the wire tricks accentuate the fighting, rather than simply replacing it. In some cartoony shit like Butterfly & Sword, the characters fly around, throw little exploding thingies, bounce shit off their heads, and generally do just about anything EXCEPT hit each other. Not so here. People can't fly...they can just jump really high. People can't fire death rays from their fingers...they have to take people out the old-fashioned way. Undercranking is used in moderation, which still looks kind of silly at times, but I've seen worse. MUCH worse. The silliest thing to be found here is the head bad guy's expanding sleeve (which somebody actually balances on). Aside from that, it doesn't get too carried away.

Yuen Wo Ping uses the "widow forced to sell herself to bury her dead husband" bit again in Wing Chun. Just thought I'd mention that for the hell of it.

The thing that bothered me the most wasn't the movie itself...it was three black youths in the theater who thought just about every little thing they saw was either riotously funny or deserving of an "OOOooOOoHhhH!!!" of pain by proxy. And speaking of which, what's this "director by proxy" shit where Quentin Tarantino is concerned? Asshole.

Loads of fun...highly recommended.

By the way, I read somewhere that the kid who plays young Wong Fei Hung is actually a girl.

I thought they stopped doing that kind of thing back in the '60s?

NUMSKULL'S RATING: 8/10

EKU®'S REVIEW: Most people are comparing this movie to Couching Tiger and Hidden Dragon, but I think it's nothing like it. Even though the fight sequences were done by the same folks, I find the combat scenes here were much more intense. They were just too cool. Comparing to Couching Tiger, people don't literally fly in the air. Although the roof-top notion is there.

There was actually humour in this movie. Some characters were silly enough to provide comic reliefs, for example, the peasants always played around despite the fact that they were poor and suffering. The local bullies were always funny when they get their asses kicked. As one bully put it, "I will retire myself from the world if I don't get this kid" (referring to young wong fei hung).

I am not sure who I liked better, the iron monkey or the legendary Wong Kay Ying. They were equally skilled in combat. I found that there were tons of flying objects in the fight sequences like rocks, shoes etc.

The plot is what you would expect from a Hong Kong movie. It can be predicted but yet it's complete.

I am expecting many more similar movies to be released following Iron Monkey's huge success.

EKU®'S RATING: 8.5/10

MASSACURE'S REVIEW: I enjoyed this movie alot, the action was good, even though the wires where a tad bit over used, and the last fight scene went on a lil to long, too much hoppin around, get the fuck off the logs and fight, It had some dry humor too like when they dressed up as a high offical, the movie could have went better without that corny shit, But overall it was s good movie if u can stand the bad humor .

MASSACURE'S RATING: 6.5/10

PERKELE'S REVIEW: What a disappointment! One of my favorite action directors Yuen Woo-Ping has, too, totally sold his soul to the evil Wire Devil. He did some nice job with "Wing Chun", "Fist of Legend" and "OUATIC2" but this is almost humiliating [though not as bad as he did in "Last Hero in China"]! The whole freaking Yuen group was brought in to make the action top notch, but they just fucked up everything! Hell, Donnie Yen can certainly kick ass without any wires, so WHY? The fights in the beginning are much better [less wire work, that is] than the ones in the final reel [the so-called "climax" is one of the lamest], the best bout being the Donnie vs. Yu Rong-Guang roof-fight somewhere in the first half of the film. Besides the frustration [they could have done so much better!], the movie is overall very well done. Acting is as good as it gets in a HK kung fu film, and the production values are remarkably high. The plot should come off as interesting to anyone who wants to know something about Wong Fei-Hung's childhood. So despite the flaws, "Iron Monkey" is among the ten best kung fu movies of the 1990's [what a lame-ass decade for the kung fu film].

PERKELE'S RATING: 5.5/10

VIC NGUYEN'S REVIEW: Tsui Hark produced this Yuen Woo-ping martial arts adventure depicting the exploits of a Chinese Robin Hood known as the Iron Monkey. Here, Wong Key-ying, played by Donnie Yen, is assigned by the government to take down the Iron Monkey, but not before collaborating with his intended target in order to take down the government themselves. Acclaimed by enthusiasts as the definitive modern martial arts movie, this film contains excellent wire fu choreography by Yuen Woo-ping, star turns by Donnie Yen and Yu Rong-guang, and some decent slapstick humor. Recommended to anyone in need of a good, old fashioned wire fu movie.

VIC NGUYEN'S RATING: 8.5/10